There is a way in which sublime feeling no longer fits with contemporary visual experience.
Jokhio’s visual effects are remarkable. He suggests that his aim is to demystify occluding concepts.
VM Gallery celebrates 25 years of art presentation in Karachi this year.
Sheherezade shares two decades of her craft, a selection of clay vessels dated between 1985 and 2011.
The rough gold of the mandir suggests a strange notion of fertility.
The exhibition displayed 85 self-portraits made by artists, sculptors, photographers, as well as architects.
The best of his work is either imbued with a feminine quality or is complexly engaged with it.
Ansari becomes possible, even obvious, revelatory, that a still frame, of a still subject, can carry pace.
The ancient rock at Manthal stands as the remaining emblem of the Tibetan Scholars Empire in this particular location.
The subject of dying, specifically a burial, marks three large canvases by young Indus Valley artist, Fariha Hassaan.