The artist refuses to get involved with politics, nor does he like to delve into social injustices. “As artists, we are so restricted, it’s either miniatures or the war on terrorism, and it’s all related to the media,” said Manganhar while talking to The Express Tribune over the phone. “I don’t have any messages in my work, I just want to paint.”
Manganhar’s medium of choice is acrylics, a water-based alternative to the oil paints used on billboards. His art is meant to represent real-life situations with the exaggerated and surreal images of local cinema. The artist’s women are full-lipped and seductive while the men are moustachioed and burly. He has tried to represent the pictures with the effects of projected film.
“He uses film imagery and recreates it in a different combination to portray the emotions and feelings of a viewer,” said Quddus Mirza, the curator of the show. “The black-and-white pieces are nostalgic and even the coloured work is more about the memory of film rather than the representation.”
Manganhar strives to return to a time when artistry, not technology, dominated film making. He reminisces about Lakshmi Chowk which used to be painting central for all the billboard painters. He would watch them at work and that is where he derived his inspiration. “I have never had any formal training, but having seen it my whole life, I feel very close to the style,” said Managhar, adding that billboard art is a quick way of painting that encompasses the aesthetics required of a piece of art.
Published in The Express Tribune, March 2nd, 2011.
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