Ahmad Zoay depicts history, ideology through vibrant colours

The artist, a firm believer in heritage, showcases 46 paintings at his latest show.

ISLAMABAD:

Bold depictions, vibrant colours and sweeping strokes and an in-depth portrayal of local cultural defined the work exhibited by Ahmad Zoay’s here at Gallery Louvre on Friday. The artist’s 24th exhibition features 46 paintings in all.

Born in 1947, the artist has showcased his work in a variety of mediums around the world including Holland, Sweden and Italy.

A firm believer in heritage, the artist believes that the people of Pakistan suffer from an identity crisis. “I am proud of our history; sadly since an early age we are taught to believe that our history begins from Muhammad Bin Qasim, whereas it dates long before him. We overlook the fact that we belong to an ancient civilisation,” said Zoay.

Zoay’s work reflects his thought process — his paintings are largely influenced by bright colours of the Indus Valley Civilisation, highlighting taboo subjects with the use of abstract. Each creation is a bold statement, be it a social taboo, identity crisis or a depiction of a female.

Speaking of freedom to make choices, he said, “I want to relieve myself of societal constraints and be able to express myself in any way.” One can witness the mesh of pulsating sharp colours of red, blue, green, gold and yellow, and wide strokes that almost seem to breathe life into the paintings. A nomad at heart, the painter is strongly inspired by his experience as a “flower child”; for him these paintings are his depiction of personal realism.

All pieces are made from acrylic and possess an aura of preservation instinct. One has to see them to understand the sentiment of liberation and freedom they exude. The exhibition will continue for a month.

Published in The Express Tribune, October 15^th, 2011.