2026’s ‘Sense and Sensibility’ earns glowing early reactions ahead of cinema release
Photo: Focus Features
The latest adaptation of Jane Austen’s Sense and Sensibility has received enthusiastic early reactions following its London premiere, with critics praising its performances, visual style and treatment of the beloved novel.
Directed by Georgia Oakley and written by Diana Reid, the Focus Features film stars Daisy Edgar Jones as Elinor Dashwood, Esmé Creed Miles as Marianne Dashwood, Caitríona Balfe as Mrs Dashwood, George MacKay as Edward Ferrars and Fiona Shaw. The film is scheduled for release in UK cinemas on September 25.
The first reactions emerged after the film’s Tuesday premiere in London, with several critics highlighting the cast and Oakley’s approach to Austen’s story.
Tori Brazier of Metro praised the film for remaining faithful to the spirit of Austen’s novel while still feeling fresh. She highlighted the relationship between the Dashwood sisters and singled out Fiona Shaw, while also praising the male cast.
Casey Loving of TheWrap described the film as being for “the yearners” and praised Oakley and Reid for staying true to Austen while making key changes. He also highlighted Edgar Jones and George MacKay, while calling Creed Miles’ performance as Marianne particularly impressive.
Jazz Tangcay of Variety praised the chemistry between Edgar Jones and Creed Miles and described Balfe as wonderful. Tangcay also credited Reid with bringing wit to the screenplay, calling the film “a delight”.
Other early reactions have focused on the film’s romantic qualities. Lyvie Scott of Inverse praised Oakley’s creation of the film’s world and described it as sweet, while also singling out MacKay.
Matt Neglia of Next Best Picture praised the cast, costumes, score and Edgar Jones’ performance, while calling Creed Miles a standout. He also acknowledged the challenge of following Ang Lee’s acclaimed 1995 adaptation, but said Oakley’s version showed considerable care and affection for Austen’s material.
The reactions arrive just days before the film reaches UK cinemas, giving Austen fans an early indication of what critics experienced at its London premiere.