Review: ‘Kapoor & Sons’ begs to be heard, not just watched

Published: March 22, 2016
Subtlety is the name of the game as far as the film’s script is concerned. PHOTO: PUBLICITY

Subtlety is the name of the game as far as the film’s script is concerned. PHOTO: PUBLICITY


Life’s but a walking shadow, a poor player

That struts and frets his hour upon the stage

And then is heard no more. It is a tale

Told by an idiot, full of sound and fury,

Signifying nothing.

— Macbeth (Act 5, Scene 5)

Sound design is perhaps the most overlooked and under-appreciated aspect of film-making. Borrowing from Macbeth’s famous soliloquy, too often sound design signifies not much – if not nothing at all – in film.

In the age of CGI blockbusters and rapid-fire, choppy narratives, intelligent sound design is exceedingly rare. Even rarer is sound design that creates and modulates dramatic tension while remaining grounded and familiar.

Movie review: Fawad Khan steals the show in Kapoor and Sons

In Kapoor & Sons, Shakun Batra has managed to do exactly that – create with sound virtually another character in the drama that plays out between the film’s leads. While the characters and events in the film live up to the theme of Macbeth’s aforementioned monologue, it is delightful that the sound in Kapoor & Sons signifies anything but nothing.

This for us has been the standout feature of a movie that, as many other reviews will attest, offers one powerful performance after the other.

On a superficial level, Kapoor & Sons is just another story of just another dysfunctional family. How dysfunctional it is compared to other cinematic families can be debated. At times the characters’ conflicts, both with each other and internal, can be overwhelming. But, at the same time Indian cinema has given us families the members of which are very literally at each other’s throat. Focusing just on the dysfunctional family aspect robs the story of much of its substance.

Reviews are in: Is ‘Kapoor & Sons’ worth the hype?

Some may say Kapoor & Sons is a story of forgiveness and acceptance. But this too, while true, only scratches the surface of a narrative which, despite at times relying on clichés and cheap tricks, still maintains significant richness.

For me, the story was also about unpredictability, both of life and death. Watching movies and reading stories, we can take for granted how characters in them persist at least as long as their arc continues. Films and stories like Kapoor & Sons can be a reminder that in real life, some arcs may be cut short abruptly and forever remain unfinished.

The greatest success of the script of Kapoor & Sons is that it explores all these aforementioned themes, and certainly more, without coming across as heavy handed.

Subtlety is the name of the game as far as this script is concerned. As much as possible, it adheres to the ‘less is more’ formula. There are no grand monologues stating the obvious. A lot about the characters, their conflicts and back stories is left to the imagination. Elsewhere, the movie admirably relies on the other great tenet of good film-making: “Show, don’t tell”. Both these aspects provide a refreshing break from the common tropes of Bollywood.

Moments in the film reserved for humour are genuinely entertaining. Those that elicit tears do admittedly make it very difficult to keep them from trickling out.

All this, coupled with the sound and exceptional performances of Rajat Kapoor, Ratna Pathak, Fawad Khan and Sidharth Malhotra, ensures that Kapoor & Sons surpasses its failings by a large margin. Speaking of performances, the film makes it hard to pick out one that stands out. For us, Fawad steals the show in the final act, but by a very narrow margin.

Verdict: Kapoor & Sons is a lesson in how a film can be entertaining, emotional and thought-provoking at the same time. A compelling script and brilliant performances in particular make it a must-watch!

Published in The Express Tribune, March 23rd,  2016.

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Reader Comments (9)

  • Cinephile
    Mar 22, 2016 - 11:17PM

    Wow are you serious? I watched this film today, well most of it at least, and walked out before it ended. Rishi Kapoor’s comic routine heavily relied on overt-sexual content and potty humor, where as the rest of the cast, specifically Rajat Kapoor and Ratna Pathak (the latter more so) heavily overplayed their routine. So much so that the usual non-actor, Alia Bhatt, seemed to sparkle in comparison. Fawad was not bad but was mostly wasted with uncharasterically weak script writing. I cringe at the thought that films like this one, full of ridiculous, implausible sub-plots and scenarios(family of novelists, in what, India???) is loved and adored by our critics whereas the more realistic Pakistani content gets clobbered. I hope Express listens to this coice of sanity and publishes my comment. Thanks.Recommend

  • Umar
    Mar 23, 2016 - 12:37AM

    I love it how nobody is angry over the fact that Fawad Khan played the role of a gay man, its amazing to see the double standards of our society. When Humaima Malik played the role of a bar dancer the whole country went bezerk. Shame on you Fawad!Recommend

  • Bunny Rabbit
    Mar 23, 2016 - 12:14PM

    Today movie reviews are paid by the makers , hence this much hype . Recommend

  • Rashid Nazir
    Mar 23, 2016 - 3:32PM

    Another Bollywood film and another Pakistani film critic with lots of praises. Same old storyRecommend

  • Mar 24, 2016 - 8:02AM

    Not to be missed! What a neat ensemble of actors/characters and their issues brilliantly dealt with. It may have looked good on paper, but to bring it alive on screen is no mean feat. Kapoor and Sons is a rollercoaster of emotions that will eventually leave you with a smile. With Shakun helming it, it was in trusted hands.Recommend

  • Amina
    Mar 24, 2016 - 9:09AM

    I agree that on account of certain shortfalls Kapoor and Sons cannot be deemed a blockbuster. But on a personal note, the film had moments and I, for one, who takes the best from any experience, enjoyed; some great performances, the scenic visualization, the underlying message (which i found so profound), a fresh non-giving treatment of the story-line, and a few of those comical moments. Fawad Khan who could have been offered better dialogues, to make good use of his acting abilities, did render one of the best performances. All in all, a film i don’t regret watching.Recommend

  • Mega
    Mar 24, 2016 - 7:04PM

    The “most realistic” You mean veena Malik, Meera, Reema movies, Syed Noor movies, war and u watched the whole movie in theatre right? Thats cool.
    But Cmon be fair..Maybe u missed watching some awesome movies
    Black, Aligarh, Pan Singh Tomer, Gangs of Wasseypur, Manji – Mountain man, Taare Zameen Par, 3 idiots, English vinglish, Queen, Barfi, Bajrangi Bhaijan, Ship of thesis , Wednesday, Special Chabbis, Haider, Lunchbox, Pk, Swades, Lagaan, Rang de Basanti, Kahaani, dirty picture, Neerja to name the few of never ending list… to have such biased opinion. Recommend

  • Irfan
    Mar 24, 2016 - 7:26PM

    Loved the movie. Must watch. Refreshing with today’s generation outlook,family drama, fun. Zeeshan Ahmad is spot on with analysis.

    @Umar: Get ur facts right. Fawad is not the first. U forgot Ptv drama Aangan Tehra – Gay character Saleem Nasir. Recommend

  • nzm
    Apr 6, 2016 - 3:32AM

    I liked the movie, and I liked its message of acceptance and love. And I think it was incredibly brave of Fawad Khan to do this movie, especially since he knew exactly how people would react. Recommend

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