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                        <title>Latest Lifestyle News, Fashion &amp; Celebrity News - The Express Tribune</title>
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                        <description>The Express Tribune keeps you up to date with all the latest happenings from Pakistan and across the world!</description>
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			<title>Samar Jafri, Ameema Saleem win fans with 'Raja London Ka' chemistry</title>
			<link>https://tribune.com.pk/story/2613444/samar-jafri-ameema-saleem-win-fans-with-raja-london-ka-chemistry</link>
			<comments>https://tribune.com.pk/story/2613444/samar-jafri-ameema-saleem-win-fans-with-raja-london-ka-chemistry#comments</comments>
			<pubDate>Tue, 16 Jun 26 07:53:44 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[As rumours of another project together begin to circulate, the stars continue to attract attention both on, off screen]]>
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			<content:encoded>
				<![CDATA[As Raja London Ka continues to win over viewers, Samar Jafri and Ameema Saleem have emerged as one of the drama&rsquo;s biggest talking points, with growing audience interest in seeing the pair collaborate again beyond the series. Rumours have also begun circulating that the two may reunite for another drama in the near future.

The pair currently star in Express Entertainment&rsquo;s drama that follows characters from contrasting worlds. Their on-screen chemistry and ability to portray both vulnerability and romance have resonated with viewers, making them a standout duo among the new generation of actors.

Jafri&rsquo;s portrayal of Raja balances confidence with emotional vulnerability, while Ameema brings warmth and depth to her role, creating a dynamic that feels authentic and relatable.

The story explores how two individuals from completely different backgrounds&mdash;one shaped by the bustling streets of Lunda Bazaar and the other by the corridors of political power, burdened with responsibilities from an early age&mdash;discover that true love is not about possession, but about having the courage to let go.



PHOTO: Express Entertainment

Off-screen, both actors have shared glimpses of their experience filming the drama through behind-the-scenes photos and videos.

From costume and makeup preparations to candid moments with cast and crew, their social media posts offer fans a closer look at the bond that translates so effectively on screen.





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What makes Jafri and Ameema&rsquo;s pairing particularly notable is how naturally they embody a young romantic lead couple.

At a time when audiences are increasingly drawn to fresh faces and contemporary love stories, their performances bring a refreshing energy to the screen.





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Following Jafri&rsquo;s popularity in Parwarish and Ameema&rsquo;s appearance in Khwabon Mein Milli, Raja London Ka marks an important chapter for both actors, helping further establish them among television&rsquo;s emerging talents.



PHOTO: Express Entertainment

The strong response to their pairing has already prompted viewers to express interest in seeing them share the screen again.

Raja London Ka airs every Monday and Tuesday at 8pm on Express Entertainment.]]>
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			<title>‘Men should step up’: Ayesha Omar, Aliya Ali speak out on women’s safety</title>
			<link>https://tribune.com.pk/story/2613446/men-should-step-up-ayesha-omar-aliya-ali-speak-out-on-womens-safety</link>
			<comments>https://tribune.com.pk/story/2613446/men-should-step-up-ayesha-omar-aliya-ali-speak-out-on-womens-safety#comments</comments>
			<pubDate>Tue, 16 Jun 26 08:07:03 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Actors call for stronger laws, accountability and safer spaces for women]]>
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				<![CDATA[Actors Aliya Ali and Ayesha Omar have called for stronger legal protections, greater accountability, and collective action to ensure women&rsquo;s safety and rights, sharing their views during an event in London.

While discussing how men perceive the notion of women not feeling safe around them, Omar said that if the roles were reversed and men felt unsafe around women, women would feel deeply ashamed of their actions.

&ldquo;We will feel terrible about it,&rdquo; she said, adding, &ldquo;Men should sit together and really think about it. If your daughter doesn&rsquo;t feel safe, if my sister doesn&rsquo;t feel safe, then what could be done to create a safe place for them?&rdquo;

She further said, &ldquo;It&rsquo;s about time men step up and figure out a safe place for women,&rdquo; adding that men should speak up for women&rsquo;s safety. Omar also spoke about finding acting as her purpose and said that working in films that signify female empowerment is, for her, the next step in paving the way for the future.





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Talking about the difficulties faced by women in everyday life, whether they are working women or homemakers, Aliya said that &ldquo;until the system is strong enough, no change can occur for women&rsquo;s rights.&rdquo;

She further elaborated, saying, &ldquo;If there is no law and order in place, enforcing punishment with force, the system will stay the same.&rdquo;





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Adding to this, she said that while many love marriages are taking place, in instances where a woman does not agree to a marriage proposal, her refusal should be respected rather than being met with threats of violence or death.

Through their remarks, both Ali and Omar highlighted the need for stronger legal protections, greater accountability, and a collective effort to create a safer environment where women&rsquo;s choices, dignity, and rights are respected.





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The discussion followed an event in London where Ali, well known for her work in Maann Aangan, performed a traditional dance routine on stage.





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A video of the performance later surfaced online and attracted criticism from some social media users.

The post received mocking comments, with some users suggesting that everyone should close their eyes while watching it.





Some users compared her moves to those of children in a school play, while others asked people to turn their faces away from the performance.





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The conversation, however, eventually moved beyond criticism of Aliya&rsquo;s performance and shifted towards broader social concerns discussed by both actors during the event.

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			<title>Gohar Rasheed’s playful birthday post for Kubra Khan delights fans</title>
			<link>https://tribune.com.pk/story/2613465/gohar-rasheeds-playful-birthday-tribute-to-kubra-khan-delights-fans</link>
			<comments>https://tribune.com.pk/story/2613465/gohar-rasheeds-playful-birthday-tribute-to-kubra-khan-delights-fans#comments</comments>
			<pubDate>Tue, 16 Jun 26 11:20:11 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Actor shares candid moments and a heartfelt message celebrating his wife’s birthday]]>
			</description>
			<content:encoded>
				<![CDATA[Actor Gohar Rasheed took to social media to celebrate the birthday of his wife, Kubra Khan, sharing a playful tribute that offered fans a glimpse into their off-screen dynamic.

Sharing a series of candid photos and videos, Rasheed described Kubra as the life of the party and expressed gratitude for her presence in his life. &ldquo;Thank you for being a crazy, kind-hearted, beautiful human. Lucky to be your partner, K. Happy birthday, my love. May all your dreams come true,&rdquo; he wrote.





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He accompanied the message with a carousel of images and clips showing Kubra enjoying time with penguins and playfully imitating a fish. The post offered a light-hearted look at their relationship, highlighting the friendship that continues to define their marriage.

For the better part of a decade, Kubra and Rasheed shared a close friendship that was celebrated by fans and respected by peers. When that bond eventually evolved into a lifelong partnership, the transition felt like a natural progression for many who had followed their journey.

Today, as both continue to enjoy successful television careers, their off-screen dynamic remains as grounded and playful as ever.





Predictably, the internet reacted with widespread adoration. The comment section quickly turned into a celebration, drawing warm wishes from fans and fellow members of the entertainment industry alike.





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Beyond the glamour of the entertainment industry, the post highlighted a relationship built on friendship, humour and mutual admiration.]]>
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			<title>Mamya Shajaffer takes on waitress role at friend’s restaurant</title>
			<link>https://tribune.com.pk/story/2613452/mamya-shajaffer-takes-on-waitress-role-at-friends-restaurant</link>
			<comments>https://tribune.com.pk/story/2613452/mamya-shajaffer-takes-on-waitress-role-at-friends-restaurant#comments</comments>
			<pubDate>Tue, 16 Jun 26 09:37:08 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Actor documents her adventure on Instagram, says her experience was pure ‘therapy’]]>
			</description>
			<content:encoded>
				<![CDATA[Actor Mamya Shajaffar&nbsp;recently swapped the film set for a restaurant floor, taking on the role of a waitress at a friend&rsquo;s restaurant and sharing the experience with fans on social media.

Shajaffer posted a photo dump on Instagram documenting her time serving food and drinks while dressed as Luigi from Super Mario. The actor described the experience as a personal exercise in &ldquo;acts of service&rdquo; and reflected on how much she enjoyed the hands-on role.

&ldquo;Don&rsquo;t tell my boss I ate from his plate,&rdquo; she wrote in the caption, adding: &ldquo;The other day I was talking about &lsquo;acts of service&rsquo;. Around a year ago, I wanted to wait tables but she was depressed and lazy! This year I am taking myself a bit more easy and seriously (Such contradiction).&rdquo;





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The actor further explained that her friend trusted her with his reputed restaurant despite her &ldquo;clumsy self&rdquo;. &ldquo;I fed a bunch of ladies and boy did I enjoy myself doing so! My observational skills were peaking and I was oooozing happy chemicals! Such therapy,&rdquo; she added.

Shajaffer also playfully referred to herself as Luigi after sharing an animated version of her outfit that mirrored her hat-and-apron look. &ldquo;The last slide is me reimagined by my friend. Yes, Luigi, that&rsquo;s me,&rdquo; she wrote.

Fans responded warmly in the comments, praising her energy and enthusiasm. The restaurant also joined in the fun by posting a humorous GIF that read, &ldquo;You&rsquo;re hired.&rdquo;



&nbsp;



The lighthearted stint reflected Shajaffer&rsquo;s willingness to step outside her comfort zone and embrace a new experience.

Her playful approach, coupled with positive reactions from fans and the restaurant, turned a simple shift waiting tables into a memorable moment.]]>
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			<title>Shahroz Sabzwari’s sweet tribute to daughter wins hearts online</title>
			<link>https://tribune.com.pk/story/2613450/shahroz-sabzwaris-sweet-tribute-to-daughter-wins-hearts-online</link>
			<comments>https://tribune.com.pk/story/2613450/shahroz-sabzwaris-sweet-tribute-to-daughter-wins-hearts-online#comments</comments>
			<pubDate>Tue, 16 Jun 26 08:46:31 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2613450</guid>
			<description>
				<![CDATA[Actor’s Instagram post celebrating Nooreh’s cooking draws praise from fans]]>
			</description>
			<content:encoded>
				<![CDATA[Actor Shahroz Sabzwari recently shared a heartwarming moment with his daughter on Instagram, earning praise from fans for offering a glimpse into his family life.

In an Instagram Story, Sabzwari posted a photo of his daughter Nooreh showcasing her cooking skills, writing: &ldquo;One bite in, self-control left the chat. Thanks to Chef Nooreh.&rdquo;

Nooreh is Sabzwari&rsquo;s daughter with actor Syra Yousuf, whom he shares from his first marriage. He later married model Sadaf Kanwal in 2020, and the couple have a daughter, Syeda Zahra Sabzwari.



Screengrab: shahrozsabzwari/Instagram

Fans have often noted the cordial relationship between the two households, with social media posts suggesting a positive bond among the children.





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In one clip shared online, Sabzwari can be seen spending time with both daughters, including playing the piano together.

The video circulated widely on social media, where many users praised the blended family dynamic and appreciated the visible efforts to maintain healthy relationships between both households.





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Supporters said such moments help present a more human side of celebrities beyond the public scrutiny that often surrounds their personal lives.

Kanwal has also occasionally shared photos featuring Nooreh during family gatherings, with members of both households appearing together at birthdays and Eid celebrations.

Sabzwari&rsquo;s recent post once again highlighted the warmth and togetherness shared within the family, with fans responding positively to the glimpse into their lives.]]>
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			<title>Sajal Aly reflects on grief, healing in new social media post</title>
			<link>https://tribune.com.pk/story/2613469/sajal-aly-reflects-on-grief-healing-in-new-social-media-post</link>
			<comments>https://tribune.com.pk/story/2613469/sajal-aly-reflects-on-grief-healing-in-new-social-media-post#comments</comments>
			<pubDate>Tue, 16 Jun 26 12:05:55 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Actor expresses gratitude to fans, shares behind-the-scenes moments from her recent drama series]]>
			</description>
			<content:encoded>
				<![CDATA[In a deeply moving post, Sajal Aly&nbsp;took to social media to share a message of profound gratitude following an outpouring of support from fans and well-wishers.

Sharing a series of stills from her recent drama series, the actress addressed her followers directly, expressing just how much the love has meant to her during this time. &ldquo;Overwhelmed with gratitude,&rdquo; she wrote. &ldquo;Every message, every kind word, every bit of love has reached me.&rdquo;





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Beyond simply thanking her fans, she used her platform to extend a hand of solidarity to those silently struggling.

In a gentle reminder of shared humanity, she offered comfort to anyone navigating their own difficult journeys.

&ldquo;And to anyone carrying grief, loss, or healing from something unseen,&rdquo; she added, &ldquo;you&rsquo;re not alone.&rdquo;





Thanking her fans from the bottom of her heart, Aly shared images capturing intense emotional moments from her latest on-screen performance.

She also posted behind-the-scenes pictures from the set, including moments with her co-star Daniyal Zafar.

Fans continue to flood the comments with love, as her message of resilience and unity resonates far beyond the screen.]]>
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			<title>Fans accuse Indian drama of copying 'Kabhi Main Kabhi Tum' scenes</title>
			<link>https://tribune.com.pk/story/2613462/fans-accuse-indian-drama-of-copying-kabhi-main-kabhi-tum-scenes</link>
			<comments>https://tribune.com.pk/story/2613462/fans-accuse-indian-drama-of-copying-kabhi-main-kabhi-tum-scenes#comments</comments>
			<pubDate>Tue, 16 Jun 26 10:37:26 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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				<![CDATA[Viewers note similar theme in both dramas, while calling out the Indian series for copying scenes word-for-word]]>
			</description>
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				<![CDATA[The Pakistani drama Kabhi Main Kabhi Tum became a global hit, building a strong fanbase across multiple countries, including India, where some viewers have accused the Indian drama Qabool Hai of copying scenes from the series.

Kabhi Main Kabhi Tum, starring Hania Aamir as Sharjeena and Fahad Mustafa as Mustafa, was widely praised for its engaging storyline, strong performances, and the chemistry between the lead characters. The drama&rsquo;s relatable portrayal of married life and domestic challenges resonated deeply with audiences.

In the Indian adaptation Qabool Hai, real-life couple Mohit and Sanaya portray characters who navigate marital conflicts and household dynamics, drawing comparisons from viewers who feel the setups and themes resemble those seen in the Pakistani original.

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One particular scene has gained attention online, where a dinner-table argument between the leads closely mirrors a similar sequence from Kabhi Main Kabhi Tum, in which the female lead is offered money for preparing food.

This moment, viewers say, feels reminiscent of Sharjeena&rsquo;s storyline.

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Many fans have taken to the comment sections of these clips to express their opinions, with some accusing the Indian production of copying specific scenes, while others view the similarities as common storytelling elements often found in family and relationship dramas.

&ldquo;Lol, they&#39;re copying Pakistani dramas now,&rdquo; one user wrote.





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In other scenes, the couple in the Indian drama mimics similar relationship dynamics and issues seen between Mustafa and Sharjeena, who often playfully tease each other, particularly regarding their everyday living habits.

The comparisons have fuelled ongoing debate among viewers, highlighting how strongly certain scenes have resonated and how widely the Pakistani drama&rsquo;s influence has been felt across borders.]]>
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			<title>Turkish actor Ece Irtem, known for 'One Love', dies at 35</title>
			<link>https://tribune.com.pk/story/2613455/turkish-actor-ece-irtem-known-for-one-love-dies-at-35</link>
			<comments>https://tribune.com.pk/story/2613455/turkish-actor-ece-irtem-known-for-one-love-dies-at-35#comments</comments>
			<pubDate>Tue, 16 Jun 26 09:58:44 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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				<![CDATA[Actor passed away after a suspected heart attack a day after her 35th birthday]]>
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				<![CDATA[Turkish actor Ece Irtem, widely known for her portrayal of Isil in the popular Turkish television drama One Love, has passed away at the age of 35 after suffering a suspected heart attack, according to her lawyer.

Irtem was found unresponsive at her home on Monday at midday, a day after her 35th birthday celebration.





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According to her lawyer, the actor was at home with her mother when she suffered a sudden medical emergency.

&ldquo;Based on initial medical assessments, we believe the cause of death was a heart attack,&rdquo; he said.

He added that the investigation is underway and a definitive cause of death will be determined following the final autopsy report.

Dismissing speculation circulating on social media alleging suicide, the lawyer said such claims have been ruled out.





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Irtem, born on June 14, 1991, in Sivas, graduated from Yaşar University&rsquo;s Opera and Vocal Performance Department in 2014. She later pursued acting studies at Istanbul&rsquo;s Sadri Alışık Cultural Centre.

She gained recognition for her role as Isil in One Love, a Turkish television drama, attracting a wide audience and establishing herself as one of the country&rsquo;s emerging screen talents.]]>
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			<title>Haroon Shahid criticises production houses over delayed payments</title>
			<link>https://tribune.com.pk/story/2613291/haroon-shahid-criticises-production-houses-over-delayed-payments</link>
			<comments>https://tribune.com.pk/story/2613291/haroon-shahid-criticises-production-houses-over-delayed-payments#comments</comments>
			<pubDate>Mon, 15 Jun 26 12:51:25 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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			<description>
				<![CDATA[Actor-musician says shrinking revenue opportunities have pushed many independent musicians towards acting]]>
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				<![CDATA[Actor and&nbsp;musician Haroon Shahid has criticised&nbsp;financial exploitation in the entertainment industry, alleging that delayed payments have become routine and that many artists are left struggling to secure earnings they are contractually owed.

Speaking during a podcast interview, he said production houses frequently withhold payments for months, creating difficulties for performers and crew members alike.

&quot;It&#39;s a pattern now. Production houses delay payments for months on end. Junior artists suffer the most, but even those of us who have established a name are left constantly chasing what is contractually ours,&quot; he said.

The actor alleged that a lack of accountability and transparency allows industry figures to exploit workers who fear professional repercussions if they speak out.

Shahid also reflected on the state of Pakistan&#39;s music industry, arguing that the economic model supporting independent musicians has largely collapsed.

Also Read:&nbsp;Abrarul Haq says &#39;Nach Punjaban&#39; was used in Bollywood without permission

&quot;The music industry is ending; there is simply no more financial scope in it for independent artists,&quot; he said, attributing the decline to shrinking live performance opportunities and the absence of reliable royalty structures.

According to Shahid, those pressures have pushed many musicians towards acting as a more sustainable source of income.

The former frontman of the band Symt also took aim at casting practices that prioritise social media popularity over acting ability. &quot;An influencer or a TikToker cannot automatically be treated as an actor,&quot; he said. &quot;An actor relies on craft, script comprehension and emotional depth.&quot;

He argued that selecting performers primarily on the basis of follower counts risks undermining both storytelling quality and the long-term health of the industry.

Read More:&nbsp;Jannat Mirza calls for strict action against cyberbullying targeting women online

Shahid began his acting career with a leading role opposite Mahira Khan in Shoaib Mansoor&#39;s 2017 film Verna. Reflecting on his early experiences, he recalled receiving advice from Mahira that continued to shape his approach to the profession.

According to Shahid, the actor encouraged him to stay grounded, focus on his craft and avoid allowing the industry&#39;s pressures to define his sense of worth.

The conversation also touched on Shahid&#39;s move from Lahore to Karachi, a transition he described as transformative for both his personal and professional life.

While Lahore remains closely tied to his roots, Shahid said Karachi provided the opportunities, connections and creative environment that helped him establish himself in the acting industry.

Despite its fast pace and unpredictability, he said the city eventually became a place he could call home.]]>
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			<title>Abrarul Haq says 'Nach Punjaban' was used in Bollywood without permission</title>
			<link>https://tribune.com.pk/story/2613262/abrarul-haq-says-nach-punjaban-was-used-in-bollywood-without-permission</link>
			<comments>https://tribune.com.pk/story/2613262/abrarul-haq-says-nach-punjaban-was-used-in-bollywood-without-permission#comments</comments>
			<pubDate>Mon, 15 Jun 26 09:15:01 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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			<description>
				<![CDATA[Singer claims forged documents were used to transfer rights to his iconic song before it appeared in 'Jugjugg Jeeyo']]>
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				<![CDATA[Singer Abrarul Haq has alleged that the rights to his iconic song Nach Punjaban were taken through forged documents and later used without his permission in the Bollywood film Jugjugg Jeeyo.

Appearing on a podcast hosted by Mubashir Hashmi, Haq revisited the long-running copyright dispute surrounding the song, claiming that a company falsely obtained the rights before selling them on.

&quot;Unfortunately, someone stole the rights to the song in London. I did not sell them, but they assumed that I had,&quot; Haq said. According to the singer, when he challenged the claim, he was told that fellow musician Haroon Rashid had granted permission on his behalf.

Haq rejected the assertion and alleged that a Bollywood-linked company created fraudulent paperwork to facilitate the transaction. &quot;They made fraudulent documents with forged signatures. They have done the same with other artists as well,&quot; he alleged.





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Discussing the use of Nach Punjaban in Jugjugg Jeeyo, produced by Karan Johar, Haq said the song became the foundation of the film&#39;s promotional campaign without the rights holders being compensated. &quot;They made a whole film based on the song and did not give us our rights. We did sue them, and that case is ongoing,&quot; he said.

The singer further alleged that those involved approached his team through a company that had changed its name and was previously known as Moviebox. Haq maintained that the dispute should be straightforward because, according to him, no written agreement exists transferring the rights.

Beyond the copyright dispute, Haq reflected on his decades-long career, his breakthrough in the 1990s, and the enduring popularity of songs such as Billo De Ghar.

Recalling the early days of his career, the singer said he was preparing for the CSS examinations while also interviewing for a teaching position at Aitchison College after completing his master&#39;s degree and law degree. &quot;The breakthrough is something you never forget,&quot; he said, describing a period when music had yet to become his primary focus.

Haq also reflected on the extraordinary success of Billo De Ghar, claiming the song sold around 60 million copies on cassettes and CDs. Speaking about its origins, he said the lyrics emerged unexpectedly during a walk after overhearing a group of men casually exchanging phrases on a street in Karachi.

The singer acknowledged that many of his songs attracted controversy, claiming religious scholars criticised some of his work and that Billo De Ghar became the subject of public backlash.

Despite those disputes, Haq said he remains grateful that his music continues to resonate with younger audiences. &quot;I&#39;m honoured that my music is still relevant among Gen Z listeners,&quot; he said, praising a new generation of Pakistani artists for their contribution to the industry.]]>
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			<title>Bilal Saeed and Aima Baig perform 'Barri', recall Momina Mustehsan’s absence</title>
			<link>https://tribune.com.pk/story/2613106/bilal-saeed-and-aima-baig-perform-barri-recall-momina-mustehsans-absence</link>
			<comments>https://tribune.com.pk/story/2613106/bilal-saeed-and-aima-baig-perform-barri-recall-momina-mustehsans-absence#comments</comments>
			<pubDate>Sun, 14 Jun 26 10:16:10 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Performance sparks wave of nostalgia as fans wonder if Mustehsan has permanently stepped away from music]]>
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				<![CDATA[Singers Bilal Saeed and Aima Baig shared the stage for a special performance of Baari during Saeed&rsquo;s ongoing Misunderstood tour. Saeed, who kicked off his first-ever solo tour on June 12, invited Baig on stage to perform the&nbsp;track which he originally sings with Momina&nbsp;Mustehsan.





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Saeed and Baig&#39;s&nbsp;rendition of Baari was met with an enthusiastic response from the audience and quickly gained attention online.

Baig later took to her Instagram to share a clip from the performance, writing, &ldquo;Reminiscing our very own,&rdquo; and tagging Mustehsan. The gesture resonated with fans who fondly remember the original collaboration.

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The performance sparked a wave of nostalgia in the comments, with fans expressing how much they missed Mustehsan. Several users also questioned whether the singer had permanently stepped away from the music industry, while others wondered what she had been up to in recent years.



In another post to her Instagram story, Baig praised Saeed&rsquo;s energy and performance. &ldquo;Whattay night and whattay performer. Shout out to the superstar,&rdquo; she wrote.



Screengrab: aima_baig_official/Instagram

Although Mustehsan has largely remained out of the public spotlight in recent years, she did make a appearance at the Pakistan Conference at Harvard University in April. There, she joined a panel featuring actors, entrepreneurs, and politicians, offering fans a rare glimpse of the singer amid her extended absence from the music industry.]]>
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			<title>Asim Azhar sets sights on London</title>
			<link>https://tribune.com.pk/story/2611669/asim-azhar-sets-sights-on-london</link>
			<comments>https://tribune.com.pk/story/2611669/asim-azhar-sets-sights-on-london#comments</comments>
			<pubDate>Fri, 05 Jun 26 19:11:51 +0500</pubDate>
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				<![CDATA[News Desk]]>
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			<description>
				<![CDATA[Singer teases his 'biggest international concert' at Troxy]]>
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				<![CDATA[Singer Asim Azhar has stirred excitement among fans after teasing what he describes as his biggest international concert to date, set to take place in London later this year.

The announcement came through a series of social media posts in which the singer shared updates from his journey to the United Kingdom. Azhar revealed that the concert will be held on September 20, 2026, at the Troxy venue in London, marking a major milestone in his international touring career.

Taking to Instagram, he posted a cover announcement for the upcoming show, describing it as his most significant international performance so far. &quot;London. My biggest international concert till now. I know u waited long,&quot; he wrote, adding, &quot;Let&#39;s do this. Asim Ali tour UK!!!!!!!&quot;

In subsequent stories, Azhar gave followers a glimpse into his travel schedule, outlining his tour movements, which also include a brief stop in the United States for a one-day performance. He also revealed that his latest track &#39;Aarzu&#39; has been released on Spotify.

Azhar, one of Pakistan&#39;s most recognisable contemporary pop and R&amp;B artists, has built a strong following over the years through chart-topping singles and consistent international appearances. His latest release &#39;Aarzu&#39; has sparked fresh online discussion, with fans speculating about a possible uncredited vocal cameo by actor Hania Aamir.

The speculation began after Azhar shared a clip from the song on Instagram, where listeners focused on the line &quot;Phir se bolo&quot;, claiming they could hear a voice resembling Aamir&#39;s in the background.

The clip quickly circulated across social media platforms, with users debating whether the alleged cameo was intentional or coincidental. Comment sections were soon flooded with repeated claims suggesting the voice matched the actor&#39;s.

Some fans referenced a scene from &#39;Ishqiya&#39;, episode 22, arguing that the tone sounded similar to Aamir&#39;s earlier performances, further fuelling the online conversation around the track.

The discussion also revived speculation about the pair&#39;s past public appearances together, including sightings during Azhar&#39;s North American tour in New York, which had previously drawn attention on social media.

Azhar had earlier released a cover of Nusrat Fateh Ali Khan&#39;s &#39;Tere Bin Nahin Lagda&#39;, which included the line &quot;Jaania, Haania&quot;, a detail fans also linked to ongoing online theories about subtle references in his music. Neither Asim Azhar nor Hania Aamir has addressed the speculation or confirmed whether the voice in &#39;Aarzu&#39; belongs to the actor.]]>
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			<title>Saira Peter set to make Royal Albert Hall debut</title>
			<link>https://tribune.com.pk/story/2611615/saira-peter-set-to-make-royal-albert-hall-debut</link>
			<comments>https://tribune.com.pk/story/2611615/saira-peter-set-to-make-royal-albert-hall-debut#comments</comments>
			<pubDate>Fri, 05 Jun 26 11:49:47 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<description>
				<![CDATA[Known as the 'Karachi Girl', she debuts at Royal Albert Hall with a 500+ ensemble, blending Sufi and opera]]>
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				<![CDATA[Known as the &quot;Karachi Girl&quot;, Saira Peter is setting new benchmarks in the international music world. Recognised as the first artist to introduce Sufi Opera to Pakistan, Saira is set to make her debut performance at the Royal Albert Hall on Saturday, alongside more than 500 musicians.

Accompanied by the All Souls Orchestra, Saira will perform alongside one of the largest ensembles ever assembled for an Asian artist at the venue. The orchestra comprises 525 musicians and singers, divided into four principal sections: strings, woodwinds, brass and percussion. These sections are further subdivided into around 30 parts across more than 20 instruments. The performance will also feature a 400-voice choir singing four-part harmonies.

Although Saira is not the only Pakistani artist to have performed at the venue, organisers describe her as the youngest Pakistani vocalist to present a solo performance at the prestigious hall.

She follows in the footsteps of legends such as Noor Jehan, Iqbal Bano, Abida Parveen and Rahat Fateh Ali Khan. The venue has also hosted celebrated Indian performers, including Lata Mangeshkar, Zakir Hussain, Ravi Shankar and AR&nbsp;Rahman, who fulfilled his long-held dream of performing there in April.

Also Read:&nbsp;Faiza Hasan urges actors to guard their AI rights when signing contracts

The scale of the production presents a significant challenge. Saira will be required to project her voice above the combined sound of a vast orchestra and choir while incorporating her own distinctive Pakistani vocal ornamentation, or thaan, into the performance, a style rarely heard in Western classical settings.

Like Saira, the All Souls Orchestra is committed to promoting global peace and reconciliation. The ensemble has collaborated with artists from around the world and sees Saira as a natural partner in advancing these shared values.

During the event, Saira will be introduced as the world&#39;s first Sufi Opera singer and will represent Pakistan&#39;s culture and Sufi traditions on the global stage. Holding British, American and Pakistani identities, she consistently pays tribute to Pakistan through her attire, language and musical style.

At the organisers&#39; request, Saira will perform an original composition promoting peace and reconciliation among nations. The work features Urdu poetry written by British-Pakistani author and librettist Zafar Francis.

Francis has also written the libretto for Umar Marvi, the world&#39;s first Sufi Opera, Marvi&#39;s Tears. Composed by Paul Knight and directed by Jonny Danciger, the production will feature Saira in the lead role of Marvi.

Read More:&nbsp;Nadia Afgan stirs debate with repost on modesty, male gaze

Having established her name locally with her debut performance at PC Karachi in 2016, Saira earned acclaim from media representatives, diplomats, and audiences who had never heard anything similar before. For many, it was their first encounter with a &#39;Sufi Opera&#39;&nbsp;singer, instantly recognising her unique role in representing Pakistan&#39;s Sufi heritage while promoting messages of musical harmony and tolerance.

Saira has always believed that hard work is the foundation of achieving one&#39;s dreams. Her educational achievements include an MSc in Physical Chemistry from Karachi and an MA in Islamic History from Queen Mary University of London. She not only understands the science of sound but also appreciates the cultural significance of using music to promote peace and tolerance among diverse communities.

As her profile grew among influential circles, Saira was increasingly invited to perform works celebrating peace and goodwill. Throughout her journey, she developed a distinctive musical style, performing in 17 languages and building an international following that transcends borders. Her unique fusion sound, carrying a message of peace and unity, has reached some of the world&#39;s most significant venues under the banner: &quot;From Karachi to the Ends of the Earth.&quot;

In 2019, she performed her Sufi Opera composition at the Presidential Palace in Islamabad before an audience that included former president Dr Arif Alvi and international guests. Her repertoire included Shah Abdul Latif Bhittai&#39;s Resplendent, an English translation of &quot;Tou Habib, Tou Tabib.&quot; In 2021, she travelled to Konya in&nbsp;T&uuml;rkiye, where she appeared as a solo performer at Rumi&#39;s Mystik M&uuml;sik Fest, organised by the Republic of T&uuml;rkiye&#39;s Konya Provincial Directorate of Culture.



Earlier this year, she was invited to perform Sufi Opera pieces for international dignitaries gathered at the US House of Congress, where she was formally recognised as an &quot;International Woman of Distinction&quot;. She also received the &quot;She Leads the Nations&quot; award for her efforts in promoting peace through music. Her work encourages nations to build friendships and goodwill through cultural exchange.

As a guest of the US State Department during her tour, she was welcomed by Pakistan&#39;s Permanent Representative to the United Nations&nbsp;Asim Iftikhar Ahmad, who invited her to present a private concert for UN media representatives and members of the Pakistani community at his official New York residence. Following the performance, she was honoured with a special certificate of recognition.

Saira is preparing to take her message to one of the world&#39;s most iconic and historic concert venues, the Royal Albert Hall in London. Performing on the evening of June 6, she joins a select group of Pakistani artists who have headlined at the venue. Designed to support the advancement of arts and sciences in line with Prince Albert&#39;s vision for Britain&#39;s cultural development, the Royal Albert Hall was opened in 1871 by his widow, Queen Victoria.

With a seating capacity of more than 5,200, the hall&#39;s grandeur reportedly left Queen Victoria speechless at its inauguration. The opening address was delivered by her son, Edward, Prince of Wales. According to historical accounts, her only recorded remark was that the hall reminded her of the British Constitution.

Since its opening, the Royal Albert Hall has hosted some of Britain&#39;s most significant cultural and national events. In 1965, it hosted the funeral of wartime leader Sir Winston Churchill. Renowned composer Sir Benjamin Britten, whose musical lineage connects to Saira&#39;s vocal training through her coach, conducted performances there on numerous occasions between 1945 and 1971.

More recently, on May 8, the venue hosted celebrations marking the 100th birthday of celebrated natural historian Sir David Attenborough. Now, Saira prepares to add her name to the venue&#39;s distinguished history as she brings her message of peace, cultural exchange and artistic excellence to one of the world&#39;s most renowned stages.

The event will be attended by Pakistan&#39;s Acting High Commissioner to the United Kingdom&nbsp;Haseeb Bin Aziz&nbsp;alongside other dignitaries.]]>
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			<title>Asim Azhar’s ‘Aarzu’ sparks speculation over Hania Aamir’s vocal cameo</title>
			<link>https://tribune.com.pk/story/2611433/asim-azhars-aarzu-sparks-speculation-over-hania-aamirs-vocal-cameo</link>
			<comments>https://tribune.com.pk/story/2611433/asim-azhars-aarzu-sparks-speculation-over-hania-aamirs-vocal-cameo#comments</comments>
			<pubDate>Thu, 04 Jun 26 12:18:02 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<description>
				<![CDATA[Fans claim actor’s voice appears after singer’s Instagram clip goes viral]]>
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				<![CDATA[Asim Azhar&rsquo;s new single Aarzu, a cover of the original track by Khan, Madhurxo and Noor, has been trending on social media after fans speculated that actor Hania Aamir may have made an uncredited vocal cameo.

The buzz began after Asim Azhar shared a video on Instagram, where listeners focused on the iconic line &ldquo;Phir se bolo,&rdquo; claiming that a voice resembling Hania&rsquo;s can be heard.

The clip quickly went viral, with fans debating whether the alleged cameo is intentional or simply a coincidence.





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The track continued to trend days after its release, with comment sections flooded by users insisting the voice sounds like Hania&rsquo;s.

One user wrote, &ldquo;It&rsquo;s her voice from Ishqiya, episode 22,&rdquo; referencing a scene fans believe matches the audio.

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Fans continued to share the same phrase across the comments section, further amplifying the speculation.



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The discussion also reignited online chatter about the pair, with some users linking the rumours to sightings of Hania and Azhar together during his North American tour in New York.

Earlier, Azhar had also released a cover of Nusrat Fateh Ali Khan&rsquo;s &ldquo;Tere Bin Nahin Lagda,&rdquo; which included the line &ldquo;Jaania, Haania,&rdquo; further fuelling fan theories about subtle musical references to Aamir.

Neither Azhar nor Hania have commented on the speculation or confirmed whether the voice in the track belongs to her.

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			<title>FIFA world cup 2026: Inside the sport-style takeover</title>
			<link>https://tribune.com.pk/story/2612807/fifa-world-cup-2026-inside-the-sport-style-takeover</link>
			<comments>https://tribune.com.pk/story/2612807/fifa-world-cup-2026-inside-the-sport-style-takeover#comments</comments>
			<pubDate>Fri, 12 Jun 26 11:43:15 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[From luxury brands to local streetwear, influencers and celebrities alike are endorsing football fashion]]>
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				<![CDATA[Fashion has always been borrowed from football but 2026 marks a shift in control. As the FIFA World Cup approaches, the event is no longer just inspiring seasonal trends; it is shaping the direction of fashion itself.

From luxury houses to streetwear labels and global sportswear giants, football has become the reference point through which style is now being designed, styled, and consumed.

The modern jersey sits at the centre of this shift. Once limited to stadiums and supporter culture, it now moves easily between style, influencer feeds, and fashion collaborations.

Nike&#39;s upcoming World Cup 2026 direction, covering teams such as Brazil, France, and Nigeria reflects this evolution. Kits are engineered with innovations like Aero-fit cooling systems, yet designed with equal attention on how they appear beyond the pitch.



PHOTO: Nike&#39;s sports

Luxury fashion has followed closely behind. Loewe has become wardrobe partner for the Spanish national team, merging craftsmenship with sports identity, while Boggi Milano now serve&#39;s as FIFA&#39;s formal wear partner, bringing tailoring into football&#39;s institutional image.



PHOTO: Euronews

Design collaborations have further accelerated this crossover. The partnership between Jacquemus and Nike for the French national team reframes football footwear and apparel through a runway lens - minimal and emotionally driven.



PHOTO: V Magazine

At the same time, football style has become more accessible than ever.

Gap has introduced FIFA World Cup collections, while retailers like Urban Outfitters translate football references into everyday staples, such as caps, oversized tees, and casual layers.





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Streetwear continues to expand on this movement. Kith, in collaboration with Adidas has turned football into collectible fashion pieces, often tied to icons like Lionel Messi.

At the same time, Brazilian forward Vin&iacute;cius J&uacute;nior embodies this shift as one of the defining faces of Nike Football, where kits are designed as identity systems meant for global circulation.



PHOTO: About Nike

Outside the stadium, football aesthetics are increasingly shaped by artists and digital creators.

Singer Olivia Rodrigo has recently appeared within football-links through engagement with FC Barcelona, reflecting how club identity now circulates through youth culture and celebrity styling.



PHOTO: Elle

One of the clearest expressions of this global shift is the Mundial Collection by Clot in collaboration with Adidas Orginals, which blends Asian streetwear with global football heritage.

Similarly, designer Priya Ahluwalia, through her Puma collaboration, draws on Indian-Nigerian background to interpret football silhouettes through cultural storytelling.





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New York City&#39;s mayor Zohran Mamdani was also pictured wearing a FIFA cup jersey while praying, while announcing that he is launching an affordable NYC-inspired World Cup Jerseys.

Taken together, these shifts point to a larger reality: football fashion is no longer a seasonal trend. It is a global system shaped by athletes, designers, brands, and digital culture simultaneously.]]>
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			<title>Eidul Azha fashion roundup: Influencers redefine festive eastern wear with modern flair</title>
			<link>https://tribune.com.pk/story/2610319/eidul-azha-fashion-roundup-influencers-redefine-festive-eastern-wear-with-modern-flair</link>
			<comments>https://tribune.com.pk/story/2610319/eidul-azha-fashion-roundup-influencers-redefine-festive-eastern-wear-with-modern-flair#comments</comments>
			<pubDate>Thu, 28 May 26 08:37:38 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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				<![CDATA[Instagram bloggers showcase festive Eidul Azha looks, blending tradition with modern fashion trends]]>
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				<![CDATA[From heavily embroidered festive wear to understated pastel ensembles, creators across the fashion space showcased outfits that feel glamorous yet wearable for family gatherings, brunches, and late-night festivities this Eidul Azha.

Whether it&rsquo;s classic eastern silhouettes, modern drapes, or statement accessories, Instagram influencers and bloggers are proving that Eid dressing can be both timeless and trend-forward.

We gathered some of our favourite looks this Eidul Azha, featuring colourful palettes that help us momentarily forget the ongoing heatwave.





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Sona Rafiq opted for three looks this Eid, featuring outfits from Farah Talib Aziz, Ansab Jahangir, and NiaMia.

From sarees to kaftans, she paired each look with delicate jewellery and glowy makeup.





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Zahra Malik wore a fusion-wear outfit that included a sleeveless long vest adorned with delicate brooches and parachute pants. She paired the pastel fit with a mini blue Dior bag.





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Abeera Riaz shared pictures with her husband this Eid, with the couple dressed in soft pastel tones wearing Faiza Saqlain.

She wore a pastel pink short shirt paired with an embroidered dupatta and garara, while her husband opted for a plain white shalwar kameez with a beige-coloured waistcoat.





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Rija Mujahid dressed in the perfect shade of coral pink, wearing a sleeveless embroidered lawn kurta with a matching loose shalwar and dupatta from Republic Women&rsquo;s Wear.

The intricate details stood out alongside her delicate jewellery and matching red purse.





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Ayla Adnan, also known as Karachi blogger aylasworld, wore a printed pink ensemble paired with a sharara and dupatta from Farah Talib Aziz while posing with a pastel-coloured cake topped with cherries.





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Arooba Gill opted for a darker palette, wearing a black-and-white ensemble from Farah Talib Aziz as her first Eid look.

She chose bold makeup to elevate the otherwise minimal outfit and paired it with a tiny purse.





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Muzi Sufi celebrated Eid with her children in coordinated outfits from Farah Talib Aziz. She twinned with her two daughters, while her younger son wore a matching patterned shalwar kameez and waistcoat.





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Manahyl Khan chose an outfit from Ammara Khan Atelier, wearing an embroidered beige suit paired with a clutch, black heels, and subtle jewellery.

From dreamy pastels to bold monochromes, this year&rsquo;s Eid fashion was all about balancing comfort with elegance.

These bloggers not only embraced festive traditions but also added their own contemporary twist to eastern wear, giving fashion lovers plenty of inspiration for the festive season ahead.]]>
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			<title>Hania Aamir latest celebrity to take plunge into pixie cut trend</title>
			<link>https://tribune.com.pk/story/2609496/hania-aamir-latest-celebrity-to-take-plunge-into-pixie-cut-trend</link>
			<comments>https://tribune.com.pk/story/2609496/hania-aamir-latest-celebrity-to-take-plunge-into-pixie-cut-trend#comments</comments>
			<pubDate>Fri, 22 May 26 10:25:51 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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				<![CDATA[Actor joins Sajal Aly, Saheefa Jabbar in debuting look that is dominating celebrity circles this summer]]>
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				<![CDATA[Actor Hania Aamir unveiled a dramatic new look, debuting this summer&rsquo;s biggest hair trend &mdash; the pixie cut. Taking to Instagram, the actor shared a carousel of images showcasing the transformation, with one image prompting social media user to draw comparisons to Meryl Streep&rsquo;s iconic look in The Devil Wears Prada.

Hania&#39;s striking makeover quickly caught fan&nbsp;attention, with many praising the actor for embracing the nostalgic 90s-inspired trend. Her comment section was flooded with excitement and admiration, as followers and fellow stars applauded the actor&rsquo;s fresh new look.





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Hania is not the first celebrity to embrace the pixie cut trend this season. In April, actor Saheefa Jabbar Khattak revealed her own short haircut in a video of herself playing padel.





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The trend has continued gaining momentum among Pakistani celebrities. Actor Sajal Aly also debuted short hair in an Instagram post.





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Actor and host Mishi Khan also joined the trend, sharing a video featuring a short bob reminiscent of the pixie style.





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Although summer has only just begun, the pixie cut trend already appears to have secured its place as one of the season&rsquo;s defining celebrity style statements.]]>
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			<title>Sanam Saeed wraps up Cannes debut with vintage-inspired Western ensemble</title>
			<link>https://tribune.com.pk/story/2609147/sanam-saeed-wraps-up-cannes-debut-with-vintage-inspired-western-ensemble</link>
			<comments>https://tribune.com.pk/story/2609147/sanam-saeed-wraps-up-cannes-debut-with-vintage-inspired-western-ensemble#comments</comments>
			<pubDate>Wed, 20 May 26 10:18:54 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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			<description>
				<![CDATA[Actor closes out festival run with 1986 blazer, skirt after earlier traditional ensembles]]>
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				<![CDATA[Actor Sanam Saeed wrapped up her debut appearance at the 2026 Cannes Film Festival with a final Western look, closing her style run on a contemporary note after earlier traditional ensembles.

Sanam shared a farewell message on her Instagram story, expressing her gratitude &quot;for all the love, warmth and feels!&quot; She added, &quot;It&#39;s been whirlwind of an experience and I hope we&#39;ve started a movement and made way for many many more moments like this for us all!&quot;

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For her final appearance at the film festival, Sanam wore a vintage-inspired 1986 blazer and skirt ensemble by Yves Saint Laurent (YSL), paired with stockings and black heels.

Fans praised the actor&#39;s looks throughout the festival, highlighting her representation of Pakistan on an international stage and the consistency of her styling choices.





The actor also received supportive comments from other celebrities.



In an earlier Cannes appearance, Sanam honoured Pakistani cinema icon and director&nbsp;Shamim Ara by wearing a traditional green sari designed by Hussain Rehar, who also attended the festival.





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With her Cannes debut now concluded, Sanam leaves behind a memorable style journey that balanced heritage with high fashion, honouring cinematic legacy while embracing contemporary elegance.]]>
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			<title>Chanel returns to growth as Blazy's designs win over new shoppers</title>
			<link>https://tribune.com.pk/story/2609130/chanel-returns-to-growth-as-blazys-designs-win-over-new-shoppers</link>
			<comments>https://tribune.com.pk/story/2609130/chanel-returns-to-growth-as-blazys-designs-win-over-new-shoppers#comments</comments>
			<pubDate>Wed, 20 May 26 07:49:04 +0500</pubDate>
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				<![CDATA[Reuters]]>
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			<description>
				<![CDATA[New creative director's reinvented bags, tweed jackets drive 2% revenue rise to $19.3 billion in 2025]]>
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				<![CDATA[Parisian fashion house Chanel has drawn in shoppers who had never bought the brand before, as creative director Matthieu Blazy&#39;s reinvented versions of classic bags, shoes and jackets drove demand that outstripped supply and a return to growth.

The privately-owned company &zwnj;on Tuesday reported a 2% rise in revenue in 2025 in currency-adjusted terms to $19.3 billion. Chanel&#39;s revenue had declined 4.3% in 2024 when even the most high-end fashion labels reached the limits of demand after making big price hikes in a post-pandemic luxury boom.

Blazy, who took over from Virginie Viard last year and presented his first collection in October, has reinvigorated the brand with designs such as ​the slouchy leather &quot;maxi flapbag&quot;, retailing for $8,500, and bright, frayed versions of the classic Chanel tweed jacket.

&quot;What we saw in 2025 was a creative momentum across ​all our business activities,&quot; Chief Executive Officer Leena Nair told Reuters in an interview, adding that investments made in 2024 had laid the ⁠foundations for the sales rebound.

Chanel&#39;s operating profit also grew 5% to hit $4.7 billion, up from $4.5 billion in 2024 but lower than its level in 2021 to 2023.



A model presents a creation by designer Matthieu Blazy as part of his Chanel 2026-2027 Cruise collection. Photo: Reuters

&#39;Demand has far outstripped supply&#39;

When Blazy&#39;s first collection landed in stores in March, shoppers flocked to buy new handbags, two-tone pumps in mint green and black for $1,450, and multicoloured tweed jackets.

&ldquo;The ​recruitment of new clients &ndash; who hadn&rsquo;t previously bought Chanel - has been phenomenal,&quot; Simon Longland, director of fashion buying at high-end department store Harrods in London, told Reuters in an interview.

&ldquo;The demand has far outstripped supply, correctly so on some of the special pieces because, while there may be people disappointed they don&#39;t have the jacket they wanted, if everyone who wanted the jacket had got ​it, they would all be arriving somewhere in the same jacket,&quot; Longland added.

Chanel&#39;s 2025 growth rate was slower than rival Hermes, which grew sales 9.8% to 16 billion ​euros, but better than LVMH&#39;s fashion and leather goods division (including Louis Vuitton and Dior), which declined 5% to 37.77 billion euros.

Despite Trump&#39;s tariffs, the United States drove most of the growth, with sales &zwnj;up 7.2% in ⁠currency-adjusted terms in the Americas region, while Asia-Pacific - Chanel&#39;s biggest region by sales - declined 0.8% and Europe grew 2.5%.

Chanel raised prices by 3% overall and 2% for fashion products in 2025, and plans similar increases this year, said Chief Financial Officer Philippe Blondiaux. He said Chanel&#39;s business in the Middle East - accounting for around 4% of revenue - had been resilient despite the Iran war.

Having opened 41 stores last year, Chanel plans to open 30 stores this year, including nine fashion boutiques, with openings planned in Boca Raton, Florida, ​and Palo Alto and San Diego in ​California.

Threat to rivals, or sign of luxury revival?

As rising inflation means fewer shoppers have the means to buy luxuries, Chanel&#39;s success could threaten the turnaround attempts of Dior, Louis Vuitton, and Gucci, analysts say.

&quot;The bears (where our own view is currently tilted) would argue that in the context of anaemic industry ​growth, Chanel&#39;s revival has to come at the expense of peers,&quot; Morgan Stanley analysts wrote.

But rival luxury labels could also ​see the hype around ⁠Chanel as a positive, in that it shows a revival is possible.

&quot;I view it as a good indicator for luxury that Chanel is creating a buzz that you&#39;ve just not had in quite a few years,&rdquo; said Harsharan Mann, portfolio manager and consumer sector lead at Aviva Investors in London.

&ldquo;Chanel&rsquo;s success does show luxury really is an offer-driven market and ⁠even in a ​tougher economic environment, if you bring in new creativity, it can drive interest and sales,&rdquo; said Mann.

High-street ​retailers have taken note, and copycat Chanel looks have proliferated in recent months, from a faux-tweed yellow and black check fringed jacket for $169 at Zara, to a cropped cream jacket with Chanel-esque gold statement buttons ​for $59.99 at H&amp;M.

Chanel is owned by French billionaire brothers Alain Wertheimer and Gerard Wertheimer.



Chart showing Chanel&#39;s revenues since 2016. Photo: Reuters]]>
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			<title>Samar Jafri, Ameema Saleem win fans with 'Raja London Ka' chemistry</title>
			<link>https://tribune.com.pk/story/2613444/samar-jafri-ameema-saleem-win-fans-with-raja-london-ka-chemistry</link>
			<comments>https://tribune.com.pk/story/2613444/samar-jafri-ameema-saleem-win-fans-with-raja-london-ka-chemistry#comments</comments>
			<pubDate>Tue, 16 Jun 26 07:53:44 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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				<![CDATA[As rumours of another project together begin to circulate, the stars continue to attract attention both on, off screen]]>
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				<![CDATA[As Raja London Ka continues to win over viewers, Samar Jafri and Ameema Saleem have emerged as one of the drama&rsquo;s biggest talking points, with growing audience interest in seeing the pair collaborate again beyond the series. Rumours have also begun circulating that the two may reunite for another drama in the near future.

The pair currently star in Express Entertainment&rsquo;s drama that follows characters from contrasting worlds. Their on-screen chemistry and ability to portray both vulnerability and romance have resonated with viewers, making them a standout duo among the new generation of actors.

Jafri&rsquo;s portrayal of Raja balances confidence with emotional vulnerability, while Ameema brings warmth and depth to her role, creating a dynamic that feels authentic and relatable.

The story explores how two individuals from completely different backgrounds&mdash;one shaped by the bustling streets of Lunda Bazaar and the other by the corridors of political power, burdened with responsibilities from an early age&mdash;discover that true love is not about possession, but about having the courage to let go.



PHOTO: Express Entertainment

Off-screen, both actors have shared glimpses of their experience filming the drama through behind-the-scenes photos and videos.

From costume and makeup preparations to candid moments with cast and crew, their social media posts offer fans a closer look at the bond that translates so effectively on screen.





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What makes Jafri and Ameema&rsquo;s pairing particularly notable is how naturally they embody a young romantic lead couple.

At a time when audiences are increasingly drawn to fresh faces and contemporary love stories, their performances bring a refreshing energy to the screen.





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Following Jafri&rsquo;s popularity in Parwarish and Ameema&rsquo;s appearance in Khwabon Mein Milli, Raja London Ka marks an important chapter for both actors, helping further establish them among television&rsquo;s emerging talents.



PHOTO: Express Entertainment

The strong response to their pairing has already prompted viewers to express interest in seeing them share the screen again.

Raja London Ka airs every Monday and Tuesday at 8pm on Express Entertainment.]]>
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			<title>Bushra Ansari revisits Saima Chaudhary with 'Baraat Series' throwbacks</title>
			<link>https://tribune.com.pk/story/2612781/bushra-ansari-revisits-saima-chaudhary-with-baraat-series-throwbacks</link>
			<comments>https://tribune.com.pk/story/2612781/bushra-ansari-revisits-saima-chaudhary-with-baraat-series-throwbacks#comments</comments>
			<pubDate>Fri, 12 Jun 26 07:55:05 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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			<description>
				<![CDATA[Fans call for fifth instalment as actor shares clips from beloved franchise]]>
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				<![CDATA[Veteran actor Bushra Ansari, best known for her character Saima Chaudhary in the beloved Baraat Series, revisited her iconic character by sharing throwback clips from the hit comedy-drama franchise.

Ansari took to Instagram to share collaborative posts with an account dedicated to the series.&nbsp;

In one of the clips shared by Ansari, Saima Chaudhary is lying ill in bed while her husband, Chaudhary Sahab, played by Shehryar Zaidi, asks what is troubling her. The scene shifts to her concerns about finding a suitable husband for her daughter, Annie.





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&ldquo;Do me help before I die hard,&rdquo; she says in the clip, one of many examples of the character&rsquo;s trademark misuse of English grammar, a running gag that became a fan favourite throughout the series.

In another throwback video, Saima enjoys Chinese food with her family while delivering witty political jokes and humorous observations.





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Airing from 2009 to 2012, the franchise remains one of Pakistan&rsquo;s most popular comedy-drama series, with four instalments centered on different family weddings:&nbsp;Azar Ki Ayegi Baraat, Dolly Ki Ayegi Baraat, Takkay Ki Ayegi Baraat, and Annie Ki Ayegi Baraat.

Directed by Marina Khan and Nadeem Baig, the series humorously explored family dynamics and the chaos surrounding traditional desi weddings.

More than a decade after its original run, the Baraat Series continues to hold a special place in the hearts of Pakistani television viewers, with Ansari&#39;s nostalgic posts prompting many fans to flood the comments with fond memories of the series and calls for a fifth instalment of the franchise.

Meanwhile, the veteran actor is currently starring in the television series Dadi Jaan and Dekh Zara Pyar Se.]]>
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			<title>Asim Abbasi, Mo Azmi reshape Netflix's 'A Good Girl’s Guide to Murder'</title>
			<link>https://tribune.com.pk/story/2612033/asim-abbasi-mo-azmi-reshape-netflixs-a-good-girls-guide-to-murder</link>
			<comments>https://tribune.com.pk/story/2612033/asim-abbasi-mo-azmi-reshape-netflixs-a-good-girls-guide-to-murder#comments</comments>
			<pubDate>Mon, 08 Jun 26 07:21:39 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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			<description>
				<![CDATA[Pakistani director-cinematographer duo bring a darker, more grounded vision to the popular mystery series]]>
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				<![CDATA[The highly anticipated second season of A Good Girl&rsquo;s Guide to Murder, adapted from Holly Jackson&rsquo;s bestselling sequel Good Girl, Bad Blood, is set to return this year, taking the hit series down a much darker path.

But what makes this global Netflix-BBC co-production particularly exciting for South Asian audiences is not just its gripping mystery. It is the powerhouse Pakistani duo behind the camera: director Asim Abbasi and cinematographer Mo Azmi.

Abbasi requires little introduction. He is the creative force behind the critically acclaimed, Oscar-submitted feature Pinky Memsaab and the groundbreaking, fiercely feminist Zindagi original series Churails.

Having established himself as a filmmaker unafraid to challenge conventions, Abbasi&#39;s stories often centre on flawed, fiercely independent women who defy societal expectations.





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Taking the director&#39;s chair for Block One of A Good Girl&rsquo;s Guide to Murder Season 2 marks a major career milestone, as it is Abbasi&#39;s first directorial project for Netflix.

Speaking about his impact on the series, lead star Emma Myers was enthusiastic about his character-driven approach.

&ldquo;Every note of Asim&#39;s was good. I love that he was not afraid to tell you when something was bad. He is so acting-specific. It&#39;s amazing to work with somebody who really cares about the performance alongside the look of it,&rdquo; she said.

One of Abbasi&#39;s greatest strengths lies in stripping away the polished surface often associated with Western young adult dramas and replacing it with a more grounded, psychologically complex realism.

To bring the world of the novels to life, Abbasi once again teamed up with frequent collaborator and acclaimed cinematographer Mo Azmi.





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Azmi, whose stunning visual work elevated Cake and helped define the rebellious aesthetic of Churails, brings an entirely fresh visual language to the fictional town of Little Kilton. His cinematography captures the urgency, tension and relentless pace of a mystery unfolding against the clock.

Seeing Abbasi and Azmi at the helm of one of the world&#39;s most popular young adult dramas represents a significant moment for Pakistani audiences. For decades, South Asian filmmakers in the global mainstream were often confined to culturally specific narratives.

By leading a major British thriller series, Abbasi and Azmi demonstrate that their cinematic language transcends borders. They are not merely participating in global television; they are helping shape its creative and visual identity.

With Season 2 now streaming, audiences around the world are experiencing a darker, sharper and more ambitious continuation of the story they first embraced.]]>
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			<title>Mawra Hocane celebrates Ameer Gilani’s acclaimed performance in drama</title>
			<link>https://tribune.com.pk/story/2612031/mawra-hocane-celebrates-ameer-gilanis-acclaimed-performance-in-drama</link>
			<comments>https://tribune.com.pk/story/2612031/mawra-hocane-celebrates-ameer-gilanis-acclaimed-performance-in-drama#comments</comments>
			<pubDate>Mon, 08 Jun 26 07:15:17 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[The actor praised her husband’s performance as fans mourn Mudassir’s tragic death in Zanjeerain]]>
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				<![CDATA[Actor Mawra Hocane shared a heartfelt tribute to her husband, Ameer Gilani, praising both his acting performance and his faith following the death of his character in the drama serial Zanjeerain.

Taking to Instagram, Mawra posted a series of stories and posts celebrating Gilani&#39;s portrayal of Mudassir in the drama, which stars Sajal Ali opposite him.

The emotional death scene has left viewers devastated, prompting widespread reactions across social media.





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Sharing her thoughts, Mawra wrote, &ldquo;We&rsquo;re all just Mudassir paglus at this point. NATIONWIDE MOURNING.&rdquo;

She continued, &ldquo;The performance, the emotions, the impact, never getting over this one scene, like never!!! Why why why? Simply EXCELLENT. So so proud &amp; this is just the beginning.&rdquo;

Mawra also shared an Instagram Story featuring a clip of Gilani praying, praising his humility despite the overwhelming response to his performance.



Screengrab: mawrellous/Instagram

&ldquo;On a good day, bad day, or an extraordinary day (weekend) like this one, this sweet boy is so unaffected, so unfazed. Praise to God. Smiling, grateful, praying for all of us. Bringing blessings into all of our lives,&rdquo; she wrote.

She added, &ldquo;This is why he deserves what he just got. What he&rsquo;s yet to get. Happiness of the entire world and so much more.&rdquo;

Concluding her tribute, Mawra affectionately referred to her husband as &ldquo;Angel boy.&rdquo;





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Gilani also expressed gratitude to his fans by sharing a video of himself singing the classic song Abhi Na Jao Chhod Kar on Instagram.

Captioning the post, he wrote, &ldquo;How I feel at all your love. Jo khatam ho kisi jaga yeh aisa silsila nahi&nbsp;[This is not the kind of connection that just ends somewhere].&rdquo;





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The actor later shared his parents&rsquo; reaction to Mudassir&rsquo;s death scene, posting a video in which both appeared emotional and were seen shedding tears. &ldquo;Woke up to this&hellip; mama is an easy crier but baba? Hahaha. Achievement unlocked,&rdquo; he wrote.

The emotional episode has left fans heartbroken, with viewers flooding social media to praise Gilani&rsquo;s powerful performance. While the actor has continued to thank fans for their support, Mawra has proudly celebrated both his professional success and personal character.]]>
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			<title>Karisma Kapoor reflects on Bollywood shift, family priorities ahead of comeback</title>
			<link>https://tribune.com.pk/story/2611394/karisma-kapoor-reflects-on-bollywood-shift-family-priorities-ahead-of-comeback</link>
			<comments>https://tribune.com.pk/story/2611394/karisma-kapoor-reflects-on-bollywood-shift-family-priorities-ahead-of-comeback#comments</comments>
			<pubDate>Thu, 04 Jun 26 07:44:52 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Indian actor opens up about industry’s evolving work culture, her demanding early career and importance of family]]>
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				<![CDATA[Indian actor Karisma Kapoor is set to return to the screen with her upcoming OTT series Brown, a gritty new drama that marks a sharp departure from her glamorous 1990s image.

In a recent interview with an Indian magazine, Karisma spoke about the project, her career trajectory, the importance of family, and the evolution of Bollywood over the past three decades. Reflecting on how the industry has become more structured, she described the shift as a positive development.

&ldquo;Back then, we worked on gut instinct, passion, and belief. There are so many films I&rsquo;ve done that had no script or written scenes. You would go to the set, and it would all be developed on set within minutes,&rdquo; she said.





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Recalling her experience working with directors like David Dhawan, she added that instructions were often simple and direct: &ldquo;&#39;Faad do&rsquo; (kill it), and we would immediately understand what was expected.&rdquo;

Speaking about Haseena Maan Jaayegi, she revealed that much of her performance was improvised. Karisma fondly recalled her co-stars Govinda, Paresh Rawal, Kader Khan, and Shakti Kapoor, describing them as a close-knit &ldquo;gang&rdquo;.

&ldquo;We&rsquo;d be working together on a different film every day. There was a great comic synergy between us, almost like a theatre troupe,&rdquo; she said, adding that the camaraderie made her feel as though she had known them for years.

Reflecting on the demanding schedules of that era, Karisma noted that she sometimes worked up to four shifts a day &mdash; three in Mumbai and one overnight in Hyderabad.

&ldquo;I&rsquo;ve grown up in this industry; I&rsquo;ve been working since I was 16 or 17. It has always been about taking one step at a time and learning along the way,&rdquo; she said, describing her journey as a continuous process of growth.





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Contrasting the past with the present, she added, &ldquo;Today, I am quite clear about the balance I need between work and family, and I believe in it deeply.&rdquo;

Emphasising her priorities, Karisma said, &ldquo;Family is the most important thing for us. Family time is the most essential thing for us.&rdquo; She added that her family remains her biggest support system, especially her sister, Kareena Kapoor. &ldquo;That unconditional love and support has always been there and always will be,&rdquo; she said, noting that the encouragement goes both ways.

Speaking about her latest series, she said, &ldquo;I think Brown is a step above in a different way, because I don&rsquo;t think there&rsquo;s been such a raw character.&rdquo; She added that the role stood in stark contrast to her established screen image. She said she was drawn to the character&rsquo;s complexity, describing it as unlike anything she had done before.

&ldquo;It&rsquo;s completely opposite to Karisma Kapoor. Everything about her was the opposite of me. She was so bare, so raw,&rdquo; she said, explaining that the role challenged her in ways few others had and ultimately made the project impossible to refuse.]]>
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			<title>‘Obsession’ weaponises romance to deliver one of the year’s most unsettling horror films</title>
			<link>https://tribune.com.pk/story/2612599/obsession-weaponises-romance-to-deliver-one-of-the-years-most-unsettling-horror-films</link>
			<comments>https://tribune.com.pk/story/2612599/obsession-weaponises-romance-to-deliver-one-of-the-years-most-unsettling-horror-films#comments</comments>
			<pubDate>Thu, 11 Jun 26 10:37:39 +0500</pubDate>
			<dc:creator>
				<![CDATA[Nawal Ahmad]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[A cursed wish becomes a chilling tale of control, consent and the terrifying cost of manufactured love]]>
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				<![CDATA[One of Obsession&rsquo;s most unsettling moments arrives in the middle of an otherwise ordinary dinner, until Nikki, already beginning to fracture under the weight of something unseen&mdash;snaps with an abrupt, jittering insistence: &ldquo;No no no no no, I thought we were having a nice day.&rdquo; The audience laughs. Then instantly regrets it. That delayed discomfort is the exact frequency Curry Barker&rsquo;s film operates on, forcing viewers to confront how easily suffering can be misread in real time.



Obsession presents itself as a familiar supernatural horror: A cursed wish, glowing eyes in the dark, a girl watching a boy sleep from the corner of his room like an intrusive thought made physical. On paper, it belongs to the ecosystem of low-budget streaming horror that leans on mythology and jump scares yet Barker is building an airtight case against his protagonist &mdash; a coward who erases Nikki&rsquo;s autonomy through desire disguised as love.



Michael Johnston plays Bear with a kind of emotional avoidance that never fully tips into caricature.

The premise is deceptively simple&mdash;an insecure young man makes a wish that his close friend Nikki will love him more than anyone else in the world. What follows is not romantic transformation but manufactured attachment, a grotesque simulation of devotion that replaces consent with programming. The curse does not give Bear Nikki. It imprisons her inside a version of herself that was never allowed to choose.

Barker is careful not to frame Bear as an obvious monster. He makes the wish almost absent-mindedly, like a thought he doesn&rsquo;t fully believe has consequence. Yet the film&rsquo;s most disturbing insight is that harmful choices do not require malicious intent.



The emotional centre of the film belongs to Inde Navarrette&rsquo;s performance as Nikki, which is one of the most physically precise horror performances in recent memory. She performs not a single character but a fracture&mdash;two selves occupying the same body: the original Nikki attempting to surface, and the imposed version constructed by the curse. The result is constant dissonance. Nothing she does feels fully owned by her.

Navarrette communicates that division through bodily logic rather than exposition. She walks backwards through spaces, watches Bear from corners of the room. There is a recurring stillness to her that feels less human than observational, as though the body is paused while something else calculates. At moments, she becomes almost feral in her self-awareness, as if identity has been stripped down to instinct and resistance.



She slams fragments of glass into her face, and in the brief moments before the possession reasserts itself, she screams, &ldquo;IT&#39;S NOT ME.&rdquo; She slips Polaroids with handwritten warnings into Bear&rsquo;s lunchbox &mdash; placed beside the remains of his dead cat in one of the film&rsquo;s most quietly devastating images. She retells Hansel and Gretel at a party in a way that feels broken, almost like a coded scream. Every action is a cry for help. The tragedy is that Bear sees all of it.

Some of the most disturbing passages are the quietest. The possessed Nikki&rsquo;s affection is not seductive so much as procedural, like behavior learned without comprehension. She becomes attached to being called &ldquo;Freaky Nikki,&rdquo; a name the real Nikki rejected, and the film uses this as a brilliant technique to override her identity.



One of the film&rsquo;s most disturbing sequences arrives when Nikki steps out of darkness and asks, almost clinically, &ldquo;I feel like you don&rsquo;t love me as much as I do? It&rsquo;s not mutual.&rdquo; The line, on the page, is straightforward.

On screen, Navarrette stretches it into something unbearable and corpse-like. Her face is isolated in near-total blackness, expression locked into a strained approximation of sincerity that reads less like emotion and more like reconstruction. It is one of the film&rsquo;s clearest horror arguments: love, when stripped of reciprocity, does not become devotion&mdash;it becomes imitation.



Barker extends this horror in another sustained shot as Navarrette stares directly into the camera with a serene, impossibly wide smile for nearly twenty seconds. Nothing changes.

That is the point. The horror is not threat, but duration and the violation of being forced to hold an expression that does not belong to her. The smile lingers long enough to become unbearable.



Even when confronted with the consequences of his wish, Bear responds not with rupture but negotiation. Again and again, his comfort outweighs her freedom. &ldquo;What&rsquo;s so bad about being with me?&rdquo; he asks. &ldquo;I&rsquo;ve never been with you, Bear,&rdquo; the real Nikki replies.

The line lands like a correction that arrives too late to matter. The film&rsquo;s treatment of consent becomes its most sustained horror principle. Nikki does not want him. She says so, directly and repeatedly, even asking for death as release. Yet Bear continues to centre&nbsp;his emotional discomfort over her literal suffering. Love becomes indistinguishable from entitlement.

The film makes clear, without overstating it, that Nikki was never singularly enough for him. The moment another romantic possibility enters Bear&rsquo;s orbit, Nikki becomes structurally expendable&mdash;no longer an object of longing but an obstacle to it.



Even the film&rsquo;s mythology carries a darkly comic looseness that never fully releases the tension. At one point, another character casually wishes for a billion dollars, delivered like a joke, almost a throwaway gag about human greed.

The film allows the laugh, then refuses to honour it. The One Wish Willow does not function as punishment, but as exposure, revealing how easily desire replaces accountability. Barker doesn&rsquo;t soften the horror with humour; he lets humour expose how thin the boundary is between curiosity and catastrophe.

Unable to face consequence even in escape, Bear chooses pills as his way out&mdash;a final act of avoidance that quietly echoes the earlier death of his cat. Even in death, he chooses an easy way out. By this point, Bear is no longer positioned for sympathy, but for exhaustion; a response the film deliberately engineers rather than avoids.



Over the end credits, set to The Little Dippers&rsquo; Forever,&nbsp;Nikki sobs. The choice of song is quietly devastating&mdash;its softness doesn&rsquo;t soothe the ending so much as expose it. There&rsquo;s an almost cruel elegance to the pairing: a gentle, nostalgic melody laid over the sound of grief that refuses to resolve. The sound continued even as audience members began leaving the theatre, no longer contained within the frame.

Obsession works because Barker understands that the scariest element was never the glowing eyes or unnatural stillness. It was a recognisable person making unrecognisable choices and calling it love.

In lesser hands, it is a horror film that understands the most frightening monsters are often people who believe they are acting out of love. Its final argument lands with clarity: Obsession does not love a person. It loves the idea of a person. And if preserving that fantasy requires destroying the real one, it will do so without hesitation.]]>
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			<title>'I take everything with a pinch of salt': Shahid Kapoor on rumours, opinions and outside noise</title>
			<link>https://tribune.com.pk/story/2612794/i-take-everything-with-a-pinch-of-salt-shahid-kapoor-on-rumours-opinions-and-outside-noise</link>
			<comments>https://tribune.com.pk/story/2612794/i-take-everything-with-a-pinch-of-salt-shahid-kapoor-on-rumours-opinions-and-outside-noise#comments</comments>
			<pubDate>Fri, 12 Jun 26 09:24:43 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Actor says he applies same scepticism to everyone, including his best friend and parents]]>
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				<![CDATA[Indian actor Shahid Kapoor stated that he handles rumours and public narratives surrounding him by taking everything &ldquo;with a pinch of salt&rdquo;, adding that he does not automatically believe rumours or get influenced by outside opinions.

Reflecting on his 23-year journey in the film industry, Kapoor opened up on negative PR, online trolling, and the pressures of fame during&nbsp;an interview.

The actor revealed his approach to dealing with rumours and online criticism. &ldquo;I personally never believe anything anybody says unless I was in the room and saw&nbsp;it myself,&quot; he said, adding that maintaining a healthy level of skepticism has served him well throughout his career.

&ldquo;I take everything with a pinch of salt in life and I think that has gone well for me because what happens is that when you start believing people, now they know you know and you are buying into what they are saying, so they manipulate you,&quot; he said. The actor added that he applies this mindset universally, stating that even if his best friend&nbsp;says something, he takes it with a pinch of salt, applying the same to his parents.

Discussing the alleged trolling of fellow-star Alia Bhatt during the Cannes Film Festival, Kapoor stated, &ldquo;It is sad. When one talks about these things, the pressure can really get to people and be hard to handle.&quot; He added,&nbsp;&ldquo;But that&rsquo;s why we are here. It comes with the job, with the money and the fame. It is the negative aspect, and that is how life balances itself sometimes. With all that love can come that much negativity.&quot;

Reflecting on his career, Kapoor acknowledged that his last two films did not perform as expected but stressed that he has never been driven by insecurity. &ldquo;I have never been insecure, but that is a personal thing and I have no right to comment on someone else,&rdquo; he said.&nbsp;

He also explained that he prefers to form his own opinions rather than rely on public narratives, noting that he is not&nbsp;dependent on what people are saying about others, adding, &quot;I&rsquo;ll make my own assessment.&quot;

Kapoor also offered advice to fellow actors, encouraging authenticity over image-building. &ldquo;I just feel: be real,&quot; he said while adding that he feels every artist should know that even if they&#39;re imperfect or insecure, they should let it show. &quot;Let people see you for who you are,&quot; he urged.

Discussing how the Indian entertainment industry has evolved, Kapoor noted that the shift has made it increasingly difficult to maintain a carefully constructed public persona. &ldquo;There was a time when you could build a persona and you could manipulate people&rsquo;s perceptions of you, that time is gone,&quot; the actor said. He added, &ldquo;You can do that on your phone on Instagram today. Practice a thousand times and create a certain perception which is a digital perception of you and people will believe it.&quot;

While social media allows people to curate their online image, Kapoor believes audiences can still see through inauthenticity: &ldquo;If they see you being yourself, they forgive you but they will not forgive you for trying to manipulate them,&quot; the actor said.

Kapoor concluded the conversation by discussing his work ethic and drive for excellence. &ldquo;If you want to achieve excellence or achieve a specific result, regardless of how difficult it might be for people around you, you have to push everybody to a point until you get that result,&quot; he shared.

The actor also touched upon his upcoming film&nbsp;Cocktail 2, revealing that the role marks a departure from the characters he has portrayed in recent years. &ldquo;After a long time, I am playing a character who&rsquo;s not an alpha, who&rsquo;s not hard. I am playing an extremely likable, warm, and relatable character,&rdquo; he said.]]>
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			<title>Shaan Shahid calls for original storytelling in Pakistani cinema</title>
			<link>https://tribune.com.pk/story/2612570/shaan-shahid-calls-for-original-storytelling-in-pakistani-cinema</link>
			<comments>https://tribune.com.pk/story/2612570/shaan-shahid-calls-for-original-storytelling-in-pakistani-cinema#comments</comments>
			<pubDate>Thu, 11 Jun 26 05:57:17 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Actor urges filmmakers to move beyond formulaic cinema, saying industry must develop its own cultural identity]]>
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				<![CDATA[Shaan Shahid has called for a fundamental shift in how Pakistani cinema defines itself, arguing that the industry must stop recycling familiar formulas and instead invest in original, locally grounded storytelling.

Speaking during a joint interview with Meera, he said the industry cannot continue imitating external models or relying on predictable romantic comedies. &ldquo;Invest in talent, not in building property or chasing safer business ventures,&rdquo; he said, stressing that filmmakers must take creative risks if the industry is to grow.

He added that Pakistani cinema needs to develop its own cultural voice. &ldquo;We cannot keep recycling romantic comedies or presenting ourselves as a budget imitation of Bollywood. The industry needs its own content, its own identity, told in the context of modern Pakistan,&rdquo; he noted.

Meera echoed the sentiment, pointing to her upcoming work as an example of experimentation within local cinema. &ldquo;People ask why we do not make films on topics like Hollywood, why we are not exploring different ideas. To them, the answer is my film Psycho, where Shaan has addressed a subject closer to Hollywood and a genre different from the usual,&rdquo; she said.

She added that such projects represent an effort to broaden the scope of storytelling in Pakistan and push audiences towards new genres.

Building on this creative direction, Shaan revealed that a new film is currently in development titled English Minglish, with Meera in the lead role. He has written the script, screenplay, and is directing the project himself.

&ldquo;The pipeline ahead features a comedy film, and its name is English Minglish,&rdquo; he said. &ldquo;It stars Meera, and her character&rsquo;s task in the movie is that she has to learn English in three months.&rdquo;

When asked about casting the male lead, Shaan said he is considering a different actor this time, preferring to remain behind the camera. &ldquo;I really enjoy being behind the camera. I feel I can define and shape a story much better if I don&rsquo;t carry the full responsibility of acting on my shoulders.&rdquo;





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Meera said she is excited about collaborating again with Shaan on the project and is also working on Psycho 2.

The conversation then shifted to the challenges faced by artists in the industry and the way public perception often overshadows creative effort. Shaan noted that audiences tend to focus more on negativity than the work itself, particularly in the case of public figures.

Reflecting on Meera&rsquo;s journey, he said her return to films came at a difficult time. &ldquo;When Meera decided she wanted to do a film again, I felt here is an actress, a woman, struggling to define herself and find her domain. My effort is to develop an ecosystem of scripts around her,&rdquo; he said.

He also urged audiences not to obstruct women trying to rebuild their careers, but to support their creative reinvention.

When asked what they value most about each other, Meera spoke with visible emotion. &ldquo;The best thing about Shaan ji is that he is Shaan, and he is with me. I trust him, and I rely on him; I don&rsquo;t trust anyone else besides him,&rdquo; she said. &ldquo;No one really understands me, but Shaan sahib understands me.&rdquo;

She added that trusting him again has been an important step in her personal journey.

Shaan, in turn, praised her resilience and determination, saying she continues to move forward despite scrutiny and setbacks. He described her strength in simple terms, saying it is something he deeply respects.]]>
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			<title>Kangana Ranaut reflects on two decades in cinema, bravery and women’s representation</title>
			<link>https://tribune.com.pk/story/2612234/kangana-ranaut-reflects-on-two-decades-in-cinema-bravery-and-womens-representation</link>
			<comments>https://tribune.com.pk/story/2612234/kangana-ranaut-reflects-on-two-decades-in-cinema-bravery-and-womens-representation#comments</comments>
			<pubDate>Tue, 09 Jun 26 11:21:17 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Indian actor discusses fine line between sensuality and vulgarity, and experiences that shaped her journey in industry]]>
			</description>
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				<![CDATA[Indian actor Kangana Ranaut recently sat down&nbsp;to reflect on her 20-year journey in the film industry, discussing topics ranging from bravery and politics to the hypersexualisation and objectification of women in cinema.

The actor, who is currently promoting her upcoming film Bharat Bhagya Vidhata, spoke at length about the various phases of her career and her evolving perspective on women&#39;s representation in the industry.

&ldquo;All the films I have done have made an impact and pushed me, whether I did narcotic characters, gangsters, or Fashion. I was known as an edgy girl who was temperamental, hot, sexy, and suicidal, and then I turned into comedy or the girl next door with Queen,&rdquo; she said. &ldquo;Then came a time when I took on leadership roles. Now, in this phase, I am moving towards portraying unseen women blended into the background.&rdquo;

Speaking about female-led films, Ranaut shared her views on the objectification and hypersexualisation of women in cinema.

&ldquo;Me, and along with me, so many women have strived to do this, and we have a legacy of such remarkable women,&rdquo; the actor said, naming icons such as Sridevi and Madhuri Dixit among those who paved the way for women in the industry.

Addressing the issue of objectification, Ranaut argued that it extends beyond cinema. &ldquo;Women are objectified if you go on a local train, so to say they are objectified in movies, we can look at it through a movie lens. Through item songs or people calling me sexy,&rdquo; she said.

Ranaut added that the distinction between sensuality and vulgarity can often become blurred.

&ldquo;But the line between seduction and vulgarity can get blurred, knowingly or unknowingly. Such is the nature of entertainment, but this correction is needed. There is trolling and prejudice. Even sensuality is art, and sexuality is a depiction of a story. Film is not an educational subject; it is for entertainment,&rdquo; she said.

The actor also highlighted several contributions women have made to the industry, citing innovations such as vanity vans, which have made filming more comfortable and accessible for female actors. She also pointed to the growing prominence of women-led cinema as another significant achievement.

Reflecting on the concept of bravery, Ranaut said courage often manifests itself in both extraordinary and everyday moments.

&ldquo;Bravery can reflect in big things or small things, where it takes courage and strength even to show up to work if something has happened at home or there is a tragedy in your personal life,&rdquo; she said. &ldquo;When you show up for people who are there for you, that is an act of courage.&rdquo;

She also revisited criticism she faced over her English-speaking abilities and accent.

&ldquo;When I was ridiculed for my accent and English in 2015, there was a platform for women from across the world, including Meryl Streep and other celebrated leaders, where I was invited. For me, it was a sign of bravery to go and speak there,&rdquo; she said.

She added: &ldquo;I was able to stand on that stage and undo all the bullying and prejudice I had faced because of my English, my accent, and even my opinions.&rdquo;

Ranaut also reflected on the idea of destiny, comparing it to the age-old question of whether the chicken or the egg came first. &ldquo;It is simply a collective imprint of your thoughts and actions,&rdquo; she said, suggesting that destiny is shaped by the choices people make throughout their lives.

As she enters the next chapter of her career, Ranaut appears focused on exploring more nuanced stories and characters while continuing to speak candidly about the challenges and achievements that have defined her two decades in the public eye.]]>
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			<title>Saif Ali Khan recalls Shah Rukh Khan’s advice that transformed his approach to acting</title>
			<link>https://tribune.com.pk/story/2612231/saif-ali-khan-recalls-shah-rukh-khans-advice-that-transformed-his-approach-to-acting</link>
			<comments>https://tribune.com.pk/story/2612231/saif-ali-khan-recalls-shah-rukh-khans-advice-that-transformed-his-approach-to-acting#comments</comments>
			<pubDate>Tue, 09 Jun 26 11:11:04 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Actor shares how a lesson from 'King Khan' continues to influence his work more than two decades later]]>
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				<![CDATA[A simple question from Shah Rukh Khan more than two decades ago fundamentally changed the way Saif Ali Khan approached acting.

Reflecting on his experience while filming the 2003 hit Kal Ho Naa Ho, Saif recalled a piece of advice from his co-star that has stayed with him throughout his career. During a conversation on set, Shah Rukh asked him, &ldquo;Who is the first audience that you act for?&rdquo;

When Saif replied that he performed for the camera, Shah Rukh offered a different perspective. &ldquo;It&rsquo;s the director. You act for him. People watch his movies because he&rsquo;s the storyteller,&rdquo; Saif recalled the superstar telling him.

The lesson, he said, reshaped his understanding of filmmaking and remains relevant even today as he works on Haiwaan, his upcoming project with veteran filmmaker Priyadarshan. The film marks Saif&rsquo;s first collaboration with the acclaimed director and also stars Akshay Kumar.





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Trusting Priyadarshan&rsquo;s creative vision completely, Saif admitted he was particularly pleased by the director&rsquo;s reaction to his performance. Known for being sparing with praise, Priyadarshan&rsquo;s positive feedback came as a welcome surprise.

&ldquo;He&rsquo;s really quite happy with how it&rsquo;s come out. I received a few calls from him. He&rsquo;s a man of very few words and even fewer compliments, but I&rsquo;ve received more than my fair share from him, which is great,&rdquo; Saif said.

The conversation also turned to whether his love of storytelling might eventually lead him behind the camera as a director. While he did not rule out the possibility entirely, Saif downplayed any immediate ambitions to make the transition.

Instead, he reflected on his appreciation for creating environments and experiences, something he believes is closely linked to filmmaking.

&ldquo;I can create an atmosphere at home. And I think atmosphere is a really important thing in movies. I like to have it at a dinner table, in a living room, and in the spaces I create for myself. That&rsquo;s not far off from doing it professionally,&rdquo; he said.

For now, however, Saif appears content to remain in front of the camera. While he acknowledges the creative appeal of directing, his focus remains on acting and on delivering what promises to be a highly anticipated collaboration with Priyadarshan.]]>
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			<title>Dr Mehr Afshan Farooqi traces a lifelong bond with Urdu</title>
			<link>https://tribune.com.pk/story/2612239/dr-mehr-afshan-farooqi-traces-a-lifelong-bond-with-urdu</link>
			<comments>https://tribune.com.pk/story/2612239/dr-mehr-afshan-farooqi-traces-a-lifelong-bond-with-urdu#comments</comments>
			<pubDate>Tue, 09 Jun 26 12:09:38 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Professor reflects on literary upbringing, academic journey, research on Ghalib, and Urdu’s future]]>
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				<![CDATA[Urdu is not something Dr Mehr Afshan Farooqi, daughter of&nbsp;Shamsur Rahman Faruqi,&nbsp;first encountered in a classroom. It is something she remembers hearing, speaking, and breathing long before she ever thought of it as an academic discipline.

Her father remains one of the most influential Urdu literary critics of the modern era. Today a professor of Urdu and South Asian Literature at the University of Virginia, Dr Mehr has built a career around a language that shaped her earliest sense of the world.

Yet her journey into academia was not a straightforward inheritance. It was shaped as much by privilege as by a quiet resistance to living in the shadow of her father&rsquo;s towering intellectual legacy.

Her childhood in Allahabad was steeped in books, poetry, and conversation. &ldquo;My parents taught me to memorise and recite Urdu couplets from the moment I could speak,&rdquo; she recalls, describing a home filled with literature, visits to old bookstores, and late-night gatherings where she would sit quietly, absorbing it all.





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Despite this deeply immersive upbringing, Dr Mehr initially resisted following the same intellectual path. Determined to define herself independently, she pursued a Master&rsquo;s degree and later a PhD in medieval Indian history. But distance did not dilute her connection to language; it sharpened it. Eventually, she returned to the literary world she had grown up in.

Today, she is recognised as a leading scholar in her own right, best known for her acclaimed work on the 19th-century poet Mirza Ghalib. Her research revisits Ghalib&rsquo;s mustarad kalam&mdash;the verses he chose not to include in his published collections&mdash;offering a more intimate look at his creative process.

She describes this as a sophisticated act of self-editing, shaped by a period of major cultural and technological transition. &ldquo;Ghalib was writing at a time when the printing press was revolutionising literature,&rdquo; she explains.

Beyond scholarship, Dr Mehr is also vocal about how Urdu is positioned in contemporary discourse. She criticises attempts to confine the language to a single religious identity, arguing instead for a more expansive understanding of its cultural roots. &ldquo;Urdu belongs to the soil of India, not to any single religion,&rdquo; she says.

Despite concerns about institutional neglect, she remains hopeful about the language&rsquo;s future. In her view, Urdu&rsquo;s survival will depend less on official patronage and more on public engagement.

With the help of digital platforms, social media, and private initiatives, she believes a new generation can be inspired not only to appreciate Urdu&rsquo;s beauty but also to actively read, write, and preserve its script.]]>
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			<title>Marjane Satrapi, Iranian-French author of graphic novel 'Persepolis', dies aged 56</title>
			<link>https://tribune.com.pk/story/2611439/marjane-satrapi-iranian-french-author-of-graphic-novel-persepolis-dies-aged-56</link>
			<comments>https://tribune.com.pk/story/2611439/marjane-satrapi-iranian-french-author-of-graphic-novel-persepolis-dies-aged-56#comments</comments>
			<pubDate>Thu, 04 Jun 26 13:24:21 +0500</pubDate>
			<dc:creator>
				<![CDATA[Reuters]]>
			</dc:creator>
			<category><![CDATA[World]]></category>
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			<description>
				<![CDATA[She also designed nine-metre wool triptych ⁠for Paris 2024 Olympics, showing athletes competing around Eiffel Tower]]>
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				<![CDATA[Marjane Satrapi, the Iranian-French artist, filmmaker and author of the autobiographical graphic novel &quot;Persepolis&quot;, has died aged 56, French President Emmanuel Macron&#39;s office said on Thursday.

&quot;Her ​passing is that of a figure of French culture and of an &zwnj;artist enamoured of freedom, whose work carried a universal message and had earned her immense international renown,&quot; the Elysee said in a statement.

A statement released by members of her family to the French news ​agency AFP said she had died of &quot;sadness&quot;, a little over a year after ​the death of her husband, Swedish actor, producer and screenwriter Mattias Ripa. ⁠No further information about the cause of her death was available.

Born in 1969, Satrapi spent ​her childhood in Tehran in a communist-leaning household. Her parents sent her to Vienna as ​a teenager, before she returned to Iran to study fine arts and later settled in France, where she continued her training in Strasbourg.

Read More: French author becomes an Urdu novelist after coming to Pakistan

She drew on that life of revolution, exile and return in &quot;Persepolis&quot;, the ​stark black-and-white memoir that chronicled her childhood during and after Iran&#39;s 1979 Islamic Revolution. The ​book became an international success and was later adapted into an animated film, which won the jury &zwnj;prize ⁠at Cannes and was nominated for an Academy Award.

Satrapi&#39;s work mixed political defiance with dark humour and a stripped-down visual style, making her one of the best-known graphic novelists of her generation. She went on to direct films including &quot;Chicken with Plums&quot;, &quot;The Voices&quot; and &quot;Radioactive&quot;, about scientist ​Marie Sklodowska Curie.

Satrapi also designed a nine-metre wool triptych ⁠for the Paris 2024 Olympics, showing athletes competing around the Eiffel Tower.

Satrapi also became a prominent voice on exile, women&#39;s freedom and ​authoritarianism, frequently using her public platform to denounce repression in Iran.

Also Read: Novelist Kenize Mourad: At home in the world

In ​2025, she ⁠refused the Legion of Honour, France&#39;s top order of merit, citing France&#39;s &quot;hypocritical attitude&quot; toward Iran, French media reported.

&quot;I can&#39;t continue seeing the children of Iranian oligarchs come to spend their holidays ⁠in France, ​even become naturalised, while at the same time young ​dissidents have difficulty in obtaining a tourist visa to come to see what the country of the Enlightenment and ​human rights looks like,&quot; she wrote at the time.]]>
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			<title>Maheen Elahi takes South Asian miniature painting to London with 'Reimagined Realities'</title>
			<link>https://tribune.com.pk/story/2607467/maheen-elahi-takes-south-asian-miniature-painting-to-london-with-reimagined-realities</link>
			<comments>https://tribune.com.pk/story/2607467/maheen-elahi-takes-south-asian-miniature-painting-to-london-with-reimagined-realities#comments</comments>
			<pubDate>Mon, 11 May 26 05:54:56 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Lahore-based artist debuts major London showcase blending traditional miniature techniques with contemporary themes]]>
			</description>
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				<![CDATA[Lahore-based artist Maheen Elahi&nbsp;unveiled her latest exhibition&nbsp;Reimagined Realities&nbsp;in London, sharing artwork that serves as a reflection of South Asia&#39;s oldest art forms and focuses on peace, tranquillity and bliss through solitude.

Maheen presented a varied collection of works that explored the centuries-old practice of South Asian miniature painting. The exhibition, displayed at the Green &amp; Stone Gallery, marks the artist&#39;s first major showcase since graduating from one of South Asia&rsquo;s leading art schools.





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Maheen is the granddaughter of renowned painter Saeed Akhtar, who was one of Pakistan&rsquo;s most celebrated visual artists. She is gaining attention in artistic circles for her detailed gouache paintings on wasli paper, a traditional hand-prepared surface usually associated with classical miniature art.

Combining traditional techniques with contemporary themes, Maheen creates impressive landscapes that focus on tranquillity, reflection, and the passage of time. In an interview, she explained her artwork as &ldquo;a renewal of the miniature tradition rather than a repetition of it.&rdquo;

Her collection centres on visual narratives that unfold slowly, encouraging viewers to spend time with the paintings. Moving beyond conventional storytelling to explore themes of duration, change and contemplation, Maheen&#39;s work transforms painting into a meditation on nature.





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Hester Baldwin, Managing Director of Green &amp; Stone Gallery, praised Maheen&rsquo;s work, saying it was a pleasure to introduce the artist to the London art scene. Baldwin said the artist&rsquo;s work immediately caught her attention, recognising Maheen as an artist of unusual sensitivity and assurance.

She added that Maheen had found a stillness within painting that speaks with confidence without demanding attention, yet remains capable of holding it.

&ldquo;What distinguishes Maheen&rsquo;s practice is her ability to inhabit the language of traditional South Asian miniature painting without ever becoming subordinate to it,&rdquo; said Hester. She also described Maheen&#39;s work as &ldquo;contemplative in the truest sense&rdquo;, calling it attentive to atmosphere, duration and the subtle emotional shifts found within nature itself.

Maheen has previously exhibited her work at group shows in several cities across Pakistan and Mumbai. She also shared that she plans to work in New York and Dubai later this year.]]>
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			<title>Momina Iqbal shares stunning wedding moments with Hamza Habib</title>
			<link>https://tribune.com.pk/story/2611070/momina-iqbal-shares-stunning-wedding-moments-with-hamza-habib</link>
			<comments>https://tribune.com.pk/story/2611070/momina-iqbal-shares-stunning-wedding-moments-with-hamza-habib#comments</comments>
			<pubDate>Tue, 02 Jun 26 12:34:29 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Actor showcases multiple designer ensembles and heartfelt moments with husband]]>
			</description>
			<content:encoded>
				<![CDATA[Actor Momina Iqbal tied the knot with Hamza Habib this week, sharing photographs and videos from their wedding festivities, including the Dua-e-Khair, Mayoun, Mehndi Lagayi, Mehndi and Baraat ceremonies.

The actor documented each event on Instagram, giving followers a glimpse into the celebrations through candid moments, couple portraits and detailed looks at her bridal wardrobe.

Iqbal began by sharing images from her Dua-e-Khair ceremony, where she wore a light pink garara paired with a gold blouse and an embroidered dupatta by Aneelas Formals. She completed the look with soft pink-toned makeup and fresh pink roses woven into her hair.





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For the Mayoun ceremony, the couple coordinated in shades of yellow. Iqbal complemented the traditional colour palette with orange floral accessories and a matching dupatta.

At her Mehndi Lagayi event, the actor chose a golden sharara ensemble by Haseens, consisting of a shirt and dupatta adorned with intricate detailing.

She later switched to a heavily embellished gown by Ahmad Sultan for the Mehndi celebration, pairing it with a dark purple dupatta while Habib coordinated his attire to complement her look.





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However, it was her bridal ensemble that drew the most attention.

Designed by Fahad Hussayn, the orange-and-gold outfit featured intricate craftsmanship, statement jewellery and bold bridal makeup.





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One of the most distinctive elements of the look was the use of three dupattas &mdash; one draped over her shoulders, another styled across her outfit, and a third placed traditionally over her head.&nbsp;





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In her final wedding post, Iqbal shared a heartfelt message dedicated to designer Fahad Hussayn alongside a series of bridal portraits.

&ldquo;Fahad, I honestly don&#39;t have enough words to express my admiration for you or to offer prayers that truly reflect how much you deserve,&rdquo; she wrote.

&ldquo;Meeting you made me understand why God grants certain people such respect, recognition, honour and a special place in the hearts of others.&rdquo;





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The actor also expressed gratitude to the photographers, stylists and the wider team involved in bringing the wedding celebrations together.

The couple&#39;s wedding photos have since garnered widespread attention on social media, with fans congratulating the newlyweds and praising Iqbal&#39;s carefully curated looks throughout the festivities.]]>
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			<title>Nida Yasir shares highlights from Europe trip with son</title>
			<link>https://tribune.com.pk/story/2611043/nida-yasir-shares-highlights-from-europe-trip-with-son</link>
			<comments>https://tribune.com.pk/story/2611043/nida-yasir-shares-highlights-from-europe-trip-with-son#comments</comments>
			<pubDate>Tue, 02 Jun 26 09:07:11 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2611043</guid>
			<description>
				<![CDATA[TV host documents her travels, sharing sightseeing adventures, family moments and a stylish vacation wardrobe]]>
			</description>
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				<![CDATA[Television host Nida Yasir has been drawing attention on social media after sharing glimpses of her recent family trip to Europe with her son, Balaj.

Through a series of Instagram posts and videos, Nida documented moments from her travels, including sightseeing tours, interactive art experiences and visits to some of the region&#39;s most popular attractions.

One of the most talked-about clips from the trip shows the host riding a Vespa scooter through the streets of Budapest, passing several iconic landmarks.

In the video, she is seen wearing a yellow dress paired with a brown top and statement jewellery.





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The post received an enthusiastic response from followers, with many praising her energy and adventurous spirit. One user commented, &quot;The heart should stay young,&quot; applauding her youthful outlook.



In another update, Nida shared footage from a visit to Fr&ouml;csk&ouml;lő, an interactive art space where participants paint on one another as well as on surrounding surfaces, turning the activity into a colourful paint-filled experience.





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The host also gave followers a look at her travel wardrobe, which differed from the traditional attire viewers are accustomed to seeing on her morning show appearances.

During the trip, Nida opted for several Western outfits, including a black-and-white polka dot dress paired with a white cardigan.

Fans were quick to notice the style shift and compliment her fashion choices throughout the vacation.





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Nida is married to actor and director Yasir Nawaz, and the couple have three children. She is widely recognised as a long-running morning show host on television.]]>
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			<title>Reports suggest strain in Justin Timberlake, Jessica Biel’s marriage amid singer’s drinking habits</title>
			<link>https://tribune.com.pk/story/2609135/reports-suggest-strain-in-justin-timberlake-jessica-biels-marriage-amid-singers-drinking-habits</link>
			<comments>https://tribune.com.pk/story/2609135/reports-suggest-strain-in-justin-timberlake-jessica-biels-marriage-amid-singers-drinking-habits#comments</comments>
			<pubDate>Wed, 20 May 26 08:37:40 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Tabloid claims Biel 'sick of being publicly embarrassed' following husband's 2024 drink-driving charge]]>
			</description>
			<content:encoded>
				<![CDATA[Reports suggest that singer Justin Timberlake may be facing strain in his marriage to Jessica Biel after 13 years together, with rumours alleging the situation has worsened due to public scrutiny surrounding Timberlake&#39;s alleged driving-related incidents and concerns regarding aspects of his lifestyle.

A report by&nbsp;Radar Online&nbsp;suggests Biel has long tolerated the musician&rsquo;s irresponsible behavior and drinking habits, and is now reportedly feeling embarrassed about how their relationship is perceived publicly.





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Timberlake received a driving while ability impaired (DWAI) charge in September 2024 after prosecutors dropped the more serious driving while intoxicated (DWI) count as part of a plea deal. The singer was required to pay a $500 fine, complete 25 hours of community service, and publish a public safety announcement.

The case drew further attention in March 2025 when additional police bodycam footage emerged showing the singer performing sobriety tests.

&ldquo;She [Biel] does everything with the kids, and she&rsquo;s sick of being publicly embarrassed&rdquo;, an insider told Radar Online. The source also told the outlet, &ldquo;Justin is the kind of guy that when he&rsquo;s out, has always had a drink in hand&rdquo;, referring all the way back to the singer&#39;s NSYNC prime tour days.

Timberlake and Biel, married since 2012, share two sons. However, they have reportedly been going through a rough patch ever since their engagement days in 2011, when Biel warned Timberlake to &ldquo;settle down or she was out&rdquo;.]]>
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			<title>Fact check: Viral video does not show Hollywood actor Jason Statham displaying Palestine flag on his car</title>
			<link>https://tribune.com.pk/story/2606680/fact-check-viral-video-does-not-show-hollywood-actor-jason-statham-displaying-palestine-flag-on-car</link>
			<comments>https://tribune.com.pk/story/2606680/fact-check-viral-video-does-not-show-hollywood-actor-jason-statham-displaying-palestine-flag-on-car#comments</comments>
			<pubDate>Wed, 06 May 26 16:33:10 +0500</pubDate>
			<dc:creator>
				<![CDATA[Fact Check By iVerify]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2606680</guid>
			<description>
				<![CDATA[The clip is from 2023 and does not feature Statham; no such video was found on actor's social media accounts]]>
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			<content:encoded>
				<![CDATA[Multiple accounts on the social media platform X were sharing a video since May 5, 2026, claiming to show Hollywood actor Jason Statham displaying a Palestinian flag on his car. However, the clip is old from 2023 and does not feature Statham.

Public figures, including actors, musicians, and athletes, have repeatedly used their platforms to comment on the war in Gaza since late 2023. Several celebrities have expressed solidarity with Palestinians by calling for&nbsp;ceasefires, humanitarian aid access, and protection of civilians, while others have&nbsp;voiced support&nbsp;for Israel or focused on condemning violence more broadly. These positions have often been communicated through social media posts, open letters, fundraising campaigns, concerts, and appearances at public events.&nbsp;

HOW IT STARTED

On May 5, 2026, an X user, who appears to be based in Turkiye per their profile and previous posts,&nbsp;shared&nbsp;a video of an individual displaying a Palestinian flag on his car, with the following caption: &ldquo;Famous actor Jason Statham hung a Palestinian flag on his car.&rdquo;

The post, which racked up 2.5 million views, also included a photo of Statham.

A similar post, including the clip and the actor&rsquo;s photograph, was&nbsp;shared&nbsp;by another X account with the same caption. It garnered 176,700 views.

An X user, who calls themselves a journalist in the bio, also&nbsp;shared&nbsp;the video with a similar caption, gathering 90,600 views.

Subsequently, several other social media users shared the video on&nbsp;Instagram&nbsp;and X, as can be seen&nbsp;here,&nbsp;here,&nbsp;here,&nbsp;here,&nbsp;here, and&nbsp;here; collectively accumulating more than 90,000 views.&nbsp;

METHODOLOGY

A fact-check was initiated to determine the veracity of the claim due to its high virality and keen public interest in celebrities expressing solidarity with Palestinians.

A keyword search was conducted to corroborate whether any credible international media outlets had reported on such a video of Statham; however, it did not yield any results.

Similarly, no such video was found on any of Statham&rsquo;s official social media accounts, including&nbsp;Instagram&nbsp;and&nbsp;Facebook.



@sitsavorbite

he made sure to wash his car first🥹 #freepalestine #freepalestine🇵🇸❤️ #freepalestine🇵🇸 #palestine #palestinetiktok #fyp #fypシ
♬ الصوت الأصلي - Ramos Hajjaj




A reverse image search yielded a&nbsp;TikTok post&nbsp;dated October 21, 2023, wherein the same video was shared with the caption: &ldquo;He made sure to wash his car first.&rdquo; It was accompanied by several pro-Palestinian hashtags.

As can be seen, the video is old, and the caption suggests that the individual in the clip is preparing for a pro-Palestinian rally by washing his car first.

The results further identified the&nbsp;location&nbsp;in the clip as&nbsp;Moo Moo Express Car Wash, which is situated on Rome Road in Ohio, US.



When the team conducted a keyword search, it yielded several news reports regarding a pro-Palestine rally in Downtown Ohio on October 22, 2023. They&nbsp;featured&nbsp;cars at the rally that were similar to the one in the viral clip, displaying Palestinian flags on their bonnets.





The search results also found news reports by several media outlets from October 2023 &mdash; including Turkish and&nbsp;Pakistani&nbsp;social media outlets, such as&nbsp;Anadolu Agency,&nbsp;T&uuml;rkiye Gazetesi, and&nbsp;TGRT Haber&nbsp;&mdash; in which they had debunked the claim that the viral clip showed Statham or his car.

FACT-CHECK STATUS: FALSE

The claim that a viral video of Hollywood actor Jason Statham displaying a Palestinian flag on his car is&nbsp;false.

The footage is old and shows a pro-Palestinian demonstrator preparing for a rally in Columbus, Ohio.

This fact check was&nbsp;originally published&nbsp;by iVerify Pakistan &mdash; a project of CEJ-IBA and UNDP.]]>
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			<title>Abhishek Bachchan calls Aishwarya Rai his 'soulmate' ahead of 20th wedding anniversary</title>
			<link>https://tribune.com.pk/story/2604373/abhishek-bachchan-calls-aishwarya-rai-his-soulmate-ahead-of-20th-wedding-anniversary</link>
			<comments>https://tribune.com.pk/story/2604373/abhishek-bachchan-calls-aishwarya-rai-his-soulmate-ahead-of-20th-wedding-anniversary#comments</comments>
			<pubDate>Thu, 23 Apr 26 12:03:05 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2604373</guid>
			<description>
				<![CDATA[Actor reflects on marriage journey, praises Aishwarya for raising their daughter with strong values and love]]>
			</description>
			<content:encoded>
				<![CDATA[Indian actor Abhishek Bachchan recently addressed long-standing speculation about his marriage, describing wife Aishwarya Rai as his &ldquo;soulmate&rdquo; as they approach their 20th anniversary.

In a conversation with Subhash K&nbsp;Jha,&nbsp;the actor reflected on their journey together, effectively putting to rest ongoing rumours about their separation. Abhishek revealed that he first met Aishwarya in 2000 during the shoot of Dhai Akshar Prem Ke, but realised his feelings for her later while filming JP&nbsp;Dutta&rsquo;s Umrao Jaan.

&ldquo;We got married a few months after the release of our film Guru together. Mani Ratnam (director) remains special for both of us. We consider him a dear friend and godfather&rdquo;, he said.

Speaking warmly about his wife, Abhishek added, &ldquo;Today, Ash is not just the mother of my daughter and full credit to her for bringing up Aaradhya with the right values, but also my soulmate. Nineteen years of our marriage have been a dream. I have big plans for our twentieth anniversary, but I am not telling you about them now.&rdquo;

He also joked about relationship advice, saying, &ldquo;Every night before you sleep, say &lsquo;sorry&rsquo; three times to your wife without fail.&rdquo;





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Meanwhile, Aishwarya shared glimpses of their family celebrations on Instagram, accompanied by a heart emoji.

The couple married in 2007 in an intimate yet grand ceremony and welcomed their daughter, Aaradhya, in 2011.

Over the years, Abhishek and Aishwarya have faced persistent rumors about their relationship, including speculation about tensions within the Bachchan family. However, his recent remarks appear to firmly dismiss such claims.]]>
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			<title>From hiking to hotpot, lonely consumers in China fuel a $7.4b companionship economy</title>
			<link>https://tribune.com.pk/story/2611049/from-hiking-to-hotpot-lonely-consumers-in-china-fuel-a-74b-companionship-economy</link>
			<comments>https://tribune.com.pk/story/2611049/from-hiking-to-hotpot-lonely-consumers-in-china-fuel-a-74b-companionship-economy#comments</comments>
			<pubDate>Tue, 02 Jun 26 09:50:26 +0500</pubDate>
			<dc:creator>
				<![CDATA[Reuters]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2611049</guid>
			<description>
				<![CDATA[Young adults in China are paying gig workers for emotional support and shared activities to cure social anxiety]]>
			</description>
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				<![CDATA[On the stone steps leading up Mount Tai, one of China&rsquo;s best-known peaks, hikers can book and &zwnj;pay for &ldquo;climbing buddies&rdquo; to walk with them, carry bags, and take photos for a few hundred yuan.

The increasingly popular service is part of a broader &ldquo;companionship economy&rdquo; emerging in China, which includes paid partners for running, sightseeing, and even eating out at hotpot restaurants, a meal traditionally shared with friends.

Providers, often students or ​young gig workers, advertise on social media with promises of &ldquo;emotional value&rdquo; conversation, and practical help, turning what was once an ​experience or favour among friends into a bookable &ndash; and payable &ndash; service.

While there is no official data about ⁠the size of the companion economy, estimates cited by state media said it was worth around 50 billion yuan ($7.4 billion) in 2025.

The ​trend reflects broader shifts in China&rsquo;s urban lifestyles and service economy.

Researchers and state media have described growing demand for &ldquo;emotional consumption&rdquo; as young ​people live and work farther from family networks, face longer working hours and have a harder time maintaining traditional social ties.

China&#39;s prolonged youth unemployment has coincided with - and contributed to - a growing reliance on gig and flexible work among young people, as graduates and job seekers turn to delivery, ride‑hailing and ​other online platform work in the absence of stable jobs.

Official data shows China has more than 200 million so-called flexible workers.

Paying for company

After leaving the army in 2022, Chen Wenxin founded a hiking-companion company, with a focus on the eastern province of Shandong. &ldquo;I have always been &zwnj;a hiker ⁠and have a lot of hiking experience,&quot; Chen said. &quot;I noticed rising demand in the hiking escort service, then decided to try my hand in the field.&rdquo;

His team has expanded from fewer than 10 workers to about 370 now. He said the company charges 800 yuan ($116) for daytime climbs on Mount Tai, the highest point in Shandong.

Psychotherapist Sami Wong, managing director of research firm 3Drips Psychology, said the appeal ​of paid companions is partly about ​certainty and control in a ⁠social environment that can otherwise feel like a lot of effort and high-risk.

Meeting people requires emotional labour and investment, she said, and &ldquo;the outcome is very uncertain,&rdquo; which creates anxiety. Paid companionship can help ​customers avoid the sting of rejection. &ldquo;When you pay for this service, you always get a &#39;yes&#39;,&rdquo; Wong ​said.

Tang Junxing, 24, a ⁠junior at a university in the southern Chinese city of Guilin, said he earns pocket money as a travel companion. The side gig started when a university professor asked him to be her driver on a week-long road trip.

&ldquo;That&rsquo;s when I realised you can actually make money ⁠by accompanying ​people on trips and driving for them,&rdquo; he said. Tang says he typically ​earns 3,000 to 5,000 yuan a month.

&ldquo;Most of my clients are women and their core need is emotional value, someone who makes them feel good and makes the ​trip easy,&rdquo; he said.]]>
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			<title>In New York, waiting in line becomes a social scene</title>
			<link>https://tribune.com.pk/story/2611619/in-new-york-waiting-in-line-becomes-a-social-scene</link>
			<comments>https://tribune.com.pk/story/2611619/in-new-york-waiting-in-line-becomes-a-social-scene#comments</comments>
			<pubDate>Fri, 05 Jun 26 12:18:46 +0500</pubDate>
			<dc:creator>
				<![CDATA[AFP]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2611619</guid>
			<description>
				<![CDATA[The power of social media trends means that for some, waiting for hours is an attraction in itself in New York]]>
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				<![CDATA[In front of L&#39;industrie Pizzeria, as at many other New York restaurants and shops, customers line up behind barriers in this case, all to grab a prized pizza slice.

Not everyone in America&#39;s biggest city finds standing in line to be a chore. The power of social media trends means that for some, waiting for hours is an attraction in itself.

&quot;It&#39;s gotten pretty crazy in the city recently,&quot; food influencer Ali Chilton, who has 168,000 followers on Instagram, told AFP.

&quot;Some would blame me for the lines at some of those places,&quot; the 31-year-old said, citing a craze for hot chocolates at dessert shop Glace after a video she posted in 2023 racked up tens of millions of views.

People can queue overnight in New York if needed, as happened last year when punters sought to bag free tickets for a play starring Lupita Nyong&#39;o and Peter Dinklage in Central Park.

Isabella Downes, who lately waited 40 minutes outside a Manhattan deli, said she was drawn to the idea of &quot;participating in something trendy and fun.&quot;

She was queuing to try out Dot Cakes, small frosted cakes with multicoloured sprinkles that went viral and sell for $11 apiece.

In a &quot;polarising&quot; world, she said, &quot;being collectively together over one thing, and it&#39;s usually a pretty happy and excited environment, that can be really nice too.&quot;

Line sitters



Photo: Queue outside Swatch/AFP

For the impatient, a new tool has recently become available: the website &quot;Damn Lines&quot; estimates waiting times in real time using cameras installed in nearby homes, in exchange for payment.

Or you can hire a line sitter to wait in your place.

One firm, Same Ole Line Dudes, says its workers are in at least two separate queues on any given day.

They charge clients $25 an hour for the privilege of sparing them the boredom of waiting. At courts, where media outlets often use line sitters to get a seat for high-profile cases, the rate rises to $50 an hour.

Robert Samuel, the company&#39;s founder, said that customers include businesses that may hire sitters to create a queue, enticing others to join it.

&quot;I can&#39;t say the name, but we&#39;ve had a few companies that have hired my line sitters as posers to wait outside their establishments,&quot; he told AFP.

Social ritual

Roberto Casati, a French-Italian philosopher, pointed to a deeper sense of meaning for people who join long queues like those in New York.

&quot;A social ritual is being created around the line,&quot; Casati, a research director at the French National Centre for Scientific Research, told AFP.

These moments become &quot;shareable,&quot; &quot;Instagrammable&quot; experiences and therefore more &quot;acceptable&quot; than waiting at the supermarket, he added.

Samuel Abrams, a professor at Sarah Lawrence College in New York state, said that queuing was about &quot;status.&quot;

&quot;To wait at the right place signals taste, knowledge, and stamina,&quot; he wrote in a piece for specialist website NewGeography.com.

The phenomenon can, however, create tensions.

In 2024, the hugely popular bagel chain Apollo ended up in court with the owner of a building over its long lines blocking neighbouring tenants&#39; entrances.]]>
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			<title>French museum reports theft of arty banana</title>
			<link>https://tribune.com.pk/story/2610853/french-museum-reports-theft-of-arty-banana</link>
			<comments>https://tribune.com.pk/story/2610853/french-museum-reports-theft-of-arty-banana#comments</comments>
			<pubDate>Mon, 01 Jun 26 07:26:51 +0500</pubDate>
			<dc:creator>
				<![CDATA[AFP]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2610853</guid>
			<description>
				<![CDATA[In July last year, a visitor ate the fruit but guards quickly intervened and stuck up a replacement banana]]>
			</description>
			<content:encoded>
				<![CDATA[The missing fruit, which was taped to a wall to form the provocative work by Cattelan called &quot;Comedian&quot;, was noticed by a guard on Saturday to have gone missing.

The Pompidou-Metz museum, which is a branch of the famous Pompidou Centre in Paris, said in a statement it had lodged a criminal complaint for theft against persons unknown.

It also said it had replaced the banana.

It is not the first time damage has been dealt to the conceptual artwork, whose perishable banana centrepiece is replaced every three days to keep it contemporary.

In July last year, a visitor to the museum ate the fruit. But guards quickly intervened and stuck up a replacement banana.

Cattelan said at the time he was disappointed the hungry visitor had consumed only the banana and not the tape as well. The museum did not take legal action in that instance.

This time, though, it decided to make its criminal complaint because the perpetrator was unidentified, and therefore &quot;there is no possibility of dialogue&quot;.

It also said that &quot;this is the second time this has happened&quot;, and it felt it was an issue of respect for the artwork.

Cattelan&#39;s edible creation, which aims to question the notion of art and its value, has sparked controversy ever since it made its debut at the 2019 Art Basel show in Miami Beach with an asking price of $120,000.

A performance artist, David Datuna, ate &quot;Comedian&quot; at that 2019 show, saying he felt &quot;hungry&quot;.

But the work&#39;s value has only risen.

Chinese-born crypto founder Justin Sun, in 2024, forked out $5.2 million for one iteration of the work, then days later ate it in front of cameras in Hong Kong.

As well as &quot;Comedian&quot;, Cattelan is also known for producing an 18-carat, fully functioning gold toilet called &quot;America&quot; that was offered to Donald Trump during his first term in the White House.

A British court in March found two men guilty of stealing it during an exhibition in 2020 in the United Kingdom, from an 18th-century stately home that was the birthplace of wartime prime minister Winston Churchill.

It was split up into parts, and none of the gold was ever recovered.]]>
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			<title>PCOS renamed Polycystic Metabolic Ovarian Syndrome in hopes of improving diagnoses</title>
			<link>https://tribune.com.pk/story/2607884/pcos-renamed-polycystic-metabolic-ovarian-syndrome-in-hopes-of-improving-diagnoses</link>
			<comments>https://tribune.com.pk/story/2607884/pcos-renamed-polycystic-metabolic-ovarian-syndrome-in-hopes-of-improving-diagnoses#comments</comments>
			<pubDate>Wed, 13 May 26 10:51:46 +0500</pubDate>
			<dc:creator>
				<![CDATA[Web Desk]]>
			</dc:creator>
			<category><![CDATA[Technology]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2607884</guid>
			<description>
				<![CDATA[PCOS renamed PMOS after 14-year global effort to better reflect hormonal and metabolic nature of condition]]>
			</description>
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				<![CDATA[Polycystic Ovary Syndrome (PCOS) has officially been renamed Polyendocrine Metabolic Ovarian Syndrome (PMOS), following a landmark 14-year collaboration between Monash University, medical experts, researchers, and patients worldwide.

The announcement was made by The Lancet on Tuesday, marking a significant shift in how the condition is understood and discussed globally. The condition affects around one in eight women, impacting more than 170 million people worldwide.

According to speakers at a press conference announcing the change, the previous name &ldquo;Polycystic Ovary Syndrome&rdquo; was considered misleading because it inaccurately suggested the condition was primarily a gynecological issue centered on ovarian cysts.

Patient advocacy and professional organisations, including the Endocrine Society, participated in the renaming process. Experts explained that the new term, PMOS, better reflects the complex nature of the condition by highlighting its hormonal, metabolic, and reproductive aspects rather than focusing solely on the ovaries.

The updated name aims to simplify public understanding of the condition while recognising its broad effects on the body. PMOS is associated with hormonal imbalances, metabolic complications, weight fluctuations, skin issues, mental health challenges, and reproductive health concerns.

A three-year international transition period will now begin, supported by educational campaigns and awareness initiatives involving healthcare professionals, researchers, and governments worldwide. The updated terminology is expected to be formally incorporated into the 2028 International Guideline update. 

&ldquo;The thought behind that is that there&#39;s no cysts in the ovary, so it&rsquo;s very confusing,&rdquo;&nbsp;said Dr Melanie Cree, of the pediatric endocrinology department at the University of Colorado. She added, &ldquo;The hope was that with a more comprehensive and accurate name change, that it would start to enable and push better care.&rdquo;

The conference also highlighted the contributions of Lorna Berry, an Australian woman living with PMOS who played a key role in the renaming initiative. &ldquo;This is about accountability and progress,&rdquo;&nbsp;she said.

Berry added, &ldquo;It is about my daughters, their daughters, and the countless women yet to be born. We deserve clarity, understanding, and equitable healthcare from the very beginning.&rdquo;

Rachael Morman, chair of Verity, also welcomed the change, saying the new name properly acknowledges the hormonal and metabolic dimensions of the condition.

&ldquo;It is fantastic that the new name now leads with hormones and recognises the metabolic dimension of the condition,&rdquo; she said. She concluded, &ldquo;This shift will reframe the conversation and demand that it is taken as seriously as the long-term, complex health condition it is.&rdquo;]]>
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			<title>Soviet-era watches revived for luxury market</title>
			<link>https://tribune.com.pk/story/2603857/soviet-era-watches-revived-for-luxury-market</link>
			<comments>https://tribune.com.pk/story/2603857/soviet-era-watches-revived-for-luxury-market#comments</comments>
			<pubDate>Mon, 20 Apr 26 20:10:40 +0500</pubDate>
			<dc:creator>
				<![CDATA[reuters]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2603857</guid>
			<description>
				<![CDATA[From frozen factory floors to the wrist of Putin, former British lawyer turns ailing Raketa into a success story]]>
			</description>
			<content:encoded>
				<![CDATA[When David Henderson-Stewart first visited Russia&#39;s Raketa watch factory, its few remaining watchmakers were huddled in winter coats over vintage equipment.

The British former lawyer knew nothing about watches, but his love of Soviet design led him to see potential in the ailing enterprise, which once employed 7,000 workers and produced timepieces for astronauts and the mass market.

President Vladimir Putin now wears a watch made by its bespoke offshoot, Imperial Peterhof Factory. &quot;I would never have found something as interesting as Raketa in the West,&quot; said Henderson-Stewart, who did not wear a watch until he took over the factory outside St Petersburg with a partner in 2010.

A yearning to live abroad drove Henderson-Stewart to move to Russia to work in law after studying at Oxford and at Paris&#39;s Sorbonne University. He has stayed, raising three children, who all have Russian citizenship. Under his leadership, Raketa&#39;s pivot to high end watches with an emphasis on their &quot;Made in Russia&quot; credentials has paid off.

Western sanctions imposed over the war in Ukraine squeezed trade and shuttered foreign luxury stores in Russia from 2022, but domestic demand rose for the largely unsanctioned company, while sales continued to Europe and the Middle East. Its own supply chain was little affected.

&quot;We don&#39;t depend on the West for components. We produce most of them ourselves,&quot; Henderson-Stewart said at the revamped Raketa facility, whose industrial roots date to 1721. &quot;That&#39;s what our community likes ... that it&#39;s a Russian-made watch.&quot;

PUTIN BOOST

In the factory, some of the over 200 employees use refurbished machinery to fashion tiny cogs, wheels and springs, continuing the rare practice of making all mechanical parts in-house. Elsewhere, watchmakers with magnifying eyepieces work painstakingly, pop music blaring in the background.

Raketa received a boost in 2022 when Putin was spotted wearing his Imperial Peterhof Factory watch. Some local media read it as a signal of support for domestic production after the invasion of Ukraine. Putin has since worn the watch regularly, spurring demand for similar designs, said Henderson-Stewart.

Public records show Raketa posted profit of 109 million roubles ($1.43 million) in 2025, over 15% more than in 2024. Priced from around $700 to $3,500, Raketa watches are mostly based on Soviet designs, including the steely-faced Baikonur, named after the cosmodrome from which Moscow still launches crewed space flights.

The hands of another of its watches sweep counter-clockwise. This unique model has become a bestseller since it was brought to Henderson-Stewart&#39;s attention by head engineer Lyudmila Voynik, 86, who has worked at the factory since the 1950s. &quot;I have lived my life here. I am proud that we managed to revive it all once again.&quot;]]>
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			<title>Shehzad Roy unveils teaser of new podcast featuring Malala Yousafzai</title>
			<link>https://tribune.com.pk/story/2600850/shehzad-roy-unveils-teaser-of-new-podcast-featuring-malala-yousafzai</link>
			<comments>https://tribune.com.pk/story/2600850/shehzad-roy-unveils-teaser-of-new-podcast-featuring-malala-yousafzai#comments</comments>
			<pubDate>Fri, 03 Apr 26 08:52:03 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2600850</guid>
			<description>
				<![CDATA[Shot at her London home, Malala appears as the first guest on Roy’s new venture, ‘Laga Reh Podcast’]]>
			</description>
			<content:encoded>
				<![CDATA[Shehzad Roy has given fans a first look at his new venture, Laga Reh Podcast, with a teaser featuring Nobel Peace Prize winner Malala Yousafzai as his first guest.

The short clip, shared on Thursday on YouTube and Instagram, was filmed in Malala&rsquo;s London home and promises a conversation that is open, honest, and more personal than usual interviews.

In the teaser, Roy is seen asking Malala questions about her life, her work in education, and the challenges she has faced over the years. The discussion touches on topics that are often surrounded by public debate, showing that the episode will not shy away from tough questions.





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At the same time, the conversation feels natural, with moments of light humour and relaxed chatting, making it clear that the podcast will mix serious discussion with friendly conversation.

The teaser also shows Malala&rsquo;s husband, Asser Malik, joining parts of the conversation. Roy directs a few questions to him, including topics about Malala&rsquo;s bestselling book. This gives a hint that the podcast will not just focus on Malala alone but also on the people around her, giving viewers a fuller picture of her life and work.





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What makes the promo stand out is how relaxed and open the conversation feels. The podcast will be more than a standard interview, aiming instead to give viewers a chance to hear personal thoughts and insights that are rarely shared in public.

The pacing and tone of the teaser suggest that the full episode will be a mix of deep questions, personal stories, and lighthearted moments.





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With this first glimpse, anticipation is growing for the full episode.

Fans are eager to hear Malala speak openly about her experiences all in the calm and thoughtful style that Roy brings to his podcast.]]>
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			<title>Thought-provoking 'Khali Stage' wins hearts on World Theatre Day</title>
			<link>https://tribune.com.pk/story/2599838/thought-provoking-khali-stage-wins-hearts-on-world-theatre-day</link>
			<comments>https://tribune.com.pk/story/2599838/thought-provoking-khali-stage-wins-hearts-on-world-theatre-day#comments</comments>
			<pubDate>Sat, 28 Mar 26 20:36:34 +0500</pubDate>
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				<![CDATA[APP]]>
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				<![CDATA[Play captivates audience with powerful message, artistic brilliance; receives all-round praise from enthusiastic audie]]>
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				<![CDATA[Marking World Theatre Day on Friday, the thought-provoking play &quot;Khali Stage&quot;, presented in collaboration with Dolphin Communication and the Pakistan National Council of the Arts, captivated the audience with its powerful message and artistic brilliance. The hall echoed with applause for a long time after the outstanding performance, as attendees paid rich tribute to the creative efforts of Asma Ismail Butt.

They remarked that such meaningful and creative productions not only breathe new life into theatre but also play a vital role in highlighting social values and intellectual awareness.

The play was written by Muhammad Waqar Azeem, while direction and presentation were led by Ms. Asma Ismail Butt.

The drama effectively and movingly portrayed the spirit of theatre, its history, and its decline and revival. The cast included Lareb Rathore, Imran Rashdi, Kaleem Khan, Masooma Shah, Noor Shararti, Waqas, and Samran Ali, all of whom delivered powerful and deeply felt performances that received great appreciation from the audience.

The story revolves around a young girl who is deeply connected to theatre. On an empty stage, she begins to see characters from the past come alive before her eyes. However, as soon as a modern director enters the scene, all the characters disappear.The dialogue that unfolds between the girl and the director reflects the lack of creative spirit in modern theatre and raises important questions about its future.

According to the CEO of Dolphin Communication, Ms. Asma Ismail Butt, &quot;Khali Stage&quot; is a sincere effort to highlight the creative and intellectual dimensions of theatre and to remind audiences of its enduring importance.

At the end of the performance, the audience praised the play wholeheartedly and stated that such productions play an important and necessary role in promoting intellectual awareness and cultural sensitivity in society.

World Theatre Day (WTD) is an international observance celebrated on 27 March. It was initiated in 1961 by the International Theatre Institute.

World Theatre Day was initiated in 1962 by the International Theatre Institute (ITI). It is celebrated annually on 27 March by ITI Centres and the international theatre community. Various national and international theatre events are organized to mark this occasion. One of the most important of these is the circulation of the World Theatre Day International Message through which at the invitation of ITI, a figure of world stature shares his or her reflections on the theme of Theatre and a Culture of Peace. The first World Theatre Day International Message was written by Jean Cocteau (France) in 1962. It was first in Helsinki, and then in Vienna at the 9th World Congress of the ITI in June 1961 that President Arvi Kivimaa proposed on behalf of the Finnish Centre of the International Theatre Institute that a World Theatre Day be instituted. The proposal, backed by the Scandinavian centres, was carried with acclamation.

The 2023 International Message was entrusted to Samiha Ayoub, an Egyptian actress mainly in theater, but also active in the world of cinema and television.

For the 62nd edition of World Theatre Day in 2024, the message, entitled &#39;Art is Peace&#39;, was written by Jon Fosse, Norwegian writer and playwright. It strongly and profoundly recalls the founding values of theatre with respect to the global community, emphasizing the peaceful and universal value of art.

The 2026 International Massage was entrusted to American actor Willem Dafoe with the conclusion: &quot;In a world that seems to get more divisive, controlling and violent, our challenge as theatre makers is to avoid the corruption of theatre solely as a commercial enterprise dedicated to the entertainment by distraction or as the dry institutional preserver of traditions, but rather to foster its strength to connect peoples, communities, cultures and above all to question where we are going.&quot;]]>
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			<title>James Tolkan, iconic 'Back to the Future' actor, dies at 94</title>
			<link>https://tribune.com.pk/story/2599840/james-tolkan-iconic-back-to-the-future-actor-dies-at-94</link>
			<comments>https://tribune.com.pk/story/2599840/james-tolkan-iconic-back-to-the-future-actor-dies-at-94#comments</comments>
			<pubDate>Sat, 28 Mar 26 20:36:34 +0500</pubDate>
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				<![CDATA[Also famous for his 'Top Gun' role, star leaves behind strong legacy]]>
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				<![CDATA[James Tolkan, the veteran character actor known for his steely presence and unforgettable roles, has died at 94 in Saranac Lake, New York, a family spokesperson confirmed. Tolkan became an indelible figure in Hollywood with his portrayals of intense, no-nonsense characters, leaving a mark on audiences across decades.

Tolkan is perhaps best remembered for Back to the Future, where he played the strict Hill Valley High School principal Mr. Strickland, famously berating students as &#39;slackers&#39;. He reprised the role in the sequel and even appeared as Strickland&#39;s grandfather in the third installment. Audiences also cheered his commanding presence as Tom Cruise&#39;s officer, Pete &#39;Stinger&#39; Jardian, in Top Gun.

Beyond these iconic roles, Tolkan&#39;s filmography spanned a remarkable range. He appeared in Woody Allen&#39;s Love and Death as Napoleon and his look-alike, played the crooked accountant Numbers in Dick Tracy, and featured in three Sidney Lumet films: Serpico, Prince of the City, and Family Business. His versatility extended to horror with The Amityville Horror, sci-fi with WarGames, and fantasy with Masters of the Universe.

On stage, Tolkan shone in Broadway productions, including the original Glengarry Glen Ross as Dave Moss and Wait Until Dark, where he replaced Robert Duvall in the role of Harry Roat. His television credits were equally extensive, with appearances on Remington Steele, Miami Vice, The Fresh Prince of Bel-Air, The Wonder Years, Leverage, and A Nero Wolfe Mystery, where he also directed several episodes.

Born on June 20, 1931, in Calumet, Michigan, Tolkan moved through Chicago and Tucson, Arizona, after his parents divorced. Following service in the U.S. Navy, he studied at Coe College, the University of Iowa, and honed his craft at The Actors Studio alongside classmates like Warren Beatty. He made his onscreen debut in 1960 on Naked City and built a career defined by dedication, discipline, and memorable intensity.

Tolkan is survived by his wife, Parmelee, whom he met on the set of the off-Broadway play Pinkville in 1971. The couple married that year in Lake Placid. Fans wishing to honour Tolkan&#39;s memory are encouraged to donate to local animal shelters or Humane Society chapters.

Tolkan is perhaps best known for his role in the 1985 film Back to the Future as the strict Hill Valley High School vice principal Gerald Strickland; the character refers to Marty McFly, his father, and Biff Tannen derisively as &quot;slackers&quot;.]]>
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			<title>'Cheating fruit' AI trend gains millions of TikTok views</title>
			<link>https://tribune.com.pk/story/2599111/cheating-fruit-ai-trend-gains-millions-of-tiktok-views</link>
			<comments>https://tribune.com.pk/story/2599111/cheating-fruit-ai-trend-gains-millions-of-tiktok-views#comments</comments>
			<pubDate>Tue, 24 Mar 26 23:07:11 +0500</pubDate>
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				<![CDATA[News Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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				<![CDATA[Video shows strawberry cheating on her husband with eggplant]]>
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				<![CDATA[The latest social media trend featuring AI-generated fruits has people creating dramatic, soap-opera-style stories where fruits cheat on one another. It all started with a TikTok video showing a strawberry cheating on her husband with an eggplant. Since then, these anthropomorphic fruit characters have continued the trend, engaging in over-the-top relationship drama and infidelity.

Posted by creator trombonechef and AI cinema on TikTok, the sad fruit stories have increased to subsequent multi-part videos and continues stories of affairs. Many compared the drama to Love Island storylines.

Although not very impressive productions of AI, the trends have taken over for pure entertainment purposes, which often include ridiculous storylines of betrayal and awkward voiceovers, gaining millions of views.

Another popular trending storyline is that of a strawberry couple, whose upcoming wedding is sabotaged by a chocolate. The video features the chocolate going out of her way to steal the strawberry&#39;s man and set fire to her wedding dress.

Many viewers took to TikTok to share their obsession with these AI-cheating fruit videos, saying that they are taking over their lives.

Many musicians, including Zara Larsson, received criticism for reposting these videos after talking about the negative consequences of AI.

This is not the first time that we have seen AI videos go viral. Just last year, AI cat videos were blowing up on social media, featuring cheating scandals and videos of mothers accidentally cooking their children in ovens or throwing them into washing machines.

Commentators took to social media to share the consequences of this type of content for children who are scrolling online.

This trend has also entered the Eastern sphere, where content creators in South Asia are making similar AI videos with desi-flavored items including Samosa and Jalebi, as well as Karela and Aloo.

All in all, it could be noted that this viral wave of AI-generated &quot;cheating fruit&quot; dramas highlights both playful creativity and the growing absurdity of internet culture in the age of artificial intelligence. While these humorous and exaggerated soap-opera-style short films might appeal to the audience, they also raise concerns about the type of content we are allowing our children to be subjected to.

As this phenomenon grows globally, we can see how AI is not just a tool for innovation, but also a powerful force shaping entertainment, trends, and digital behavior.]]>
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			<title>Pakistani man shares love for AR Rahman and Imtiaz Ali at Wagah Border</title>
			<link>https://tribune.com.pk/story/2612421/pakistani-man-shares-love-for-ar-rahman-and-imtiaz-ali-at-wagah-border</link>
			<comments>https://tribune.com.pk/story/2612421/pakistani-man-shares-love-for-ar-rahman-and-imtiaz-ali-at-wagah-border#comments</comments>
			<pubDate>Wed, 10 Jun 26 11:58:34 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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				<![CDATA[Performing artist reflects on shared culture and unifying power of art at Pakistan-India border]]>
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				<![CDATA[At the Pakistan-India border&nbsp;in Lahore, performing artist&nbsp;Saad Sheikh reflected on shared cultural heritage after an unexpected encounter with composer AR&nbsp;Rahman and filmmaker Imtiaz Ali, describing the moment as a powerful reminder of art&rsquo;s ability to connect people across divides.

Sheikh took to Instagram to share a photo dump from his visit to the Wagah border, documenting what he described as a deeply personal experience shaped by his love for Punjab, cinema and music.

&ldquo;As most Lahori live 20km from India, so do I. 20 mins were enough to ponder over an Instagram reel that you saw of Imtiaz Ali saying he will be at the border along with AR Rahman and team,&rdquo; he wrote, recalling how he decided to attend the meeting on a whim after seeing the announcement online.

He further reflected on the cultural similarities across the border, emphasising a sense of shared identity. &ldquo;Similar faces, similar language, similar everything,&rdquo; he wrote, underscoring his belief in the unifying nature of art and culture.





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Describing the moment he spotted his favourite filmmaker, Sheikh recalled an emotional reaction on arrival. &ldquo;As I got there, I saw curly white hair. Without wasting a second, I screamed, &lsquo;IMTIAAAZZZ!&rsquo;&rdquo; he wrote.

He went on to share details of their brief interaction, saying he expressed admiration for Ali&rsquo;s body of work and its influence on a generation of filmmakers. &ldquo;I started my monologue telling him how much I loved him. He kept smiling and saying, &lsquo;Thank you, thanks so much,&rsquo;&rdquo; he added.

Sheikh also noted that it was Rahman&rsquo;s first visit to Punjab, calling it a moment worth witnessing. &ldquo;AR sir&rsquo;s first time ever to Punjab had to be witnessed by the entire Punjab,&rdquo; he wrote.

Rahman also shared photographs from the visit on Instagram, posting images with the caption: &ldquo;With love, from Attari-Wagah Border.&rdquo;





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			<title>Social media welcomes SC verdict upholding Zahir Jaffer's death sentence</title>
			<link>https://tribune.com.pk/story/2611585/social-media-welcomes-sc-verdict-upholding-zahir-jaffers-death-sentence</link>
			<comments>https://tribune.com.pk/story/2611585/social-media-welcomes-sc-verdict-upholding-zahir-jaffers-death-sentence#comments</comments>
			<pubDate>Fri, 05 Jun 26 08:06:44 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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				<![CDATA[Apex court dismissed review petition filed by Jaffer's counsel in Noor Mukadam murder case]]>
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				<![CDATA[On Thursday, the Supreme Court dismissed Zahir Jaffer&#39;s plea for a review of its decision upholding his death sentence in one of the country&#39;s most notable cases of violence against women.

The court&#39;s definitive dismissal of Jaffer&#39;s review petition marked the end of a gruelling five-year judicial saga, triggering a wave of relief and reflection across the nation.



#WATCH: &ldquo;All three courts had upheld the death sentence,&rdquo; says Noor Mukadam&rsquo;s father after Pakistan&rsquo;s Supreme Court rejects Zahir Jaffer&rsquo;s review petition, upholding his conviction in the 2021 murder case. https://t.co/mBHx3RCsol pic.twitter.com/WfsELSzhq5
&mdash; Arab News Pakistan (@arabnewspk) June 4, 2026


According to the last verdict, Jaffer was sentenced to death in February 2022 by a sessions court in Islamabad for the murder of Noor Mukadam in 2021. The sentence was upheld by both the Islamabad High Court and the Supreme Court following a series of appeals.

For years, the Pakistani public followed the case with a sense of collective anxiety, fearing that elite privilege, wealth, and the murderer&#39;s dual citizenship may potentially create a legal loophole or lead to an indefinite delay in justice.

Following the final hearing, the public held its breath as the defence team mounted a psychological argument in a desperate bid to save Jaffer from the death sentence. A three-member Supreme Court bench ultimately dismantled this narrative, noting that there was no lifelong medical or academic history to support such a sudden and severe psychiatric claim.

Since the Supreme Court upheld Jaffer&#39;s death sentence, the mood across social media has largely been one of profound relief. Users received the decision as less of a routine legal victory and more as a historic moment of accountability.



Justice prevails. Supreme Court dismisses Zahir Jaffer&rsquo;s review petition in Noor Mukadam murder case. Death sentence stands. A strong message: No one is above the law. #JusticeForNoor #NoorMukadam #SupremeCourt #EndViolenceAgainstWomen
&mdash; Fozia Chaudary (@Fozia_chaudary) June 4, 2026


The decision sends a rare and powerful message to the highest tiers of society that violence against women will no longer be shielded by family status, wealth, or influence. Many social media users argued that Jaffer&#39;s sentencing sets an important moment for potential convicts.



Glad to see the courts continue to uphold Zahir Jaffer&rsquo;s sentence. The #NoorMukadam case feels as haunting today as it did in 2021. What also needs to be said is that mental health cannot become the go to defense plan every time a privileged perpetrator commits a horrific crime.&hellip; https://t.co/X1a6yc7GAd
&mdash; Maheen Ghani (@maheenghani_) June 4, 2026


Although the dismissal of the review petition closes a legal avenue for the murderer,&nbsp;many people stated that the fight isn&#39;t over, arguing that the case is only the beginning and that there is still a long way to go to ensure the protection of women in Pakistan.



Noor Mukadam should still be alive...
Today&#39;s decision won&#39;t bring her back, but it closes one more avenue for escaping accountability in one of Pakistan&#39;s most horrific cases. #NoorMukadam #JusticeForNoor #Pakistan pic.twitter.com/WORCHKD3PL
&mdash; Saman 🍉 🕊️ 🎒 (@SamanAhsan) June 4, 2026


Users also commented that while justice was ultimately served, it remains out of reach for many victims who are without means or societal influence. They argued that the case reached its conclusion within four to five years because Noor&#39;s father was a retired diplomat belonging to an influential family.



Justice served, and that&#39;s good to see. But let&#39;s be honest, this moved from Sessions to the High Court to SC, appeal, and review all within 4-5 years because it was elite vs elite. A ghareeb aadmi&#39;s case rots in the system for decades. The disparity is the real scandal.
&mdash; awais (@awais_ch_92) June 4, 2026


Many others drew comparisons with other cases involving influential figures who were accused in high-profile cases and later got benefits with legal outcomes that were shaped by settlements with the victims&#39; families. Commenters said that such cases highlight the dysfunctional judicial system that continues to exist within Pakistan.



Just imagine how difficult it is to obtain justice in Pakistan when the accused belongs to the elite class. Noor Mukadam was brutally murdered in July 2021, and Zahir Jaffar was caught at the scene, yet years later the case continued through appeal after appeal before reaching&hellip; https://t.co/5oQpNE0AS7
&mdash; Dr Ahmad Rehan Khan (@AhmadRehanKhan) June 4, 2026


With Jaffer having officially exhausted every judicial avenue of appeal within Pakistan&#39;s&nbsp;system, the only remaining barrier to the execution of his death sentence is a presidential pardon under Article 45 of the Constitution of Pakistan.

Given the overwhelming public mandate for justice, however, users view the prospect of a pardon as highly unlikely.



SC upholds Zahir Jaffer&#39;s death sentence in Noor Mukadam case. Only option left: presidential mercy petition, subject to victim&#39;s family consent. Pakistan has executed in similar cases before, Mumtaz Qadri and Zainab&#39;s killer Imran Ali.@NuktaPakistan https://t.co/b63xSDSYyM
&mdash; Ali Hamza (@alihamzaisb) June 4, 2026




The president of Pakistan must reject the mercy petition of Zahir Jaffer. His crime is unforgivable. He must be held accountable for his heinous crime. We all know he&rsquo;s part of the elite &amp; the powerful of this country. A presidential pardon will be a betrayal to the women of this&hellip;
&mdash; Tooba Syed (@Tooba_Sd) June 4, 2026]]>
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			<title>Aishwarya Rai Bachchan named global brand ambassador for JW Marriott</title>
			<link>https://tribune.com.pk/story/2611238/aishwarya-rai-bachchan-named-global-brand-ambassador-for-jw-marriott</link>
			<comments>https://tribune.com.pk/story/2611238/aishwarya-rai-bachchan-named-global-brand-ambassador-for-jw-marriott#comments</comments>
			<pubDate>Wed, 03 Jun 26 10:46:01 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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				<![CDATA[Indian actor will join 'Stay in the Moment' campaign, showcasing mindful travel, well-being and meaningful connections]]>
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				<![CDATA[JW Marriott, part of Marriott Bonvoy&#39;s portfolio of more than 30 hotel brands, has announced Indian actor Aishwarya Rai Bachchan as its new global brand ambassador.

The internationally acclaimed star will help bring renewed visibility to the luxury hospitality brand&#39;s global &quot;Stay in the Moment&quot; platform, which promotes mindful travel, well-being and meaningful connections.

Sharing her thoughts on the partnership, Aishwarya said travel has always played an important role in her life, both personally and professionally.

&ldquo;The most meaningful travel experiences are often the quietest ones, when you are fully aware of where you are and who you are with,&rdquo; she said. &ldquo;JW Marriott&#39;s philosophy of being present and in the moment speaks to that awareness. I am honoured to represent a brand that values presence and purpose in equal measure,&rdquo; she added.





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For more than two decades, Aishwarya has represented India on the global stage through her work in cinema, fashion, philanthropy and international cultural initiatives. According to the company, her global appeal and enduring reputation align with JW Marriott&#39;s focus on luxury, authenticity and well-being.

&ldquo;Aishwarya&#39;s global stature, warmth and authenticity make her a natural embodiment of JW Marriott and an ideal partner for the brand,&rdquo; said Bruce Rohr, Vice President and Global Brand Leader of JW Marriott.

&ldquo;She brings a thoughtful and grounded presence that reflects the way our guests seek to travel &mdash; with intention and a sense of connection,&rdquo; he added.

As part of the partnership, Aishwarya will feature in international marketing campaigns across film, digital and other media platforms. JW Marriott said the collaboration reflects its long-term commitment to India while further strengthening its global &quot;Stay in the Moment&quot; initiative.]]>
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			<title>Kinza Hashmi says she still does not feel she has 'made it' after 12 years in entertainment industry</title>
			<link>https://tribune.com.pk/story/2610855/kinza-hashmi-says-she-still-does-not-feel-she-has-made-it-after-12-years-in-entertainment-industry</link>
			<comments>https://tribune.com.pk/story/2610855/kinza-hashmi-says-she-still-does-not-feel-she-has-made-it-after-12-years-in-entertainment-industry#comments</comments>
			<pubDate>Mon, 01 Jun 26 07:41:14 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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				<![CDATA[Actor opens up about fear of criticism, constant struggle for relevance]]>
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				<![CDATA[Actor Kinza Hashmi in a recent interview reflected on her career, gaining attention for candid remarks about choosing personal peace and meaningful work over fame.

Kinza discussed her 12-year journey in Pakistan&rsquo;s entertainment industry, sharing her perspective on success, criticism, and staying true to herself. Regarding fame, Kinza said she has never wanted to be part of a competitive race&nbsp;for success. &ldquo;I don&rsquo;t want to be part of any race. I do projects that feel right in my heart and I don&rsquo;t want any negative attention,&quot; she said.

The actor admitted that she often feels hesitant taking on controversial roles or even giving interviews because of the fear of criticism and public backlash. &ldquo;People in Pakistan love you, but if you do or say one thing wrong, they will not accept that,&rdquo; she said.

Kinza also reflected on her career, saying that despite spending over a decade in the industry, she still does not feel she has fully &ldquo;made it.&quot; &ldquo;I feel every day is a struggle. One project is done, another struggle and a new script begins. It is constant. You can never feel successful in Pakistan or feel that you have made it as a star. Maybe you can be in Bollywood or Hollywood,&rdquo; the actor stated.

She further revealed that her interest in entertainment originally began through singing rather than acting. &ldquo;When I was in school, my teacher used to tell me my voice is really nice. From there, my friends in school and my mother encouraged me to start but then I got offered a drama. Acting started, but occasionally I also did singing projects, and then I did a song with Ali Raza,&rdquo; Kinza shared.

She explained that while singing remains close to her heart, she now sees it more as a hobby than a professional path.





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Opening up about the realities of the entertainment industry, Kinza stressed that success does not automatically make life easier. &ldquo;You don&rsquo;t get everything handed to you on a plate. It does not mean that if one project does well, everything becomes easy. Like I said before, it is a constant struggle,&rdquo; she explained.

Discussing opportunities for newcomers in the industry, Kinza said there is always room for fresh talent but stressed that consistency is what helps actors stay relevant. &ldquo;There are not that many actors that there is no space for new ones, but people are forgettable. You have to remain constant or, if you take a break, people will forget you,&rdquo; the actor said.

Further, she spoke about how industry has evolved over the years, noting that social media and online trolling have made the environment more intense for actors.

&ldquo;When I started, I was learning and it was a bit easier. There were fewer views coming from YouTube and less trolling. People used to watch for entertainment,&rdquo; the actor noted. She added, &ldquo;But now I find this time different. You have to understand how to perform. You are having discussions on the scripts and trying to understand the characters.&quot;

Talking about her latest drama Leader, in which she plays Rubab, the daughter of a wealthy politician, Kinza shared how deeply she worked on understanding her character&rsquo;s emotional journey. &ldquo;I thought about the character&rsquo;s journey a lot &mdash; where she starts and where she ends,&rdquo; she said, adding that people really praised her acting in the role.

&quot;I think when you understand your character well, you understand what emotions to bring out so that each scene feels different,&rdquo; she added.

Recalling one particularly emotional sequence, she revealed that it took her two days to perfect a crying scene because she wanted to portray the emotions realistically. &ldquo;It took me two days to get that crying scene right because I tried to understand what Rubab was feeling and the authority she carried. I try to think realistically &mdash; if someone was shot in front of me, I would not immediately cry, I would first be scared,&rdquo; she explained.

Through the interview, Kinza offered an honest look into the pressures of the entertainment industry while emphasising the importance of staying grounded, consistent, and emotionally connected to the work she chooses.]]>
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			<title>Lilly Singh says being 37 and unmarried is just part of the journey</title>
			<link>https://tribune.com.pk/story/2609513/lilly-singh-says-being-37-and-unmarried-is-just-part-of-the-journey</link>
			<comments>https://tribune.com.pk/story/2609513/lilly-singh-says-being-37-and-unmarried-is-just-part-of-the-journey#comments</comments>
			<pubDate>Fri, 22 May 26 12:28:53 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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				<![CDATA[Indian-Canadian host reflects on fame, purpose, and rejecting pressure around marriage and success in her 30s]]>
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				<![CDATA[Indian-Canadian host, author and actor&nbsp;Lilly Singh, also known as &ldquo;Superwoman&rdquo;, spoke to Variety about her journey from a small-time vlogger to a global entertainer, reflecting on career growth, philanthropy, travel and work-life balance.

In the interview, Singh discussed the highs and lows of fame, saying the experience ultimately helped her build a successful multi-platform career.&nbsp;

One of Singh&rsquo;s most talked-about remarks centred on societal expectations surrounding marriage and age. &ldquo;I do not believe in regrets. When I was 16, I believed I had to figure it all out &mdash; my career, marriage and having kids,&rdquo; she said.

&ldquo;Now I am 37, unmarried and do not have children. What I would tell my 16-year-old self is to put a little less pressure on figuring everything out and instead enjoy the journey.&rdquo;

Singh revealed that her career began during a difficult period in her teenage years when she struggled with depression in high school before rising to fame through her relatable South Asian-themed YouTube content as &ldquo;Superwoman&rdquo;.

Today, she is known as the host of A Little Late with Lilly Singh and has also established herself as an author, producer and podcaster.

Speaking about philanthropy, Singh highlighted her commitment to supporting underprivileged girls in India through her initiative, Unicorn Island. &ldquo;I believe in gender equality. The world would be a better place if women had more power,&rdquo; she said.

Singh added that she works with the Pardada Pardadi Educational Society, which supports the education of girls from underprivileged rural communities. &ldquo;I found it important to personally support this endeavour,&rdquo; she said.

Despite growing up in Canada, Singh said India remains close to her heart. &ldquo;My problems may seem vastly different from those faced by girls in some parts of the world, but many issues are universal &mdash; body shaming, standing up to your parents and fighting for what you want,&rdquo; she said.

Singh also reflected on her admiration for Bollywood icon Shah Rukh Khan, recalling a memorable visit to his residence, Mannat. &ldquo;I still vividly remember how I felt spending time with him. He spoke to me in detail about what he loved about my work,&rdquo; she said. &ldquo;The best gift you can give people is your time and attention. I try to emulate that with my fans.&rdquo;

Now active in the film industry, Singh is also involved in Holy Curse, a film exploring gender identity issues within a traditional social setting. &ldquo;Everything I do has meaning and is artistic. I do things for the little Lilly who just wants to have fun,&rdquo; she said.

Singh also described travel as one of life&rsquo;s greatest teachers. &ldquo;If I were president of the world, I would make travel mandatory and accessible for everyone. Meeting people from the other side of the world is incredibly important,&rdquo; she said.

Reflecting on her work ethic, Singh said she no longer believes overworking should be glorified. &ldquo;In my 20s, I worked all day without breaks. Now, in my 30s, I know better,&rdquo; she added.]]>
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