J.K. Rowling responds after Epstein files drop
J.K. Rowling denies Epstein invite claim after DOJ files show Broadway opening tickets were sent by producers, not her

J.K. Rowling has publicly denied claims that she invited Jeffrey Epstein to the Broadway opening of Harry Potter and the Cursed Child after newly released Department of Justice documents reignited scrutiny around his past social access. The controversy began when an invitation linked to the April 2018 opening appeared within the latest tranche of Epstein related files, prompting renewed speculation about who authorised the tickets.
Rowling responded directly to accusations circulating on X, stating that neither she nor anyone on her team had ever met, communicated with or invited Epstein to any event connected to her work. Her statement aimed to shut down suggestions that she had any involvement in granting access to the high profile premiere.
Further examination of the documents revealed that the invitation was not issued by Rowling or her representatives. Instead, the tickets were sent by the stage production team following a request made by Epstein associate Peggy Siegal. According to the email trail, Siegal contacted Playground Entertainment head Colin Callender and referred to a very important friend who wanted to attend the opening. Callender later confirmed he was not informed of the individual’s identity at the time the request was made.
The documents also clarify that Epstein ultimately did not gain entry to the Broadway event. Despite receiving tickets, he later emailed Siegal to say that he was unable to get in because his name was not on the official guest list. He described the situation as minor but flagged it to ensure she was aware of the issue.
Reaction to Rowling’s response has been mixed across social platforms. Some users have welcomed the clarification and pointed to the paperwork as evidence that the author was not involved. Others have continued to question how such invitations were processed and have called for greater transparency from major theatre producers regarding guest list protocols at high profile openings.
Industry observers note that the case highlights how historic documents linked to Epstein continue to create reputational risks for public figures, even when the available evidence does not support direct involvement. The renewed attention also places a spotlight on the operational side of large scale Broadway productions, where third party requests and corporate hospitality arrangements can complicate accountability.
Rowling has not indicated any further plans to comment on the matter beyond her initial statement. Representatives for the production have also declined to expand on the issue, stating only that security procedures were followed on the night of the opening.
As further Epstein related files are expected to be reviewed by journalists and researchers, similar controversies may continue to surface.



















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