
In a rare confluence of artistic brilliance, three of Pakistan's most celebrated creative minds - Jimmy Engineer, Rahat Naveed Masud and Amna Patudi - came together to present "A Moment in Time".
Organised by For Art Sake and Pakistan National Council of the Arts (PNCA), the exhibition kicked off at the National Art Gallery, on Monday. It will remain open till May 12. Its timings are 10am to 4pm on working days.
The exhibition is not just a showcase of individual mastery, but a symphonic blend of vision, spirit and storytelling. Each canvas breathes life into forgotten memories, quiet reflections and the timeless dance of culture and identity. As their distinct styles intertwine, the trio invites art lovers to pause, to wonder and to lose themselves in the powerful beauty of a single, unforgettable moment captured through their art.
Jimmy Engineer's paintings stand out for their emotional intensity, detailed execution, and thematic boldness. His most celebrated works - particularly those depicting the Partition of India and philosophical interpretations of Allama Iqbal's Javid Nama - demonstrate a deep commitment to capturing historical and spiritual narratives. His compositions often blend realism with symbolic elements, creating visually powerful, almost cinematic scenes that evoke strong emotional responses.
Dr Rahat Naveed Masud is one of the pioneering artists to have completed a PhD in Fine Arts (Art Practice) from London UK. 'Beyond the Self' is the theme of her paintings put on display in exhibition. This body of work represents a distinct segment of the artist 's repertoireher self-portraits. She has long held a deep interest in self-representation.
These portraits serve as a visual chronicle, mapping both the personal and the socio-cultural dimensions of her lived experience, articulating a narrative that encompasses both intimate personal experiences and broader, collective dimensions reflective of the society in which she lives. It is not just the artist that you see in these series of self-portraits but they mirror the society that we live in with all its cultural, social and political nuances.
The third artist, Amna Ismail Pataudi is a distinguished Pakistani artist, curator, art critic and educationalist whose multifaceted contributions have significantly enriched the nation's art landscape. Pataudi's paintings are renowned for their meticulous technique and profound thematic depth. She often emphasizes the significance of still-life painting, considering it foundational to various art genres.
Her works frequently explore themes of heritage, identity, and spirituality, employing both traditional and contemporary techniques. Notably, her book 47 Paintings showcases artistic interpretations of world musical instruments using miniature art techniques and mixed media, reflecting her innovative approach to visual storytelling.
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