Trending: Where technology and the supernatural cross paths
Netflix brings dark reflection of digital world with new season of ‘Black Mirror’
Each of the new episodes of Black Mirror takes on a different genre. PHOTO: FILE
LOS ANGELES:
Welcome back to our bleak future. Dystopian anthology show Black Mirror will debut its third season with new partner Netflix Inc on Friday, returning with six stand-alone stories exploring the darker consequences of a world digitally connected.
The show serves as a modern day Aesop’s Fables, set in alternative realities similar to present day society and centered on the impact of technology on humanity. “Technology takes the place of how the supernatural would work in shows like The Twilight Zone or Tales of the Unexpected,” Charlie Brooker, creator of Black Mirror, said. “In today’s world, we’re used to technology doing things that five years ago would have made our heads spin off with astonishment.”
Black Mirror first debuted on UK television with three episodes in 2011. A second season came in 2013 and both were added on Netflix in 2014, quickly finding a US audience. The new season debuts with ‘Nosedive’, in which Bryce Dallas Howard plays a woman trying to get digital “likes” in a society where everyone is constantly rated on a social app.
In ‘Playtest,’ a traveler finds himself in a terrifying immersive experience; two women connect in a peculiar town in ‘San Junipero;’ a young boy is threatened into a dangerous game in ‘Shut up and Dance;’ a soldier faces turmoil in ‘Men Against Fire’ and in ‘Hated in the Nation,’ the internet’s most disliked people are mysteriously killed.
“The show touches on a lot of themes but I don’t think there’s ever a resounding moral,” said producer Annabel Jones. “They’re often very ambiguous and sometimes, the endings are quite gray, which I think, sometimes, is quite unsettling for people.”
Brooker and Jones said partnering with Netflix garnered them bigger budgets and no restrictions on episode lengths, unlike shows made for broadcast television. According to the former, each of the new episodes takes on a different genre. For instance, ‘Hated in the Nation’ serving as the Black Mirror take on a Scandinavian detective noir and ‘Playtest’ explores the horror realm.
It is a structure that Brooker said they will continue as they work on the fourth season, in which one episode will focus on parenting. “I’m not anti-technology but I’m a neurotic worrier and it amuses me or liberates me in a way, to think of worst case scenarios,” Brooker said, with a laugh.
Published in The Express Tribune, October 22nd, 2016.
Welcome back to our bleak future. Dystopian anthology show Black Mirror will debut its third season with new partner Netflix Inc on Friday, returning with six stand-alone stories exploring the darker consequences of a world digitally connected.
The show serves as a modern day Aesop’s Fables, set in alternative realities similar to present day society and centered on the impact of technology on humanity. “Technology takes the place of how the supernatural would work in shows like The Twilight Zone or Tales of the Unexpected,” Charlie Brooker, creator of Black Mirror, said. “In today’s world, we’re used to technology doing things that five years ago would have made our heads spin off with astonishment.”
Black Mirror first debuted on UK television with three episodes in 2011. A second season came in 2013 and both were added on Netflix in 2014, quickly finding a US audience. The new season debuts with ‘Nosedive’, in which Bryce Dallas Howard plays a woman trying to get digital “likes” in a society where everyone is constantly rated on a social app.
In ‘Playtest,’ a traveler finds himself in a terrifying immersive experience; two women connect in a peculiar town in ‘San Junipero;’ a young boy is threatened into a dangerous game in ‘Shut up and Dance;’ a soldier faces turmoil in ‘Men Against Fire’ and in ‘Hated in the Nation,’ the internet’s most disliked people are mysteriously killed.
“The show touches on a lot of themes but I don’t think there’s ever a resounding moral,” said producer Annabel Jones. “They’re often very ambiguous and sometimes, the endings are quite gray, which I think, sometimes, is quite unsettling for people.”
Brooker and Jones said partnering with Netflix garnered them bigger budgets and no restrictions on episode lengths, unlike shows made for broadcast television. According to the former, each of the new episodes takes on a different genre. For instance, ‘Hated in the Nation’ serving as the Black Mirror take on a Scandinavian detective noir and ‘Playtest’ explores the horror realm.
It is a structure that Brooker said they will continue as they work on the fourth season, in which one episode will focus on parenting. “I’m not anti-technology but I’m a neurotic worrier and it amuses me or liberates me in a way, to think of worst case scenarios,” Brooker said, with a laugh.
Published in The Express Tribune, October 22nd, 2016.