Film review
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A double bill, desi style
Following the success of Maula Jatt & Joyland, two Pak-inspired films are entertaining with poignant social messages
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Femme fatales & feminist fable to boot
Saas, Bahu Aur Flamingo is desi western with flawed, feisty, femme fatales who run badass show
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A neverending ride with too many detours
Despite stretched monologue it falls apart as it entertains, crowd-pleasing moments help Tu Jhoothi Main Makkaar sail
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‘Darlings’ Review: Is divorce a bigger taboo or murder a lesser crime?
Alia Bhatt's debut production stands out for all the right reasons
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'Simmba' review: A little bit of this, a little bit of that
Ranveer Singh’s latest doesn’t present itself as an intellectual film but it’s not a mindless entertainer either
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Anil Kapoor’s slice-of-life film is no ‘Fanney Khan’
Despite top-notch performances and Aishwarya Rai Bachchan’s compelling beauty, Atul Manjrekar venture fails to deliver
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Sonu ke Titu ki not-so-Sweety…
Luv Ranjan film proves Bollywood’s lack of intelligent content, reliance on comfortable stereotypes
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Movie review: Don't Breathe is a breathless thrill ride
Many of the biggest, most anticipated blockbusters of the season have turned out to be downright disappointing
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Movie Review: Dishoom
Dishoom is a buddy-cop film about the kidnapping of an Indian cricketer in Dubai
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Ghostbusters is hardly the disaster the trolls have been predicting
Ghostbusters ultimately just comes off as an average but unnecessary reboot
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Box Office: 'Star Trek Beyond' racks up solid $59.6 million, 'Lights Out' scores
Star Trek Beyond signals there's still life left in one of Hollywood's most durable franchises
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Movie Review: Kabali
Rajinikanth plays the eponymous crime boss, out of prison after 25 years of incarceration
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Ice Age: Collision Course: A thawed escapade
The fifth installment of Ice Age offers bland fun as a family-aimed animated feature
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The Legend of Tarzan swings – and falls
The Legend of Tarzan lacks the energy, wit and inventiveness that could have made the movie an enjoyable watch
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Bite-size entertainment: The Good Dinosaur is not as evolved as most Pixar productions
As with all Pixar movies, you can’t help but fall for the easily lovable characters that populate The Good Dinosaur
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Film review: Star Wars:The Force Awakens - Not a force to reckon with
Star Wars: The Force Awakens borrows elements from previous George Lucas movies on more than one occasion
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Film review: Sisters - Sisters fall to the dark side
Released on the same day as Star Wars, Sisters does not pack enough punch to win audiences
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Film review: In the Heart of the Sea - No navigation
Director Ron Howard is unclear on where he wants the story to go
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Film review: The Intern - The Intern works
The film is a light comedy that touches on women’s rights and seniors at the workplace
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Film review: Brooklyn - The home front
Brooklyn yanks hard on the heartstrings by beautifully narrating an immigrant’s experience
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Film review: Spotlight - Pressing matters
The Pulitzer-winning investigation by The Boston Globe on child sexual abuse within the Catholic Church
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Film review: No Escape - Shot down
No Escape tackles Third World chaos from a First World perspective
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Film review: Mockingjay Part 2 - A fire doused
Telling the story in two parts has rendered the installment too dark
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Film review: Suffragette - Divine disobedience
Suffragette gets highest votes for aptly highlighting the first wave of feminism in Britain
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Film review: Hotel Transylvania 2 - Lacking bite
Not particularly inventive, animated film Hotel Transylvania 2 is still likely to hit home with a younger audience
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Film review: Spectre - A loose bond
The 24th film of the James Bond franchise, Spectre, falls prey to sketchy story and patchy screenplay
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Film review: Me and Earl and the Dying Girl - A friend indie
Me and Earl and the Dying Girl steals the show with the right mix of humour and gravitas
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Film review: Everest - Falling short
Everest fails to make it to the top because of lack of details and limited depth of characters
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Film review: Black Mass - Playing it safe
Despite stellar performances, Scott Cooper’s Black Mass falls just short of its potential
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Film review: Hitman: agent 47 - Hitting Hard
Hitman: Agent 47, based on the Hitman video game series, is lacklustre to say the least
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Film review: We Are Your Friends - All that glitters
We Are Your Friends taps into the psyche of young, self-made celebrities living on the cusp of anonymity
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Film review: Ricki and the Flash - Beyond just rock ‘n’ roll
Meryl Streep rocks a mother-daughter drama with her outstanding performance
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Film review: Lila and Eve - From victim to vigilante
A revenge thriller fails its all-star leads with an implausible plot
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Film review: Straight Outta Compton - Mean streets
Straight Outta Compton heads back to the crime-ridden neighbourhood that inspired gangsta rap’s most influential...
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Film review: Hot Pursuit - A hot mess
A stale buddy comedy lets down its talented cast
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Film review: The Man from U. N. C. L. E. - The Cold War caper
The spies of The Man from U.N.C.L.E. are left out in the cold in a stylish, superficial production
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Film review: Southpaw - Knocked out
Jake Gyllenhaal ends a winning streak of gripping films with Southpaw, a boring boxing drama
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Film review: Ant-Man - A superhero slips through the cracks
Ant-Man is an entertaining but forgettable member of the Marvel franchise
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Film review: Mission impossible:Rogue Nation - Back with a bang
Mission Impossible: Rogue Nation offers action-lovers an experience that tops the franchise’s prequels
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Film review: Paper Towns - Lost and found in adaptation
Paper Towns lives up to the standards of a typical coming-of-age story