The most enticing areas of this fictional anecdote are get-ups, stunning cinematography and tour of 19th century music halls. PHOTO: IMDb

The Limehouse Golem: When Jack the Ripper meets Sherlock Holmes for a Victorian gothic mystery

Its predictably superficial plot leaves us disappointed; it craves a stronger mastery than just visual accomplishment.

Tanveer Khadim October 12, 2017
The Victorian era gothic mystery, The Limehouse Golem, will remind you of a number of Alfred Hitchcock’s directorial rudiments. These include his famous methods of handling the suspense rather than utilising the milieu of surprise, the redirection of guilt, and most importantly, the MacGuffin technique, where a pleasant felon pursues certain ambition.

Director and writer Juan Carlos Medina adapted this film from English author Peter Ackroyd’s novel Dan Leno and the Limehouse Golem (1994). His film’s theme can easily be linked to a plot pocketed from Jack the Ripper’s mystery murders, with lots of Sherlock Holmes effects. It has lavish baroque amalgamation of real historical notables, fictional characters, layers of flashbacks and malefactor scheming that incorporates serial murders.

Set in 1880 Victorian London, Elizabeth Cree (Olivia Cooke) is accused of poisoning her husband John Cree (Sam Reid), a failed playwright.

Photo: Screenshot

Photo: IMDb

Scotland Yard appoints Inspector John Kildare (Bill Nighy) to solve the mystery of brutal murders in the poverty-ridden area called Limehouse.

Kildare swiftly ascertains a link between John and other Golem murders. His Holmes style investigation revolves around several characters, which were also real life famous people of that era. These characters include the music hall singer and comedian Dan Leno (Douglas Booth), the political theorist and sociologist Karl Marx (Henry Goodman), and The Odd Women novelist George Gissing (Morgan Watkins).

Photo: Screenshot

Photo: IMDb

Kildare further establishes a point that he must save the life of Cree’s innocent wife, a former music hall singer named Little Lizzie, and invests all his time and efforts in proving her innocent before her execution. While narrowing down the suspects, he gets hold of handwriting samples which helps him reveal who the real Limehouse Golem is. The rest of the plot is interlocked with empathy, advocacy, challenges and obligation to fulfil justice.

Photo: IMDb

The set design, costumes and technical treatment to reconstruct a 19th century London with dimly lit pathways and loud music halls in conjunction with enigmatic police inspector, theatrical icon and celebrity obsession, is alluring for all moviegoers.

Photo: Screenshot

To construct real-life incidents and legal framework, both Medina and Jane Goldman interweaved their period piece with some great detailing. Both director and screenwriter skillfully covered the ambience and details. However, the predictably superficial plot leaves moviegoers disappointed, since the weak plot left numerous grey areas. The project craves a stronger mastery than just a visual accomplishment.

Moreover, the unsavoury screenplay by Goldman mostly failed in delivering thrills. Viewers can’t resist the feeling of breathing in the same era, but worn-out storytelling abolishes the overall effect of a compelling thriller. The attempt to fuse social drama with tragedy and suspense actually peeps at some of the intersections.

Pirates of the Caribbean: Dead Man's Chest and Love Actually famed Bill Nighy gives a robust lead performance. Although the plot oscillates between horror scenes and melodrama, Nighy’s acting skills remained stagnant and give a feeling of a royal privilege and concentration.

Photo: IMDb

To sum up, The Limehouse Golem does not create too many chilling criminal thrills, twists and turns. The film switches quickly from stage performances to street crimes and I feel this jumping is enough to disrupt spectator’s concentration. The most enticing areas of this fictional anecdote are get-ups, stunning cinematography and a tour of 19th century music halls. However, the film never feels like it goes beyond the surface.

If you are a die hard fan of period mystery movies then Medina’s directorial venture is perfect for you, despite the less horror aspect and high level of predictability.

Tanveer Khadim An avid reader, freelance writer and a blogger, Tanveer is pursuing fashion designing. She has a passion for cooking, attended cookery courses and tweets as @TheFusionDiary (
The views expressed by the writer and the reader comments do not necassarily reflect the views and policies of the Express Tribune.

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Aqeel Ahmad | 2 years ago | Reply | Recommend It was an average film , the mystery was solved easily without thrill.
Tahir Ali | 2 years ago | Reply | Recommend Yes very predictable story and made like Sherlock Holmes mystery plots
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