Throngs of fans crowded bookstores for the midnight release of the book, hours after the play in London’s West End theatre district dazzled theatre-goers with swishing capes, billowy wraiths floating overhead and illusionist tricks of actors appearing to vanish into thin air.
Asked if the book and play heralded a new phase of stories, Rowling said, “No, no. He goes on a very big journey during these two plays and then, yeah, I think we’re done. This is the next generation, you know,” added the author who later appeared on stage during a standing ovation at the end of the show. “So, I’m thrilled to see it realised so beautifully but, no, Harry is done now.”
Based on a story by Rowling, playwright Jack Thorne and director John Tiffany, Cursed Child picks up the story 19 years later, featuring Potter as a 37-year-old overworked employee of the Ministry of Magic and father of three. The play, a marathon affair running over five hours and split into two parts, is sold out through May 2017. Enthusiasts from around the world queued outside the ornate Palace Theatre for a glimpse of Rowling and the cast of the production.
Many in attendance at the show said it lived up to its billing in reviews as a thrilling theatrical spectacle, with deft stagecraft that drew audible gasps at times. “It was magical. I sat on the edge of my seat the whole time,” said Kylie Cruikshamsks, 32, a Potter fan. Another spectator, 32-year-old Ashley Nottingham, said he was left speechless, “It’s blown away every theatrical boundary I’ve ever known.”
The play opens ahead of the November movie version of Rowling’s Potter spinoff book Fantastic Beasts and Where to Find Them, and follows the opening in April of a second Harry Potter attraction within a theme park, this time at Universal Studios in Los Angeles.
Published in The Express Tribune, August 2nd, 2016.
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