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I believe society has concocted a certain perception for the term ‘item song’: Amna Ilyas
Model-cum-actor defends ‘performance songs’ in light of her dance to ‘Aatish’
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Saim assures 'Joyland' is devoid of a 'self-righteous, liberal' outlook
Director's coming-out drama will challenge the status quo empathetically but it isn’t entirely a crowd-pleaser
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Review: ‘Quaid-e-Azam Zindabad’ is a thrilling watch but not Nabeel Qureshi's best
Film offers a very original daydream to end corruption but this daydream doesn't make 'QAZ' any more profound
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Was Jamshoro just a getaway? Lahooti organisers question lack of media coverage in Karachi
Co-founders Saif Samejo and Sana Khoja were left disappointed despite bringing festival to the hub of media titans.
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Bidding farewell to KK is hard because he made ‘alvida’ sound so easy
KK was a youth icon and every track of his evokes an unshakable sense of longing.
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'Dum Mastam' review: A promising Eid film that gradually loses its charm
The film in its ambitious attempt to juggle multiple conflicts, abandons the singular most important one.
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By Gen Z, for Gen Z: Unraveling the Abdullah Siddiqui aesthetic
Singer, producer talks garnering mainstream fame in a country all too acquainted with guitars and Sufi kalams.
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Should Arooj Aftab have mentioned Hafeez Hoshiarpuri, Mehdi Hassan in her Grammy acceptance speech?
Singer won Best Global Performance award for her iteration of Hoshiarpuri’s 'Mohabbat', previously rendered by Hassan.
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I only wanted to travel, invest in stocks till I received a call from Xulfi: Faisal Kapadia
Singer talks shift to solo career, equation with Bilal Maqsood today and future plans.
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Aurat March '22 in all its colours and feminist glory
Straight from the Jinnah ground to your phones, messages of labour rights and women rights in ink.