Do Pakistani dramas reflect our society?
The writer is a journalist based in Karachi. She can be contacted at Rumisamalik70@gmail.com
Drama, despite its multifaceted characters, intricate narratives and thought-provoking themes, fails to serve as a powerful medium for unravelling the complex tapestry of societal dynamics. Through the lens of drama, we gain a shallow understanding of the numerous influences that mould our lives, encompassing politics, economics, culture and identity. It acts as a distorted mirror reflecting society's intricacies, not only reinforcing our preconceived notions but also hindering critical introspection and empathy towards those who may be different from us. Whether delving into historical events or contemporary issues, dramas capture the human experience, inherent tensions, moral dilemmas and inherent contradiction. These cultural creations, in addition to their reflective qualities, have the potential to ignite awareness and initiate discussions on pressing societal matters.
The world of drama, being loosely tied to societal changes, often struggles to experience metamorphosis in tandem with the evolving times. For instance, the aftermath of the Second World War catalysed a somewhat noticeable shift in play themes, mirroring the prevalent mood and societal trauma of the era. Works addressing war and its profound societal implications became somewhat commonplace during this period. Reflecting on the 1990s era of the Pakistani drama industry, one can observe a plethora of productions emphasising the insignificance of family bonds, weak spousal relationships and moral ambiguities. This stands in stark contrast to more recent dramas, which have clung to a more glamorous and fantastical approach, featuring simple plotlines, harmonious relationships and monotonous storytelling, reflecting the stagnation of audience tastes and preferences.
A recent production on a private channel attempted to tackle the harsh reality of child marriage but fell short in its impact. This drama clumsily delves into the plight of a 15-year-old girl, forcibly wedded to her 16-year-old cousin. It melodramatically portrays the hurdles and moments of anguish she faces, including the birth of a baby girl during her school years, which leads to her discontinuing her studies. This overwrought narrative serves as a feeble reminder of the pressing societal issues that persist, making drama an ineffective platform for addressing and highlighting these concerns.
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