Emerald Fennell’s 'Wuthering Heights' divides critics ahead of Valentine’s Day release
Critics split over Emerald Fennell’s 'Wuthering Heights' adaptation starring Margot Robbie and Jacob Elordi

Emerald Fennell’s reimagining of Wuthering Heights has divided critics ahead of its UK release on February 13, with reviewers sharply split over the adaptation starring Margot Robbie and Jacob Elordi.
Based on Emily Brontë’s novel, the film retells the story of Catherine Earnshaw and Heathcliff, set in the late 18th and early 19th centuries.
The production has drawn attention for its stylised approach and marketing, with quote marks around “Wuthering Heights” signalling Fennell’s personal interpretation. Charli XCX has created an accompanying soundtrack.
In a two-star review, The Guardian’s Peter Bradshaw described the film as an “emotionally hollow, bodice-ripping misfire”, adding that Fennell “cranks up the campery” in what he called “a 20-page fashion shoot of relentless silliness, with bodices ripped to shreds and a saucy slap of BDSM”.
By contrast, the Telegraph’s Robbie Collin awarded five stars, calling the film “resplendently lurid, oozy and wild.” He rejected suggestions that it prioritises visuals over meaning, writing: “Style over substance? Not at all - it's more that Fennell understands that style can be substance when you do it right.”
Other reviews varied. The Independent’s Clarisse Loughrey gave one star, describing it as “like a limp Mills & Boon.” The Times’ Kevin Maher awarded two stars, criticising what he saw as a “fatally shallow characterisation” of Heathcliff.
More positive reactions focused on the leads’ performances. The Hollywood Reporter’s David Rooney said: “The leads are captivating and their chemistry sizzles,” adding that “Fennell's overhaul flirts with insanity.”
Empire and the Irish Times both awarded three stars, while the Standard gave four, citing “bags of chemistry” between Robbie and Elordi.
With reactions ranging from praise to disappointment, Fennell’s Wuthering Heights has sparked debate before audiences have had their say.


















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