The artist does not simply attempt to visualise an exotic cliché, but aims at brining out the emotions behind the images.
In the suite of etching and lithographs on show, Kim depicts her inner world rather than the external environment, presenting personal stories and reflections, many of which seemingly relate to myths or stories from the tribal cultures of the Far East and India.
Printed in small editions, Kim’s drawings show stylised, fantastic figures with elaborate headdresses as well as eccentric birds, fish and animals, all involved in intense activity.
There are patterns within patterns, and hardly a space is left unadorned. Unfurling frond-like designs, spirals, zigzags, masses of tiny triangles, fine lines and a multitude of other decorative devices, both established and invented, are employed.
Kim’s images are based on the oral traditions of her origins. Myths and legends told to her are the sources of her inspiration.
She has ’no’ interest in the real world and utilises the self-decoration of the tribal dancers, the colours, patterns, lines and forms of the insects, birds and animals of the tropical bush.
Kim completed her Masters in Fine Arts at Visva Bharati University at Santiniketan, India, after graduating from Dankook University in Korea. She has exhibited her work widely across the globe and has been an artist-in-residence in Egypt, Greece, Australia, New Zealand.
Published in The Express Tribune, June 5th, 2015.
COMMENTS
Comments are moderated and generally will be posted if they are on-topic and not abusive.
For more information, please see our Comments FAQ