
If there is any showbiz star who knows a thing or two about representing Pakistan internationally through his line of work, it is Humayun Saeed. Or, as viewers abroad may call him, Dr Hasnat in Season 5 of Netflix royal drama The Crown.
But although his reputation as an A-lister is cemented in his home country, Humayun stressed in an interview on YouTube channel Filme Shilmy that during his time on The Crown, he felt the weight of representing Pakistan before the eyes of the rest of the world.
"Representation is so important whenever we have to go outside our country," mused the star, who made his post-Crown comeback last year with a lead role in Gentleman after having been away from screens for nearly two years. "Take The Crown. That character was an important one, and I gave it my all. I took a lot of time with it, and it was at the forefront of my mind that the whole world would be watching this."
Despite the pressure of global expectations and the eyes of the world, however, the actor praised the work environment and the professionalism of his colleagues, whom he credited for going the extra mile to ensure his comfort.
"There was pressure, but I'm glad that the people who worked with me were very good," noted Humayun. They knew I had come from another country and was working in another language."
Humayun went on to hint, however, that professionalism is a two-way street. "I gave it my all, and this is where our respect comes from – the work ethic we have when we go elsewhere," he pointed out. Lauding, in turn, the work ethic of those on set, the actor continued, "I saw that everything was happening on time, everyone was punctual and working quietly, and everyone's priority was to complete the work every day."
Stopping just short of commenting on punctuality and efficiency on sets in Pakistan, Humayun went on to concede, "Of course, we have that here as well, but maybe we make some mistakes. But the thing is, they do not make those mistakes."
What's in a name?
Alongside his Bin Roye co-star, Mahira Khan, Humayun is currently in the throes of promoting his upcoming Eidul Azha romantic comedy Love Guru. In the same interview, Humayun recalled that he had been warned to refrain from being in any sort of offering going by that particular name, at the risk of being tainted by association after a previous film also called Love Guru had flopped.
"There used to be a film that wasn't very good called Love Guru, and someone told me I shouldn't take on this particular film – but our film is good!" he insisted with conviction. Brushing aside the importance of the name of a production, Humayun maintained, "People are interested in films. If you make a good movie, and if people like it, then they start to like the name as well!"
And of course, the star also has the evidence to back up his beliefs about films and their respective names. "I made a movie called Punjab Nahi Jaungi, and everyone said, 'What kind of name is this? This is not a good name for a film!' But then when that film became a hit, everyone would say that it was because it had a catchy name!"
In other words: any title is only as good as the film itself. "When a film is good, the name is also a hit," concluded Humayun firmly.
Delving deeper into the film itself and giving insight into his performance, the star discussed the art of delivering his lines when the viewers are in on a secret, but the characters are in the dark.
"The shades of this character – sometimes I don't always understand how to talk like him, because I myself don't talk like that," he admitted. "But I would go to [director Nadeem Baig] and he would guide me and advise me about the timing. So I would copy Nadeem! The thing is, this film doesn't have that much comedy. I needed to add a few nuances so that the characters can't tell that he is lying, but the audience can."
Mahira's personal touch
Sitting alongside Humayun, fellow A-lister and Love Guru leading lady Mahira, known for picking up non-conformist roles, had her own thoughts on what makes her character tick and how she brought shades of herself to the part.
"The first time you read a script, you read it as you," began Mahira. "And then you pick on things in the script. And the director says, 'This is not you, this is a character!'"
Admitting that it isn't always practical to view a character through one's own lens, Mahira added "Sometimes it's not needed, sometimes it's not the character, and you have to surrender to it."
When it comes to Love Guru itself, however, Mahira is adamant that this her onscreen persona is one that audiences can get behind and fall in love with – and yes, this time, she was able to convince director Nadeem to view the role through her own lens to add richness and subtlety to her character.
"In this film, she is a girl of today," explained Mahira. "She is a true blue feminist and someone who is always on the right side of the spectrum. I would go to Nadeem and say, 'She wouldn't say this about another girl!' And he would agree and say, 'You're right, let's change it.' So yes, I do bring this to the table."
Looking back on her former roles, Mahira mused that she is now in a place where she does not feel she owes it to herself to take on characters carrying an important message, as opposed to the relatively "easy-breezy" lighter character she has taken on board in Love Guru.
"When I was younger, I was so hell bent on just doing that," she recalled. "I remember I had a few choices and I went for Verna, because I felt the subject was so important and I needed to be a part of it. At that time, even though I was offered roles that were easy breezy, I thought, 'No, I have to do this first.'"
Now, however, Mahira feels unshackled from her own expectations. "I've had a kind of switch," she affirmed. "If I don't do it now, then when will I do it? But I don't look at it that way. if you know what I mean. I don't think, 'Oh this is easy breezy, and this is heavy'. Now it's just about what attracts me and what is offered to me."
Will viewers find Mahira's easy-breezy character as palatable as the woman bringing her to life? There is not long to go before we find out.
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