The problem with serials like Muqabil and Sangat thereby becomes their humanisation of rapists.

Writers rely on comfortable stereotypes and base plots on emotional tearjerkers rather than the reality of our society

She deals with her problems in a sane and intelligent manner as opposed to playing the victim we often see in dramas.

They plagiarise designs from brands that the desi lawn-buying woman in Pakistan may have no clue about.

Two months after the wedding, her husband Amir and his family doused Madiha with petrol and set her on fire.

Ranaut’s true life story is more magical than all of Johar’s films combined.

Farhadi’s boycott, in comparison to boycotts we see in our subcontinent, stands for something profoundly humanistic.

Although the story is strong, the plot sometimes does lose its tempo. But Hocane and Saeed bring it back on track.

If you are bored of the clichéd Bollywood revenge-action thrillers offering the standard formula – give Kaabil a pass.

The drama heartrendingly explains how abuse becomes a set dynamic in households and how it ruins so many lives.