The inaugural programme features an exhibition on classical sculpture and a special appearance by Polish-born filmmaker Roman Polanski, who will present a documentary and a series of film screenings looking back on directors who influenced him most. Koolhaas has added three new buildings to the existing structure: an exhibition pavilion, a tower and a cinema. A mixed programme of art exhibitions, film screenings and philosophy projects is planned.
The Fondazione Prada also boasts a bar designed by filmmaker Wes Anderson of The Grand Budapest Hotel fame, who has modelled it after historic Milanese cafes. “There’s no museum of contemporary art in Milan and no real dedication from the municipality to promote” such art, said Astrid Welter, project director of the Fondazione Prada. “This is why it was seen as a necessity to come in with an offering.”
Every other year, Italy stages the world’s biggest art exhibition, the Venice Art Biennale, hosting a roster of cutting-edge artists from around the world. Yet the Italian government has otherwise been slow to embrace contemporary art within its museums and institutions. It was not until May 2010 that the country got its first national museum of contemporary art, Rome’s Maxxi. Companies and private individuals have stepped in to fill the gap.
Prada started its contemporary art foundation in 1993, staging exhibitions and events in Milan, Venice and elsewhere. Prada’s co-founders Miuccia Prada and Fabrizio Bertelli own a substantial number of artworks that their Fondazione’s curators will draw on to put together exhibitions, Welter said. The collection includes works of post-war European and American art by such artists as Lucio Fontana, Alberto Burri and Walter De Maria, she said.
Published in The Express Tribune, May 8th, 2015.
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