The window display at Waterstone's Piccadilly shows copies of one of the UK's first consignments of 'Fire and Fury: Inside the Trump White House' by Michael Wolff on January 9, 2018 in London, England. PHOTO: GETTY

Michael Wolff’s ‘Fire and Fury’ represents “anti-news”, only highlighting the dumb things Donald Trump did

Trump’s character certainly must be examined, but what revelation does the book offer? Gauging from reviews, “none”!

Caleb Powell January 18, 2018
When I was asked if I wanted to write about Michael Wolff’s Fire and Fury:  Inside the Trump White House, my a priori response was, No! My curiosity does not extend to the contents of Wolff’s book, not to mention penning a whole blog on the topic. Thus I responded half tongue-in-cheek, “no thanks, but I’d be willing to scrawl a self-indulgent piece on why not to read the book.” The Express Tribune Blogs called my bluff, and thus here goes.

There are readers, editors and writers that prioritise tabloid phenomena. Wolff’s book represents “anti-news,” a big ball of “nothing we haven’t heard before”. After the January 5th publication, revelations surfaced that Donald Trump paid for a woman’s silence regarding his adultery, Trump called developing countries depositories of faecal matter, all the while Wolff’s book surpassed a million sales. If we exercised “intellectual triage”, and read only the most urgent news, we would ignore Wolff’s book and other excess.

As painful as the Trump presidency might seem, obsession with his idiocy misallocates thought, as seen on air time given to #Covfefe or  “Melania Trump slammed for ‘incredibly tacky’ Christmas selfie”? And adding to that list is this piece of “news” from CNN: “Trump takes two scoops of ice cream with his chocolate cream pie… while everyone else around the table gets just one”. If you enjoy such coverage, then go for it, buy Wolff’s book. Why focus on what is happening with North KoreaJerusalem and immigration? Certainly Trump’s character must be examined, but what revelation does Fire and Fury offer? Gauging from the reviews, “none”!

But whatever the book reveals apparently does intrigue people. Hence, it seems we read not to be informed but entertained. Masha Gessen, at The New Yorker, begins with “The President of the United States is a deranged liar who surrounds himself with sycophants,” and offers the “revelations” that “Wolff’s writing is a rehashing of gossip”, “comically bad”, and that “Wolff doesn’t bother with corroboration”.

This latter point seems crucial, we do not need to exaggerate or fabricate Trump, but if we do, we lend credence to conspiracies regarding “fake news”. Trump has done so, calling Wolff “mentally deranged” according to The GuardianAnd veracity in such a book should matter. Adam Kirsch, at The Atlantic, references David Shields’ manifesto on literary culture, Reality Hunger, and how “nonfiction” relies on “fictional” elements to create superior art:
“If Michael Wolff is writing fiction in Fire and Fury, this is the kind of fiction he is writing. Indeed, at the very beginning of the book, in an author’s note, Wolff declares himself an unreliable narrator.”

As a literary gesture, this may work, but not as journalism. To skewer Trump, don’t compromise; don’t open oneself to accusations of “fake news”. Perhaps better to go full satire ala The Onion:
“New report finds adult film star may have paid over $130,000 to cover up sexual encounter with Trump”.

Or be thoughtful, like David Brooks, at The New York Timeswho writes,
“We anti-Trumpers have our lowbrowism, too, mostly on late-night TV. But anti-Trump lowbrowism burst into full bloom with the Wolff book.”

In a world where the “celebrity sinecure” overwhelms us, we (editors, writers and readers) must turn away from tabloid schlock. Trump tell-alls are the epitome of tabloid schlock. Our delight in mocking him should not deter us from substantive issues.

In 1996, David Foster Wallace wrote Infinite Jest, catapulting Wallace to cult status in the literary world. His book, though wonting on brevity, may turn out to be as prophetic as Animal Farm. Jay McInerney, in The New York Times, noted that Wallace’s “emergent theme is that we as a nation are amusing ourselves to death”, that we risk “entertaining ourselves senseless”.

Trump is the result of a culture consumed with celebrity and tabloid glee. And since Trump’s 2016 victory, the media often bypasses serious news for the sick joy we have in exposing “what dumb thing Donald did”. The consequences, hopefully only in a figurative sense, may be fatal.

There are better ways to “resist” than losing our minds. Strengthen the positions of independent conservatives, libertarians and classic liberals. Reject the authoritarian aims of control-leftists and the alt-right. Fixating on the Trump circus ala Fire and Fury does none of this. For being “anti-Trump” does not indicate being pro-anything. If we want to truly resist Trump, we cannot catapult celebrities to positions of power.

And that includes not chanting for Oprah Winfrey in 2020.
Caleb Powell

The writer worked overseas for eight years, in East Asia, the Middle East, and South America. He's published work in various places, including Poets & Writers, The Rio Grande Review, and The Stranger. He now lives in the Pacific Northwest with his family. He Tweets">@sonofmizrahi 

The views expressed by the writer and the reader comments do not necassarily reflect the views and policies of the Express Tribune.


Parvez | 6 years ago | Reply Michael Wolff saw a window of opportunity and took it ..... and no doubt must have profited from his book. Would I spend money to read the book ?...... NO. Would I read the book for free ? ..... NO.
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