On holiday at the Ayers Rock in Australia
If you could relive any one day of your life, it would be...?
The day I was born…another lifetime gained in the bargain.
• An idea that changed your life?
Be guided by your intuition to make something tangible from nothing. I explored Kharadar’s old printing centres and that was where the journey of Koel began.
• You a working woman with a husband, children and even grandchildren. How do you maintain a work-life balance?
It’s quite simple. Just give your all to whatever you do — be it at work or home, children or grandchildren.
• Is it true that people love their grandchildren more than their own children?
In a strange way, that is true. You enjoy them but are not taking on their responsibility.
• The Superwoman Syndrome is the desire to do everything perfectly, without any time to yourself. What do to have to say about that?
Something I am always battling but have never succeeded with so far. But wait — maybe, it is beginning to happen now.
• What do you have to say about the current art scene in Pakistan? How has it changed over the years?
It is a very exciting period with many talented fresh graduates who are adding new dimensions and diverse perspectives. It has expanded its horizons internationally. Pakistani artists have now made their mark in the world.
• What got you interested in traditional crafts?
It dates back to my childhood. At that time, we made our own dolls too. Plus, I lived with the Banjaras (gypsies) as our neighbours in Hyderabad, India...the inspiration or seeds were planted then.
• How did the idea of Koel come up?
Initially, it was curiosity about a craft that was at its lowest ebb — the world of hand block printing was fading from Pakistan. But then I got an overwhelming response from friends and family who encouraged me to continue and create.
• How has Koel changed your life?
It has disciplined me and made me remain a mureed of the craftsmen from whom I have continuously learnt to this day — a journey of 38 years!
• Who is your favourite artist and why?
It is difficult to select one because there are several. But I lean more towards Zarina Hashmi as her work and persona are symbiotic which is very rare. Her minimalistic sensibilities reflect the traditional value system, yet her work is most contemporary.
• Looking back over your career, what do you think is your best work?
It would be my research on Ajrak and Indigo and helping to found the Indus Valley School of Art and Architecture. I worked as the Executive Director for the first five years with other founders.
Noor Jehan Bilgrami
Entreprenuer/Teacher/Artist
Published in The Express Tribune, Ms T, May 11th, 2014.
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