I’m still learning: Imran Ashraf explores new horizons in latest work

In a candid BBC Urdu interview, Imran Ashraf, known for his iconic roles in Pakistani dramas, delves into his latest venture, Namak Haram.

Reflecting on the project's premise, Ashraf expressed his initial intrigue upon hearing the drama's title and the compelling storyline that further captivated his interest.

Ashraf shares the backstory of his collaboration with writer Saqlain Mushtaq and director Shakeel Khan, highlighting their synergy in bringing forth a narrative that sheds light on societal issues. His character as a home-maid underscores the struggles and injustices faced by domestic workers, exposing the darker facets of our society.

When questioned about the pressure stemming from the colossal success of his previous character, Bhola, Ashraf responds with a profound analogy, likening the pressures actors face to the necessity of every breath. He stresses the constant learning process and the need to immerse oneself fully into a new character to do it justice. 

He likened the necessity of delving into a new character to the vital need for every breath, stating, "One who thinks he knows all doesn't feel pressure, and I am still learning." 

Ashraf emphasized the significance of wholly embodying a character to do it justice, relying on his director for guidance in crafting nuances specific to each role.

The actor dismissed the idea of seeking inspiration from others' performances, asserting his reliance on director Shakeel Khan for character development nuances, stating, "I need my director for my mannerisms, my walk, my voice, and ways in a particular character." He acknowledges the overwhelming love from fans but finds fulfillment in portraying diverse roles that challenge perceptions.

Regarding Namak Haram, Ashraf elucidates that while it's perceived as a psychological thriller by the director, it holds a profound message about the duality of human nature. He urges audiences to immerse themselves in the characters and narratives without identifying themselves within the story, emphasizing the contrast between appearances and inner darkness.

The director sheds light on the struggle to introduce diverse genres in television dramas, expressing a desire for more acceptance of varied storytelling on Pakistani screens. 

He highlights upcoming projects like Zulm and Jurm, anticipating that Namak Haram will carve its path, breaking away from traditional linear narratives and ushering in a new wave of storytelling.

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