Bhaag Milkha Bhaag: Run to watch this marvel

Published: July 11, 2013
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History is created in several ways. One of them is cinema. And if Rakeysh Omprakash Mehra’s Bhaag Milkha Bhaag seems like a near-flawless homage to the flying spirit of India’s greatest runner, it is partly because the story, so nimbly woven into a pastiche of drama, emotion, humour and pathos by Prasoon Joshi, is in no hurry to keep pace with the onscreen Milkha’s breathless sprint.

The story of super-sprinter Milkha Singh unfolds in this exceptional biopic at its own volition. There’s no effort here “to tell a story”, to create an impression or to whip up a dramatic storm to captivate audiences. The synergy in the storytelling seems subliminal.

Still, we the audience, fed week after week on mediocrity masquerading as cinema, are riveted to the story of Milkha Singh for over three hours of playing time.

How come? Well, to begin with it is Milkha Singh’s own powerful life as India’s superstar sportsperson that sweeps us into the biopic. Milkha was so poor he couldn’t afford running shoes, and when he got them, he didn’t know how to run in them. When milk was offered in the army in exchange of running practice, he grabbed it (the run and the milk) with both hands.

A victim of India’s brutal partition, Milkha’s story was waiting to be told. And thankfully, no one before Mehra saw cinematic potential in his story. If Milkha’s story had to be told, the storyteller had to be a master craftsman, and one who doesn’t waste space in self-congratulatory flourishes.

With immense help from Prasoon Joshi, Mehra harnesses Milkha’s life-story into an experience that is pure cinema and yet undiluted and uncompromised by the mandatory, often silly, illogical and idiotic semantics of mainstream commercial cinema.

The absolutely seamless editing by P Bharathi is impressive. The film is very stylishly cut, but not at the cost of losing the simplicity and the innate ascetism of the sportsman-hero. And yes, there are songs composed by Shankar-Ehsaan-Loy, but they are so effortlessly woven into Milkha’s saga that we don’t see them as “song breaks”.

This is as good a time as any to tell you that Farhan Akhtar does the Bhangra as well as any Punjabi. Actually, he doesn’t dance. He just flows with the rhythm. I’ve never seen any actor dance with such rhapsodic abundance. Neither have I seen any actor run like Farhan.

I don’t know how fast Milka ran, but Farhan’s Milkha doesn’t fake it for even a second. When he runs, he really runs. When he stumbles and takes a fall, we flinch and wince in our seats. Farhan’s body language and emotions and expression as Milkha are pitch-perfect.

Farhan doesn’t ‘play’ Milkha. The actor occupies Milkha’s mind, body and soul. There are episodes in this astonishingly, well-structured biopic where Farhan’s oneness with Milkha equals Ben Kingsley’s empathy with Mahatma Gandhi in Gandhi.

This isn’t just a film about a sportsperson who brought untold glory to our country. Bhaag Milkha Bhaag is the story of an individual’s journey from nullity to pinnacles of success in a world where politics and violence are constant reminders of how little an individual’s aspirations matter in the larger, often murkier scheme.

In Prasoon Joshi’s interpretation of Milkha’s amazing success-story, yearning is the cornerstone to achievement. In 1947, when India became two nations, we see little Milkha (Jabtej Singh) run for his life to escape the savage butchery that snatches away almost his entire family. Only his dear sister, played wonderfully by Divya Dutta, remains. As we see it, Milkha never stopped running since the partition trauma.

The ‘run’ as a metaphor of life’s expedient circumstances, runs through the narrative.

Happily, the screen time is as much taken up with Milkha’s record-breaking achievements on the field, as it is with vignettes from his personal life. There is a robust heartwarming romance between Milkha and the vessel-friendly ‘kudi’ Biro (Sonam Kapoor, looking prettier than ever). The writer and director invest inexpressible warmth in the protagonist’s courtship scenes. We’ve seen this kind of love blossom on Punjab’s soil before. But it still feels special and unique.

Farhan does the rest. And he gets tremendous support from other actors, especially Divya Dutta, who is incomparably sincere in her role. Pavan Malhotra as Milkha’s coach is as usual, first-rate.

Unlike other period films in recent times which have conveniently and lazily resorted to antiques, artefacts and vintage songs, the 1950s in Bhaag Milkha Bhaag simply and effortlessly emerges from the character and his milieu.

Binod Pradhan’s camera glides across Milkha’s inner and outer world, and telling it like it is. There’s a complex design to the seeming simplicity of this saga of a simple Sikh who would guzzle two cans of ghee on challenge and run to the winning post on feet mauled by jealous rivals.

Who said life could ever be easy for those who aspire to fly higher than the rest? The beautiful irony of Milkha Singh’s life that this consummate biopic captures so ably is that he really didn’t aspire to anything. He ran simply because he had to.

The rest, as they say, is history.

Bhaag Milkha Bhaag is the kind of cinema that doesn’t tempt us to share the protagonist’s life with any false hopes. We, the audience, are driven into a desperate urge to share Milkha’s life not only because he ran fast, but because he wasn’t afraid to stumble, falter and fall.

Ironically, this film on Milkha rarely slips up, if ever.

At one point, in an under-punctuated flashback, we hear Milkha confide in his sweetheart that he would like the government to declare a national holiday in his honour.

I recommend a national holiday for the entire nation to go and see this movie. It makes the other recent high-profile acclaimed films look hopelessly inadequate.

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Reader Comments (10)

  • Singh
    Jul 11, 2013 - 6:27PM

    Great Review
    thanks
    Singh

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  • ModiFied
    Jul 11, 2013 - 7:46PM

    Milka, Gamma & Dara, are the folk heroes of sub-continent. As a child I used to hear so many stories about Gamma pehlwan. It was only during the internet era that I found out more about his life. Maj Dhyan Chand the great hockey wizard is another folk hero who used to play bare footed. Wish some one makes similar films on Gamma and Dhyan Chand also.

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  • Padma Ghandi
    Jul 11, 2013 - 7:51PM

    You call this a review ZERO mention of the actors, this writer was so impressed he forgot that actors are a part of a crew that create a film

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  • Manju
    Jul 11, 2013 - 8:23PM

    The promos and the music have been causing goosebumps to me… Waiting eagerly to watch this biopic…….. Thanks for the Movie team to bring such an inspiration like Milkha Singh on to the Silver Screen..

    Recommend

  • witty
    Jul 11, 2013 - 11:02PM

    OMG so much praise,hope it lives up to the hype.”Farhan doesn’t ‘play’ Milkha, The actor occupies Milkha’s mind, body and soul”, doesn’t come as a surprise he always does this in his movies, like amir khan.

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  • Cosmo
    Jul 12, 2013 - 7:09AM

    Idea of India: A Hindu majority nation paying to tribute to their Sikh hero, played into character by a Muslim Indian !! Cant imagine ANY other country in the world that celebrates its Diversity in such a way. Proud to be an Indian.
    Go watch the movie, but do not watch a pirated version.

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  • Raj Kafir
    Jul 12, 2013 - 7:54AM

    A Sikh never lets his hair uncovered. Producer seems to has not done his “home-work”

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  • SGJ72
    Jul 12, 2013 - 9:01AM

    @ Author BMB is scheduled to release world wide today i.e 12 July 13, How come you watched the movie and where ?

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  • Super Star
    Jul 12, 2013 - 11:38AM

    @Raj Kafir

    There are several pictures of the real Milkha singh running with his head uncovered. Do some research before you post.

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  • Raj Kafir
    Jul 12, 2013 - 6:08PM

    @Super Star: He always covered his Joorha with a Rumaal or Handkerchief. Send me a link where he is running without any head gear.

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