Only a simpleton would doubt these forecasts as the world appears frenzy-ready for the latest installment in the fabled space opera. Where the movies are praised for marking a turning point for modern cinema by amalgamating visual effects with compelling narratives and reinventing the prospects of exuberant cinematic experiences for more than one generation — its chief architect, George Lucas, continues to be a conflicting figure in cinematic ranks.
While Lucas is praised for inspiring more than one generation of filmmakers and heralding a new era of filmmaking glorified by hi-tech movie-making, naysayers have often pointed towards his lack of success (and filmography) outside the Star Wars and Indiana Jones franchises as a basis for their rebuttal.
Though this view may hold true to some extent, critics would be well-advised to turn back the clock and revisit Lucas’ earlier works predating his foray into the empire. The movie serves as a reminder of his mastery at storytelling and how before succumbing to the curse of visual effects, he had appreciated realistic narratives. Even though Lucas’ vision may not be classified in the bracket of true ‘artistic expression’, its impact on the medium of film remains undeniable. Unlike other visionary filmmakers, he has changed people’s understanding about popular film. Only a few directors can stake a claim to this feat of helping cinema progress into a new age.
Coming back to Episode VII, while the film is being billed under the banner of Lucasfilm, it remains a Disney product being helmed by JJ Abrams. Even though the final story has been credited to Abrams and veteran Star Wars-scribe Lawrence Kasdan, there is bound to be substantial credit for its “creative consultant”, George Lucas.
Published in The Express Tribune, November 29th, 2015.
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