Art exhibition: Read between the lines to break the code
Ayesha Siddiqui’s paintings are symbolic and open to interpretation.
two of the pieces from the exhibition. PHOTO: EXPRESS
ISLAMABAD:
On first impression, Ayesha Siddiqui’s art statement leaves one baffled. Colourless boxes and symbols painted on white sheets aptly define her latest collection, titled “Inconspicuous”, which will open at Nomad Gallery on Monday (today).
While browsing through her work, one understands the connection between it and her need to remain ambiguous. All of the 25 pieces on display at the gallery are untitled. “I have left all my paintings untitled to leave the interpretation to the viewer,” she told The Express Tribune.
Mainly working with mixed media, Siddiqui dabbles with oil, acrylic and chemical, managing to create layers and textures with heavy connotations. However, the artist insists the work is purely on a “to each his own” basis.
Each piece leaves a lasting impact. “It’s very cerebral, extremely emotional. Ayesha is perhaps one of the finest contemporary artists we have today, her work remains as an individual representation of each one of us,” Nomad Gallery Curator and Director Nageen Hayat, said.
Although the pieces remain predominantly abstract, one does notice geometrical figures here and there with straight line grid placing in some of them. However, even with all the geometry present in her bizarre boldly painted pieces, the artists lose and sometimes splattered brush strokes begin making a lyrical impact as the viewer walks along. Perhaps then, it comes as no surprise that Siddiqui is not merely an artist. After reading papers at international seminars and publishing various articles on the contemporary painting trends in Pakistan, the talented lady is currently working on her book “Picture wall of the Lahore Fort”.
The work evokes meaning yet mystery for not only the viewer. “I cannot explain the thought process behind these pieces, there is a hidden agenda for every viewer to find,” the artist, said. The exhibition continues till March 21.
Published in The Express Tribune, March 11th, 2013.
On first impression, Ayesha Siddiqui’s art statement leaves one baffled. Colourless boxes and symbols painted on white sheets aptly define her latest collection, titled “Inconspicuous”, which will open at Nomad Gallery on Monday (today).
While browsing through her work, one understands the connection between it and her need to remain ambiguous. All of the 25 pieces on display at the gallery are untitled. “I have left all my paintings untitled to leave the interpretation to the viewer,” she told The Express Tribune.
Mainly working with mixed media, Siddiqui dabbles with oil, acrylic and chemical, managing to create layers and textures with heavy connotations. However, the artist insists the work is purely on a “to each his own” basis.
Each piece leaves a lasting impact. “It’s very cerebral, extremely emotional. Ayesha is perhaps one of the finest contemporary artists we have today, her work remains as an individual representation of each one of us,” Nomad Gallery Curator and Director Nageen Hayat, said.
Although the pieces remain predominantly abstract, one does notice geometrical figures here and there with straight line grid placing in some of them. However, even with all the geometry present in her bizarre boldly painted pieces, the artists lose and sometimes splattered brush strokes begin making a lyrical impact as the viewer walks along. Perhaps then, it comes as no surprise that Siddiqui is not merely an artist. After reading papers at international seminars and publishing various articles on the contemporary painting trends in Pakistan, the talented lady is currently working on her book “Picture wall of the Lahore Fort”.
The work evokes meaning yet mystery for not only the viewer. “I cannot explain the thought process behind these pieces, there is a hidden agenda for every viewer to find,” the artist, said. The exhibition continues till March 21.
Published in The Express Tribune, March 11th, 2013.