Movie review: Charming, pure, 'Barfi!' a modern masterpiece

Published: September 14, 2012

Silences seldom spoke so eloquently. It’s been a while since we saw a film that set style at a subsidiary state to substance, put the characters’ inner life ahead of the flamboyant manifestations of self-identity in a world governed by benevolence and charm.

Barfi! is a very charming film. It’s remarkably devoid of vanity. The story of a deaf-and-mute man who could have grown up watching Chaplin and Raj Kapoor’s cinema, and an autistic girl who has definitely not seen Shah Rukh Khan in My Name Is Khan, is told without the props of a loud background music and other prompters to get audiences’ involved in the proceedings.

This is a picaresque world of artless charm which invites you in without band baaja or baaraati. Fanfare is for the circus. Barfi! is pure cinema.

Goodness! I am already gushing. It’s the narcotic effect that Barfi has on you. Within no time at all you are swept into the protagonist’s world, the two lovely women who breeze in and out of his existence and various other characters, all etched with a compassion and vividness that one associates with the cinema of Frank Capra and Ritwik Ghatak.

Barfi! exudes the warm glow of a life well lived. This dazzling glow originates from the protagonist Barfi who lives his life king-size with many Chapliesque comic antics creating a chain of comicbook adventures for our happy-go-looking hero, even though he can’t speak or hear. But then speech was always supposed to be the least essential component of cinema. Ask Ingmar Bergman or Satyajit Ray. Their character spoke through lingering silences.

It’s been a while since any protagonist on screen said so much to us without speaking. Rani Mukerji in Sanjay Leela Bhansali’s Black said it all through her muted mode of communication.

But she had the formal sign language plus a voiceover for articulate support.

Significantly Anurag Basu, a master storyteller (and never mind the tormenting tepidity of his last film Kites) does away with the crutches of a sign language and a voiceover.

Ranbir Kapoor as Barfi or Murphy whatever!…is left to his own devices. An incredibly enterprising actor, he brings a Chaplinesque aura to Barfi’s character.

Blending a very physical pie-in-the-face style of comic acting with an intangible poignancy, Ranbir turns his character and the film into a muted celebration of life. The tears are hidden from view. But they are there.

His grandfather, Raj Kapoor, has never been very far from Ranbir’s acting skills. Raj Kapoor was highly influenced by Chaplin. Ranbir brings both the legends into the same line of vision, and yet creates a character which is unique in its buoyancy and optimism, never mind the sleeping dogs. Just let them bark in their sleep.

Priyanka Chopra as the autistic Jhilmil steals the show from Ranbir, if that’s possible. Lately, she has been found to be guilty of overacting in Agneepath and Anjaana Anjaani (with Ranbir again). In Barfi!, all her recent sins of excess are washed away.

Priyanka’s inherent glamorous personality simply disappears into her character. We don’t see the actress on screen at all! We see only Jhilmil who reminds us in a very pleasant way of Sridevi in Sadma. This is one of the most flawless interpretations of a physical-psychological disability seen on celluloid.

While Ranbir and Priyanka effortlessly prove themselves the best actors of their generation, Ileana D’Cruz makes a confident engaging debut into Hindi cinema. Is she here to stay? Time will tell.

As for Basu, in his earlier films Gangster – A Love Story and Life… In A Metro, he proved himself a maestro of the inner life. Barfi! too is shot on location within the hearts of the characters.

Not just the memorable protagonists, even the smaller players specially Roopa Ganguly and Akaash Khuruna and Haradhan Bandhopadhyay, leave a lingering impact.

Barfi! celebrates life without dismissing the dark passages and roadblocks that we often encounter as we travel through that craggy road to death.

To be able to celebrate life so warmly and sensitively the filmmaker has to know death closely. Basu, a concer survivor, has been there.

Barfi! comes as close to being a modern masterpiece as cinematically possible. To miss it would be a crime. To embrace it is to serenade the sublime.

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Reader Comments (10)

  • Papoo
    Sep 14, 2012 - 12:43PM

    Ranbir Kapoor: an Indian actor who can actually act. Looking forward to this


  • Ali
    Sep 14, 2012 - 2:52PM

    looks good!


  • Sep 14, 2012 - 7:35PM

    I must admit that this is one of the finest movies I have seen in my life. Simply amazing. Not sure if it will be shown in Pakistan.


  • Sep 15, 2012 - 7:52AM

    Whoa! Is it THAT good?


  • sohail
    Sep 16, 2012 - 7:32PM

    trust me , it was simply amazing. just dont miss it


  • Datta
    Sep 16, 2012 - 10:32PM

    I went to the movie since reviews were great. Honestly I did not like the movie. Let’s see the collection, it will be the real test.


  • Datta
    Sep 16, 2012 - 10:35PM

    I went to see the movie after reading great reviews. However I did not like the movie. Collections will tell its a hit or a flop.


  • Kuldeep
    Sep 17, 2012 - 5:21AM

    What a great movie!!. Classical movie. Amazing acting, One of the best screenplay. I am deeply touched.


  • Zaid Hamid
    Sep 20, 2012 - 7:47PM

    Whoaaa! cultural invasion by hindus argh!


  • AA
    Sep 21, 2012 - 8:58AM

    @Zaid Hamid: HaHaHa… Man, you don’t miss a chance… But, the movie is real good… Ranbir is trying to do movies with a difference – following the footsteps of Aamir Khan, Abhay Deol etc… New gal, Illena, is beautiful and promising… Priyanka is a revelation… Go enjoy the movie… A simple movie with big heart…


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