“I took an undergraduate course on Roman and Greek art history while I was at New York University but when I went to Greece last summer I understood the classical approach towards art and that really floored me,” said the artist.
‘Composition in Blue’, an oil on canvas, depicted a scene straight out of Ancient Greece, with scantily garbed people reclining on furniture with the famous Santorini coast and blue domed houses in the background. In contrast to this, ‘War in Red’ was a fiery, angry piece that depicted rage and turmoil.
Annual exhibition: Calendars offer a window into life in Japan
Notably, Aijazuddin used oil on silver or gold leaf to allow the classical statuary pieces to stand out. “When I went to Greece I started to see a lot of blue there. Clarity in my artwork comes with blue and pasting over it with silver leaves in the background,” he explained.
But when talking about background, the artist insisted that the role of identity is very clear cut there. “There have been instances where Muslims had relations with the Greeks. Alexander too came here (towards the East) to conquer. Besides, in present times the refugee influx is happening in Europe via Greece,” he said. Aijazuddin concluded that he understands the binary via the East-West amalgamation.
Artists share a ‘saucerful of secrets’ at Sanat’s latest exhibition
“Komail Aijazuddin has been exhibiting here at Canvas for the past seven years and has brought forward very different series of work. His work is entrenched in art history and is thoroughly well-researched,” said Canvas Gallery owner Sameera Raja. “There are historical, political and cultural things we see in the Greek sphere and these are the things we are getting involved in. But really his collection is about Greek mosaic.”
The exhibition continues till March 9.
COMMENTS
Comments are moderated and generally will be posted if they are on-topic and not abusive.
For more information, please see our Comments FAQ