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                        <title>Latest Lifestyle News, Fashion &amp; Celebrity News - The Express Tribune</title>
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			<title>Khalilur Rehman Qamar's daughter defends father, addresses 'honey trap' case</title>
			<link>https://tribune.com.pk/story/2612050/khalilur-rehman-qamars-daughter-defends-father-addresses-honey-trap-case</link>
			<comments>https://tribune.com.pk/story/2612050/khalilur-rehman-qamars-daughter-defends-father-addresses-honey-trap-case#comments</comments>
			<pubDate>Mon, 08 Jun 26 11:07:24 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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				<![CDATA[Discusses filmmaker's controversies, social media criticism, his views on Aurat March and her own views on feminism]]>
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				<![CDATA[&nbsp;

Hijab Khalil, daughter of renowned screenwriter and director Khalilur Rehman Qamar, appeared in a recent interview&nbsp;where she spoke about her relationship with her father and addressed the circumstances surrounding his alleged &quot;honey trap&quot; case.&nbsp;She said that by the time the incident became a major topic on social media, much of the situation had already been resolved.

She expressed frustration over what she described as insensitive online reactions and harassment directed at her family during that period. &ldquo;I remember there was this one girl being super insensitive about the situation on your podcast,&rdquo; Khalil told the host, who assumed she was referring to Ghazal Shapatar.

&ldquo;Yes, her views and points, we can disagree with. But how can someone hate someone that much?&rdquo; she said, adding, &ldquo;People were praying my father dies and asking why he survived.&rdquo;

Hijab also claimed that the kidnapping incident became another reason for online harassment directed at her. &ldquo;&lsquo;Her dad got kidnapped and she is posting TikToks,&rsquo;&rdquo; she recalled, describing the type of comments she received while noting that social media is part of her work.

&ldquo;People just want to say something, but don&rsquo;t come after my family. If you disagree with my father, you should have the guts to say something to him. But people do not because they are afraid that he will talk back,&rdquo; she added.

Hijab said the experience had a lasting emotional impact on her father and that she noticed changes in his behaviour after the incident. Despite his public reputation for controversy, she described him at home as humorous, approachable and more like a companion than a strict parent. &ldquo;My dad is more like a friend than my father,&rdquo; she said.

One of the most controversial segments of the interview centred on her views regarding the Aurat March and gender transition. Khalil said she supports her father&#39;s stance on the Aurat March and does not identify as a liberal.

&ldquo;I support the Aurat March statements my father has given. I&rsquo;m not liberal. There are remote areas where women don&rsquo;t have education and do not even know what feminism or Aurat March is. The people who already have everything, why are they doing this? I don&rsquo;t support it. I&rsquo;m not a big fan,&rdquo; she said, adding, &ldquo;It&rsquo;s propaganda.&rdquo;

Addressing criticism she receives over her clothing choices, Hijab said the scrutiny is often linked to her father&#39;s controversial public image. &ldquo;I think it&rsquo;s because I am the only girl in the family on social media,&rdquo; she said. She added, &ldquo;I do dress like Gen Z, but I do not dress vulgar,&rdquo; while questioning why people feel compelled to compare her appearance with her father&#39;s public views.

Speaking about her father&#39;s legacy, she acknowledged that his outspoken opinions often generate strong reactions, particularly among younger audiences, but maintained that she does not consider him extreme. &ldquo;Some Gen Z hate my dad, but he is not that bad. If he was that misogynistic or against women, I would not be here,&rdquo; she said.

Hijab, who recently completed her bachelor&#39;s degree in film and directing, also discussed the pressure of being the daughter of a successful filmmaker.

&ldquo;Because my dad is successful, I&rsquo;d say there is more pressure to be. I haven&rsquo;t gotten any opportunities through my dad. I actually didn&rsquo;t want to work with my father from the start,&rdquo; she said. &ldquo;I think if you want to move ahead in your field, use your own talent and not someone else&rsquo;s success.&rdquo;

She concluded by arguing that public perceptions of her father are largely shaped by his controversial public statements, while many of his critics avoid confronting him directly because they fear his response.

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			<title>Amena Khan reflects on journey from aspiring pilot to humanitarian work</title>
			<link>https://tribune.com.pk/story/2612070/amena-khan-reflects-on-journey-from-aspiring-pilot-to-humanitarian-work</link>
			<comments>https://tribune.com.pk/story/2612070/amena-khan-reflects-on-journey-from-aspiring-pilot-to-humanitarian-work#comments</comments>
			<pubDate>Mon, 08 Jun 26 12:47:56 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2612070</guid>
			<description>
				<![CDATA[Actor-director shares her career evolution, volunteer experiences, and emotional accounts from disaster relief work]]>
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				<![CDATA[&nbsp;

Actor, director and philanthropist Amena Khan appeared on The Light Within podcast with Misbah Khalid, where she discussed her emotional journey in the film industry, her volunteer work, and her passion for helping others. She shared her story of growth and self-discovery, explaining how one passion led to another and ultimately inspired her commitment to spreading kindness and making a positive impact on society.

Speaking about her childhood ambitions, Amena revealed that she had always wanted to become a fighter pilot. &ldquo;I applied twice but was rejected because they did not have accommodation for girls at that time. In college and school, I was doing theatre alongside pre-engineering. Since then, I went into acting and through that to television and even learning how to be an anchor,&rdquo; she said.

She added, &ldquo;I did a lot of behind-the-scenes work and editing when many processes were still analogue. Eventually, I moved into directing.&rdquo;

Amena described directing as her new passion. &ldquo;I felt this was the only way to balance my passion for being a pilot. I found a new runway, and directing became my new cockpit,&rdquo; she said. She noted that she has been working in the film and commercial industry for the past 28 years.

She further explained how her professional journey strengthened her dedication to volunteer work. &ldquo;Sometimes you can start young. I was blessed to have parents who are into this and philanthropic work. My father was a doctor and into forensics. Since I was a kid, I used to be attached to him and was exposed to all kinds of medical and forensic work at an early age,&rdquo; she shared.

She added that helping others has become a natural part of her daily life. &ldquo;People see this as a separate thing, but I see it as eating, drinking and sleeping. When you get into that environment, you believe it is now a part of your life and you feel incomplete without it,&rdquo; she said.

Reflecting on her volunteer experiences, Amena remarked, &ldquo;Every time you engage with another human being, you are never the same.&rdquo;

Recalling a recent earthquake response, she shared that her team reached the affected area the following morning. &ldquo;As we were arriving, a man beside us was carrying a young girl in his arms. A large piece of debris from her home was lodged between her toes,&rdquo; she said.

&ldquo;It then got worse. We spent hours walking, even during Ramazan. People came from all over Pakistan&mdash;200 students from Peshawar University, religious scholars and volunteers who even brought coffins for the deceased,&rdquo; she added.

Amena also spoke about feeling safe during her humanitarian work across Pakistan. &ldquo;I always felt safe wherever I went, whether for filming or disaster relief. People were incredibly protective and kind. Those 200 students were with us, and we would walk for hours through mountainous areas,&rdquo; she said.

Speaking about the suffering she has witnessed, she recalled several moments that deeply affected her. &ldquo;We met an elderly woman living alone after her son was injured and taken to hospital. Her legs were severely infected. We tried to convince her to come with us, but she refused because she feared losing her home. We would walk for nine hours to deliver food to her every day,&rdquo; she shared.

Amena further&nbsp;discussed the devastating floods and the issue of child malnutrition. &ldquo;Aunty Sabeen of the Kiran Foundation often shared stories of children with swollen stomachs due to malnutrition. Their mothers would sometimes cook with mud because they had nothing else. It is absolutely heartbreaking,&rdquo; she said.

Concluding the discussion, she explained that volunteering has remained a constant part of her life from the COVID-19 pandemic to the present day.&nbsp;She&nbsp;stated that government institutions, the military and numerous organisations are actively working to address challenges. However, she expressed her desire to see more people develop a passion for serving others and contributing to humanitarian causes.

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			<title>Babra Sharif urges young stars to stop burdening producers with demands</title>
			<link>https://tribune.com.pk/story/2612041/babra-sharif-urges-young-stars-to-stop-burdening-producers-with-demands</link>
			<comments>https://tribune.com.pk/story/2612041/babra-sharif-urges-young-stars-to-stop-burdening-producers-with-demands#comments</comments>
			<pubDate>Mon, 08 Jun 26 09:18:02 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2612041</guid>
			<description>
				<![CDATA[Lollywood veteran calls out luxury demands, lack of industry support while urging a return to entertaining cinema]]>
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				<![CDATA[Babra Sharif remains one of the most enduring icons of Pakistani cinema, widely regarded as the defining face of Lollywood&#39;s golden era throughout the 1970s and 1980s. Celebrated for her versatility and screen presence, the veteran actor has a clear message for the new generation of performers: drop the attitude, ditch the luxury demands, and focus on your craft.

Speaking at a recent star-studded press conference, Sharif offered a candid assessment of the differences between her generation and today&#39;s stars, touching on everything from on-set vanity culture to the lack of solidarity within the industry.

&ldquo;I know I might not be politically correct, but I firmly stand by this: actors should not make life difficult for their producers,&rdquo; she said, criticising what she described as the growing material demands of modern performers.

Sharif expressed disappointment over the culture of luxury that she believes has become commonplace on contemporary film sets, arguing that many newcomers are overly focused on comfort and status. &ldquo;Today&#39;s actors have so much attitude and so many demands, like wanting their own caravans and private hotel rooms,&rdquo; she observed.







Reflecting on her own time at the height of Lollywood, Sharif recalled a far more grounded working environment. &ldquo;When it was our time, we used to bring our own food from home. We didn&#39;t want to be a burden on the producer or anyone else on set. New artists need to learn to provide comfort to their producers, not stress,&rdquo; she said.

The Mera Naam Hai Mohabbat star was also quick to share the credit for her success, shifting the spotlight away from herself and co-star Ghulam Mohiuddin.

&ldquo;The credit shouldn&#39;t just go to us,&rdquo; she said. &ldquo;The directors and technicians of that era made our films successful. They handled everything so beautifully that we had to do nothing but show up and act. The real key to success is simply being confident and letting that reflect in your performance.&rdquo;

Addressing the financial challenges facing Pakistani filmmakers, Sharif argued that limited resources should not prevent the creation of quality cinema. &ldquo;If you think smartly and work collaboratively with the budget in mind, making a great film is entirely possible,&rdquo; she noted.

However, she suggested that the industry&#39;s biggest challenge is not financial but cultural, pointing to what she sees as a lack of support among artists themselves.

&ldquo;Today&#39;s artists don&#39;t even go out to watch other artists&#39; films or support their own fraternity,&rdquo; she said. &ldquo;What we are seeing right now isn&#39;t a massive revival of the industry yet. These are just small, scattered efforts. But if we work together, those efforts will eventually help us reach our old glory days.&rdquo;

Sharif also criticised casting directors who frequently complain about the shortage of fresh talent. &ldquo;If older directors could find us and mould us, why can&#39;t they find good actors now?&rdquo; she asked.

&ldquo;Back then, directors sat down with us and actively taught us our craft. You should be doing the same with today&#39;s actors. Stop relying on favouritism or prioritising actors just because they are your friends. Favouritism only restricts the growth of true talent,&rdquo; she added.







Turning to contemporary filmmaking trends, Sharif made a passionate appeal for lighter and more uplifting stories on the big screen. &ldquo;Films shouldn&#39;t be depressing, and they shouldn&#39;t revolve around sadness. Even the titles shouldn&#39;t sound depressing,&rdquo; she said.

&ldquo;Cinema is fundamentally a source of entertainment, and that should be the main goal. If filmmakers keep making projects about sad and dark concepts, won&#39;t audiences just choose to watch television dramas at home? Those dramas already reflect emotional sadness and depression, and they rarely offer happy endings,&rdquo; she added.

According to the veteran actor, cinema carries a different responsibility. &ldquo;Film is a fantasy. It&#39;s a dream world that people want to watch and relive long after they leave the theatre. You cannot give them real-world miseries like robbery or killing. People go to the cinema to forget those exact real-life issues,&rdquo; she said.

Sharif also defended the role of music in Pakistani cinema, dismissing the trend of removing songs to emulate Western filmmaking styles. &ldquo;Songs are an essential part of our cinema. No local film can truly exist without songs,&rdquo; she said, citing veteran filmmaker Syed Noor as an example.

&ldquo;Syed Noor isn&#39;t mad to keep songs in his films. He knew the audience wanted music; it&#39;s completely interlinked with our style of storytelling. You can&#39;t remove music. Even if it&#39;s just one song, there must be music in a film.&rdquo;

Concluding her remarks, Sharif urged the industry to look inward for inspiration and revisit Pakistan&#39;s cinematic heritage. &ldquo;We should look into remaking our own classic films. Our neighbouring country has frequently used our old films to make their own remakes, so why shouldn&#39;t we utilise our own rich history?&rdquo; she remarked.]]>
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			<title>Madhuri Dixit addresses age bias in Bollywood, urges women to break stereotypes</title>
			<link>https://tribune.com.pk/story/2612054/madhuri-dixit-addresses-age-bias-in-bollywood-urges-women-to-break-stereotypes</link>
			<comments>https://tribune.com.pk/story/2612054/madhuri-dixit-addresses-age-bias-in-bollywood-urges-women-to-break-stereotypes#comments</comments>
			<pubDate>Mon, 08 Jun 26 11:20:44 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2612054</guid>
			<description>
				<![CDATA[Bollywood actor discusses work-life balance, shares behind-the-scenes moments with co-stars Tripti Dimri, Dharna Durga]]>
			</description>
			<content:encoded>
				<![CDATA[Even after four decades in the spotlight, Bollywood icon Madhuri Dixit continues to command attention with ease. At a recent promotional event for her upcoming Netflix project Maa Behan, the veteran actor, alongside co-star Tripti Dimri, engaged in a candid and lively interaction with a packed audience.

&nbsp;

During the event, an audience member raised a question about long-standing industry double standards surrounding ageing. The fan pointed out that while leading male actors such as Shah Rukh Khan and Salman Khan continue to play romantic leads opposite much younger actresses well into their careers, veteran female actors are often limited to stereotypical roles.

Madhuri did not shy away from the critique. While acknowledging the bias, she placed the responsibility on female actors to challenge these norms. &ldquo;It is up to us as women to take up these roles and actively try to break these stereotypes,&rdquo; she said, urging women in the industry to push boundaries and create more opportunities for others.

The discussion also highlighted Bollywood&rsquo;s evolving landscape, particularly the casting of Dharna Durga, a popular internet influencer making her transition into mainstream cinema.

When asked about the challenges of entering a traditionally exclusive industry, Dharna credited the power of manifestation. &ldquo;The end goal was always to be here,&rdquo; she said, adding that her viral digital content served as a deliberate stepping stone towards a film career.

While many digital creators report facing elitism when transitioning into films, Dharna said her experience on Maa Behan was welcoming and that she faced no friction working alongside established actors.

Speaking about her personal life and longevity in the industry, Madhuri said her ability to remain grounded comes from clear priorities. &ldquo;For me, my family is the most important thing, and everything I do is placed around that,&rdquo; she said, explaining that she carefully selects projects to ensure her work does not compromise time with her family.

The host also prompted the trio to share behind-the-scenes moments, leading to a light-hearted exchange in which Madhuri was revealed to be a talented impersonator. Co-stars Tripti and Dharna shared that she often entertains the crew with her mimicry of people on set once filming wraps.

Madhuri, in turn, playfully teased Tripti, noting that despite completing an entire film together, the younger actor still becomes starstruck when speaking to her off-camera. Dharna joked that she behaves like a &ldquo;perfectly obedient assistant&rdquo; in Madhuri&rsquo;s presence, only dropping the act when the veteran star is not around.]]>
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			<title>Asim Abbasi, Mo Azmi reshape Netflix's 'A Good Girl’s Guide to Murder'</title>
			<link>https://tribune.com.pk/story/2612033/asim-abbasi-mo-azmi-reshape-netflixs-a-good-girls-guide-to-murder</link>
			<comments>https://tribune.com.pk/story/2612033/asim-abbasi-mo-azmi-reshape-netflixs-a-good-girls-guide-to-murder#comments</comments>
			<pubDate>Mon, 08 Jun 26 07:21:39 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Pakistani director-cinematographer duo bring a darker, more grounded vision to the popular mystery series]]>
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			<content:encoded>
				<![CDATA[The highly anticipated second season of A Good Girl&rsquo;s Guide to Murder, adapted from Holly Jackson&rsquo;s bestselling sequel Good Girl, Bad Blood, is set to return this year, taking the hit series down a much darker path.

But what makes this global Netflix-BBC co-production particularly exciting for South Asian audiences is not just its gripping mystery. It is the powerhouse Pakistani duo behind the camera: director Asim Abbasi and cinematographer Mo Azmi.

Abbasi requires little introduction. He is the creative force behind the critically acclaimed, Oscar-submitted feature Pinky Memsaab and the groundbreaking, fiercely feminist Zindagi original series Churails.

Having established himself as a filmmaker unafraid to challenge conventions, Abbasi&#39;s stories often centre on flawed, fiercely independent women who defy societal expectations.





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Taking the director&#39;s chair for Block One of A Good Girl&rsquo;s Guide to Murder Season 2 marks a major career milestone, as it is Abbasi&#39;s first directorial project for Netflix.

Speaking about his impact on the series, lead star Emma Myers was enthusiastic about his character-driven approach.

&ldquo;Every note of Asim&#39;s was good. I love that he was not afraid to tell you when something was bad. He is so acting-specific. It&#39;s amazing to work with somebody who really cares about the performance alongside the look of it,&rdquo; she said.

One of Abbasi&#39;s greatest strengths lies in stripping away the polished surface often associated with Western young adult dramas and replacing it with a more grounded, psychologically complex realism.

To bring the world of the novels to life, Abbasi once again teamed up with frequent collaborator and acclaimed cinematographer Mo Azmi.





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Azmi, whose stunning visual work elevated Cake and helped define the rebellious aesthetic of Churails, brings an entirely fresh visual language to the fictional town of Little Kilton. His cinematography captures the urgency, tension and relentless pace of a mystery unfolding against the clock.

Seeing Abbasi and Azmi at the helm of one of the world&#39;s most popular young adult dramas represents a significant moment for Pakistani audiences. For decades, South Asian filmmakers in the global mainstream were often confined to culturally specific narratives.

By leading a major British thriller series, Abbasi and Azmi demonstrate that their cinematic language transcends borders. They are not merely participating in global television; they are helping shape its creative and visual identity.

With Season 2 now streaming, audiences around the world are experiencing a darker, sharper and more ambitious continuation of the story they first embraced.]]>
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			<title>Mawra Hocane celebrates Ameer Gilani’s acclaimed performance in drama</title>
			<link>https://tribune.com.pk/story/2612031/mawra-hocane-celebrates-ameer-gilanis-acclaimed-performance-in-drama</link>
			<comments>https://tribune.com.pk/story/2612031/mawra-hocane-celebrates-ameer-gilanis-acclaimed-performance-in-drama#comments</comments>
			<pubDate>Mon, 08 Jun 26 07:15:17 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[The actor praised her husband’s performance as fans mourn Mudassir’s tragic death in Zanjeerain]]>
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				<![CDATA[Actor Mawra Hocane shared a heartfelt tribute to her husband, Ameer Gilani, praising both his acting performance and his faith following the death of his character in the drama serial Zanjeerain.

Taking to Instagram, Mawra posted a series of stories and posts celebrating Gilani&#39;s portrayal of Mudassir in the drama, which stars Sajal Ali opposite him.

The emotional death scene has left viewers devastated, prompting widespread reactions across social media.





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Sharing her thoughts, Mawra wrote, &ldquo;We&rsquo;re all just Mudassir paglus at this point. NATIONWIDE MOURNING.&rdquo;

She continued, &ldquo;The performance, the emotions, the impact, never getting over this one scene, like never!!! Why why why? Simply EXCELLENT. So so proud &amp; this is just the beginning.&rdquo;

Mawra also shared an Instagram Story featuring a clip of Gilani praying, praising his humility despite the overwhelming response to his performance.



Screengrab: mawrellous/Instagram

&ldquo;On a good day, bad day, or an extraordinary day (weekend) like this one, this sweet boy is so unaffected, so unfazed. Praise to God. Smiling, grateful, praying for all of us. Bringing blessings into all of our lives,&rdquo; she wrote.

She added, &ldquo;This is why he deserves what he just got. What he&rsquo;s yet to get. Happiness of the entire world and so much more.&rdquo;

Concluding her tribute, Mawra affectionately referred to her husband as &ldquo;Angel boy.&rdquo;





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Gilani also expressed gratitude to his fans by sharing a video of himself singing the classic song Abhi Na Jao Chhod Kar on Instagram.

Captioning the post, he wrote, &ldquo;How I feel at all your love. Jo khatam ho kisi jaga yeh aisa silsila nahi&nbsp;[This is not the kind of connection that just ends somewhere].&rdquo;





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The actor later shared his parents&rsquo; reaction to Mudassir&rsquo;s death scene, posting a video in which both appeared emotional and were seen shedding tears. &ldquo;Woke up to this&hellip; mama is an easy crier but baba? Hahaha. Achievement unlocked,&rdquo; he wrote.

The emotional episode has left fans heartbroken, with viewers flooding social media to praise Gilani&rsquo;s powerful performance. While the actor has continued to thank fans for their support, Mawra has proudly celebrated both his professional success and personal character.]]>
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			<title>NASA to wear Prada as luxury group pushes into space industry</title>
			<link>https://tribune.com.pk/story/2612030/nasa-to-wear-prada-as-luxury-group-pushes-into-space-industry</link>
			<comments>https://tribune.com.pk/story/2612030/nasa-to-wear-prada-as-luxury-group-pushes-into-space-industry#comments</comments>
			<pubDate>Mon, 08 Jun 26 06:49:44 +0500</pubDate>
			<dc:creator>
				<![CDATA[Reuters]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Prada unveils NASA moon mission collection, deepening its push into space technology and exploration]]>
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				<![CDATA[Italian fashion house Prada unveiled on Sunday the inner-layer garment set to be worn by NASA ​astronauts heading to the moon, underscoring the brand&#39;s push to be the first major luxury player &zwnj;to make inroads in the space industry.

The body-hugging suit, created in collaboration with Houston-based space infrastructure developer Axiom Space, features ventilation tubes knitted into the garment.

&quot;We have really a broad spectrum of capability and know-how,&quot; Lorenzo Bertelli, Prada&#39;s chief marketing officer, said ​at an event at Prada&#39;s Manhattan store, sitting beside a mannequin donning the new Liquid Cooling and ​Ventilation Garment.

Expertise for developing space exploration products &quot;can come from lots of seemingly unrelated industries,&quot; ⁠said Jonathan Cirtain, CEO of Axiom Space.

The new product follows Prada&#39;s splashy foray into space fashion in 2024 with ​the unveiling of a spacesuit that is expected to be used for NASA&#39;s anticipated Artemis 4 moon landing in ​2028.

Luxury brands have long drawn inspiration from space travel. But Prada has gone &quot;beyond inspiration into an actual partnership&quot; as the space exploration and tourism industries develop, said Thomai Serdari, a luxury brand strategist and marketing professor at New York University&#39;s Stern School of ​Business.

Serdari pointed to two factors motivating Prada&#39;s interest in the space industry: to gain access to affluent consumers ​who are contemplating space travel, and to align the brand with avant-garde thought. Companies from Jeff Bezos&#39; Blue Origin to Elon &zwnj;Musk&#39;s ⁠SpaceX have leaned into space tourism for the wealthy.

The resumption of space exploration and human travel to the moon is &quot;bound to attract a lot of eyeballs,&quot; said Luca Solca, global head of luxury goods at Bernstein. Luxury brands need to stay relevant and visible, he said.

Prada&#39;s push comes against a backdrop of a struggling luxury goods sector. ​After two years of contraction, ​the industry was showing ⁠signs of stabilisation until the Iran war began at the end of February, disrupting travel and denting luxury spending far beyond the Middle East.

Will luxury peers follow?

Other fashion and apparel ​companies have jumped on the space bandwagon. Under Armour has partnered with spaceflight ​company Virgin Galactic ⁠to create space apparel, while Columbia Sportswear has worked with space exploration company Intuitive Machines on space fabric technology.

But it remains unclear whether other luxury players might follow Prada&#39;s lead.

&quot;In luxury, it is important to be the first to ⁠do something, ​to be a trend-setter,&quot; Serdari said, noting that LVMH&#39;s Louis Vuitton, ​Herm&egrave;s, and Chanel are all interested in space travel but that they would likely find new ways to make inroads.

&quot;You will never see ​the upper crust of the luxury sector copying each other,&quot; she added.]]>
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			<title>Mahira Khan, Yasir Hussain among others condemn acid attack on female doctor in Quetta</title>
			<link>https://tribune.com.pk/story/2611878/mahira-khan-yasir-hussain-among-others-condemn-acid-attack-on-female-doctor-in-quetta</link>
			<comments>https://tribune.com.pk/story/2611878/mahira-khan-yasir-hussain-among-others-condemn-acid-attack-on-female-doctor-in-quetta#comments</comments>
			<pubDate>Sun, 07 Jun 26 08:35:16 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Celebrities demand justice, greater protection for women and healthcare workers]]>
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				<![CDATA[Celebrities and activists spoke out following the acid attack on a female postgraduate doctor in Quetta, condemning violence against women and raising concerns about the safety of healthcare professionals in facilities meant to save lives.

On Saturday, Dr Mahnoor was critically injured after an attacker allegedly threw acid on her while she was on duty in the surgical ward of Quetta&#39;s Civil Sandeman Hospital. According to authorities, the suspect fled the scene but was later killed in an exchange of fire with police.

Celebrities including Mahira Khan, Yasir Hussain, Saheefa Jabbar and many more publicly condemned the brutal attack, calling attention to the violence women continue to face.

The outpouring of support came after the victim&rsquo;s colleague Dr Usama Khan shared an emotional Instagram post demanding justice.

Captioning the post, &ldquo;The bubbly Mahnoor. The lively Mahnoor. The Mahnoor whose smile could light up a room and whose energy was contagious,&quot; Dr Usama followed with a lengthy note addressed to his colleague, describing the horror of treating a friend who had fallen victim to such a violent act.





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&ldquo;We had spent years learning how to save lives, but never did I imagine that one day, I would be standing beside you in a resuscitation room, fighting to minimise the damage caused by such senseless violence,&quot; the doctor wrote.

He added, &ldquo;The image of you sitting and studying, working towards your future, and then suddenly becoming the victim of such brutality is something I cannot comprehend. You dedicated your life to caring for others, and yet humanity failed to show the same kindness and protection that you have always offered to your patients.&quot;

Dr Usama also highlighted the lack of security provided to doctors and healthcare workers whose primary mission is to help others. Reflecting on the incident, he wrote that although Mahnoor was targeted while pursuing her future, her courage and resilience would forever the public of &ldquo;the wound left on our faith in humanity.&rdquo;

&ldquo;I am sorry, Mahnoor. Sorry that this happened to you. Sorry that we live in a world where a young doctor studying for her future can become the target of such cruelty. Sorry that, as human beings, we failed to protect one of our own,&quot; he wrote.

Many actors shared Dr Usama&#39;s post on their social media, including actor Mahira Khan who also issued a statement of her own.



Screengrab: mahirakhan/Instagram

&ldquo;A woman went to WORK today. To SAVE LIVES. And someone threw acid on her face. I can&rsquo;t. I genuinely cannot. Dr Mahnoor Nasir attacked inside a hospital. INSIDE A HOSPITAL,&quot; Khan wrote.

The actor added, &ldquo;This is barbaric. This is evil. I am shaking with rage. This woman deserved safety. Instead she was nearly burned alive by a man who thought he had the right to destroy her. It&rsquo;s time for not just the women but the MEN to speak up. To be LOUDER. To be angrier!!!&rdquo;.

Actor Yasir Hussain also addressed the incident, highlighting how society often responds to such cases by questioning the victim&rsquo;s actions rather than the perpetrator&rsquo;s mindset.



Screengrab: yasir.hussain131/Instagram

&ldquo;This woman is not even wearing revealing clothing. Even then someone threw acid on her. So that means the issue is not in clothing. It is in the mind,&quot; Hussain wrote.

Model and Entrepreneur Saheefa Jabbar also issued a statement condemning misogyny and abuse.





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&ldquo;This is exactly why I despise it when men or women choose to mock, degrade, or morally police other women. These actions may seem small, but they contribute to much bigger societal problems because they normalise hatred and contempt,&quot; she wrote.

Jabbar added, &ldquo;The same mindset that shames women for what they wear is part of the culture that enables violence against them, whether it&rsquo;s acid attacks, murdering a wife for refusing marital relations, or brutalising a woman because she gave birth to a daughter. These horrific acts do not emerge in a vacuum.&quot;





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Actor Mishi Khan also posted on&nbsp;Instagram criticising police for killing the alleged attacker before a thorough investigation could take place. &quot;Rather than the police arresting him for investigation, they shot him. This is the state of affaris. Sad and distressing. I wish such criminals are put to task,&quot; she said.

The actor also raised concerns on safety for doctors: &quot;This is the horrible situation in our country and public hospitals. Where was security when this men entered the doctor&#39;s room&quot;, she stated.

Actor Sajal Aly also reshared a post regarding the attack to her story, condemning the incident as &quot;a cowardly act driven by misogyny and a fragile male ego&quot; arguing that some men cannot handle a woman&#39;s independence or rejection.

Screengrab: sajalaly/Instagram

The attack on Dr Mahnoor sparked widespread outrage across the country, with many calling for greater protection for women and healthcare workers. As demands for justice continue to grow, the incident once again highlights the urgent need to address gender-based violence, strengthen workplace security, and challenge the attitudes that enable such acts to occur.]]>
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			<title>Bushra Ansari's husband hits back at society for shaming her over age gap marriage</title>
			<link>https://tribune.com.pk/story/2611883/bushra-ansaris-husband-hits-back-at-society-for-shaming-her-over-age-gap-marriage</link>
			<comments>https://tribune.com.pk/story/2611883/bushra-ansaris-husband-hits-back-at-society-for-shaming-her-over-age-gap-marriage#comments</comments>
			<pubDate>Sun, 07 Jun 26 10:31:53 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Iqbal Hussain says society shames women for marrying younger men, turns blind eye when men do the same]]>
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				<![CDATA[Actor Bushra Ansari&rsquo;s husband Iqbal Hussain trended this week after he criticised society for judging his wife for marrying a younger man, highlighting the tendency toward judgement in Pakistani society.

The actor and director appeared on a morning show to share his views on what he described as hypocritical standards surrounding marriage in Pakistan, particularly addressing the backlash his wife faced for marrying a younger partner.

&ldquo;If a man marries an 18-year-old girl, everyone is okay with it, but the second she marries someone younger than her, society shames her,&quot; he said.





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Discussing the couple&rsquo;s own experience, Hussain noted that although there is a small age gap, it has not affected their relationship. &ldquo;There is a small age gap but it has not affected me personally. Rather, society goes to shame the woman regardless of her status, even being Bushra Ansari, she has to worry about it.&quot;

He added, &ldquo;This is the dilemma in the society, the judgement they make day and night. I think the direction of society is going in a way where we all judge each other but on the Day of Judgement, it will all come back to us.&quot;

Hussain concluded by saying, &ldquo;I may not be able to see the good you do, but your bad deeds will be written on a wall.&quot;

Many fans took to the comments to praise Hussain&rsquo;s remarks and his support for his wife.



The couple, who have both been married previously, revealed their marriage in 2024.]]>
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			<title>Asim Azhar sets sights on London</title>
			<link>https://tribune.com.pk/story/2611669/asim-azhar-sets-sights-on-london</link>
			<comments>https://tribune.com.pk/story/2611669/asim-azhar-sets-sights-on-london#comments</comments>
			<pubDate>Fri, 05 Jun 26 19:11:51 +0500</pubDate>
			<dc:creator>
				<![CDATA[News Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Singer teases his 'biggest international concert' at Troxy]]>
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				<![CDATA[Singer Asim Azhar has stirred excitement among fans after teasing what he describes as his biggest international concert to date, set to take place in London later this year.

The announcement came through a series of social media posts in which the singer shared updates from his journey to the United Kingdom. Azhar revealed that the concert will be held on September 20, 2026, at the Troxy venue in London, marking a major milestone in his international touring career.

Taking to Instagram, he posted a cover announcement for the upcoming show, describing it as his most significant international performance so far. &quot;London. My biggest international concert till now. I know u waited long,&quot; he wrote, adding, &quot;Let&#39;s do this. Asim Ali tour UK!!!!!!!&quot;

In subsequent stories, Azhar gave followers a glimpse into his travel schedule, outlining his tour movements, which also include a brief stop in the United States for a one-day performance. He also revealed that his latest track &#39;Aarzu&#39; has been released on Spotify.

Azhar, one of Pakistan&#39;s most recognisable contemporary pop and R&amp;B artists, has built a strong following over the years through chart-topping singles and consistent international appearances. His latest release &#39;Aarzu&#39; has sparked fresh online discussion, with fans speculating about a possible uncredited vocal cameo by actor Hania Aamir.

The speculation began after Azhar shared a clip from the song on Instagram, where listeners focused on the line &quot;Phir se bolo&quot;, claiming they could hear a voice resembling Aamir&#39;s in the background.

The clip quickly circulated across social media platforms, with users debating whether the alleged cameo was intentional or coincidental. Comment sections were soon flooded with repeated claims suggesting the voice matched the actor&#39;s.

Some fans referenced a scene from &#39;Ishqiya&#39;, episode 22, arguing that the tone sounded similar to Aamir&#39;s earlier performances, further fuelling the online conversation around the track.

The discussion also revived speculation about the pair&#39;s past public appearances together, including sightings during Azhar&#39;s North American tour in New York, which had previously drawn attention on social media.

Azhar had earlier released a cover of Nusrat Fateh Ali Khan&#39;s &#39;Tere Bin Nahin Lagda&#39;, which included the line &quot;Jaania, Haania&quot;, a detail fans also linked to ongoing online theories about subtle references in his music. Neither Asim Azhar nor Hania Aamir has addressed the speculation or confirmed whether the voice in &#39;Aarzu&#39; belongs to the actor.]]>
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			<title>Saira Peter set to make Royal Albert Hall debut</title>
			<link>https://tribune.com.pk/story/2611615/saira-peter-set-to-make-royal-albert-hall-debut</link>
			<comments>https://tribune.com.pk/story/2611615/saira-peter-set-to-make-royal-albert-hall-debut#comments</comments>
			<pubDate>Fri, 05 Jun 26 11:49:47 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Known as the 'Karachi Girl', she debuts at Royal Albert Hall with a 500+ ensemble, blending Sufi and opera]]>
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				<![CDATA[Known as the &quot;Karachi Girl&quot;, Saira Peter is setting new benchmarks in the international music world. Recognised as the first artist to introduce Sufi Opera to Pakistan, Saira is set to make her debut performance at the Royal Albert Hall on Saturday, alongside more than 500 musicians.

Accompanied by the All Souls Orchestra, Saira will perform alongside one of the largest ensembles ever assembled for an Asian artist at the venue. The orchestra comprises 525 musicians and singers, divided into four principal sections: strings, woodwinds, brass and percussion. These sections are further subdivided into around 30 parts across more than 20 instruments. The performance will also feature a 400-voice choir singing four-part harmonies.

Although Saira is not the only Pakistani artist to have performed at the venue, organisers describe her as the youngest Pakistani vocalist to present a solo performance at the prestigious hall.

She follows in the footsteps of legends such as Noor Jehan, Iqbal Bano, Abida Parveen and Rahat Fateh Ali Khan. The venue has also hosted celebrated Indian performers, including Lata Mangeshkar, Zakir Hussain, Ravi Shankar and AR&nbsp;Rahman, who fulfilled his long-held dream of performing there in April.

Also Read:&nbsp;Faiza Hasan urges actors to guard their AI rights when signing contracts

The scale of the production presents a significant challenge. Saira will be required to project her voice above the combined sound of a vast orchestra and choir while incorporating her own distinctive Pakistani vocal ornamentation, or thaan, into the performance, a style rarely heard in Western classical settings.

Like Saira, the All Souls Orchestra is committed to promoting global peace and reconciliation. The ensemble has collaborated with artists from around the world and sees Saira as a natural partner in advancing these shared values.

During the event, Saira will be introduced as the world&#39;s first Sufi Opera singer and will represent Pakistan&#39;s culture and Sufi traditions on the global stage. Holding British, American and Pakistani identities, she consistently pays tribute to Pakistan through her attire, language and musical style.

At the organisers&#39; request, Saira will perform an original composition promoting peace and reconciliation among nations. The work features Urdu poetry written by British-Pakistani author and librettist Zafar Francis.

Francis has also written the libretto for Umar Marvi, the world&#39;s first Sufi Opera, Marvi&#39;s Tears. Composed by Paul Knight and directed by Jonny Danciger, the production will feature Saira in the lead role of Marvi.

Read More:&nbsp;Nadia Afgan stirs debate with repost on modesty, male gaze

Having established her name locally with her debut performance at PC Karachi in 2016, Saira earned acclaim from media representatives, diplomats, and audiences who had never heard anything similar before. For many, it was their first encounter with a &#39;Sufi Opera&#39;&nbsp;singer, instantly recognising her unique role in representing Pakistan&#39;s Sufi heritage while promoting messages of musical harmony and tolerance.

Saira has always believed that hard work is the foundation of achieving one&#39;s dreams. Her educational achievements include an MSc in Physical Chemistry from Karachi and an MA in Islamic History from Queen Mary University of London. She not only understands the science of sound but also appreciates the cultural significance of using music to promote peace and tolerance among diverse communities.

As her profile grew among influential circles, Saira was increasingly invited to perform works celebrating peace and goodwill. Throughout her journey, she developed a distinctive musical style, performing in 17 languages and building an international following that transcends borders. Her unique fusion sound, carrying a message of peace and unity, has reached some of the world&#39;s most significant venues under the banner: &quot;From Karachi to the Ends of the Earth.&quot;

In 2019, she performed her Sufi Opera composition at the Presidential Palace in Islamabad before an audience that included former president Dr Arif Alvi and international guests. Her repertoire included Shah Abdul Latif Bhittai&#39;s Resplendent, an English translation of &quot;Tou Habib, Tou Tabib.&quot; In 2021, she travelled to Konya in&nbsp;T&uuml;rkiye, where she appeared as a solo performer at Rumi&#39;s Mystik M&uuml;sik Fest, organised by the Republic of T&uuml;rkiye&#39;s Konya Provincial Directorate of Culture.



Earlier this year, she was invited to perform Sufi Opera pieces for international dignitaries gathered at the US House of Congress, where she was formally recognised as an &quot;International Woman of Distinction&quot;. She also received the &quot;She Leads the Nations&quot; award for her efforts in promoting peace through music. Her work encourages nations to build friendships and goodwill through cultural exchange.

As a guest of the US State Department during her tour, she was welcomed by Pakistan&#39;s Permanent Representative to the United Nations&nbsp;Asim Iftikhar Ahmad, who invited her to present a private concert for UN media representatives and members of the Pakistani community at his official New York residence. Following the performance, she was honoured with a special certificate of recognition.

Saira is preparing to take her message to one of the world&#39;s most iconic and historic concert venues, the Royal Albert Hall in London. Performing on the evening of June 6, she joins a select group of Pakistani artists who have headlined at the venue. Designed to support the advancement of arts and sciences in line with Prince Albert&#39;s vision for Britain&#39;s cultural development, the Royal Albert Hall was opened in 1871 by his widow, Queen Victoria.

With a seating capacity of more than 5,200, the hall&#39;s grandeur reportedly left Queen Victoria speechless at its inauguration. The opening address was delivered by her son, Edward, Prince of Wales. According to historical accounts, her only recorded remark was that the hall reminded her of the British Constitution.

Since its opening, the Royal Albert Hall has hosted some of Britain&#39;s most significant cultural and national events. In 1965, it hosted the funeral of wartime leader Sir Winston Churchill. Renowned composer Sir Benjamin Britten, whose musical lineage connects to Saira&#39;s vocal training through her coach, conducted performances there on numerous occasions between 1945 and 1971.

More recently, on May 8, the venue hosted celebrations marking the 100th birthday of celebrated natural historian Sir David Attenborough. Now, Saira prepares to add her name to the venue&#39;s distinguished history as she brings her message of peace, cultural exchange and artistic excellence to one of the world&#39;s most renowned stages.

The event will be attended by Pakistan&#39;s Acting High Commissioner to the United Kingdom&nbsp;Haseeb Bin Aziz&nbsp;alongside other dignitaries.]]>
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			<title>Asim Azhar’s ‘Aarzu’ sparks speculation over Hania Aamir’s vocal cameo</title>
			<link>https://tribune.com.pk/story/2611433/asim-azhars-aarzu-sparks-speculation-over-hania-aamirs-vocal-cameo</link>
			<comments>https://tribune.com.pk/story/2611433/asim-azhars-aarzu-sparks-speculation-over-hania-aamirs-vocal-cameo#comments</comments>
			<pubDate>Thu, 04 Jun 26 12:18:02 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Fans claim actor’s voice appears after singer’s Instagram clip goes viral]]>
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				<![CDATA[Asim Azhar&rsquo;s new single Aarzu, a cover of the original track by Khan, Madhurxo and Noor, has been trending on social media after fans speculated that actor Hania Aamir may have made an uncredited vocal cameo.

The buzz began after Asim Azhar shared a video on Instagram, where listeners focused on the iconic line &ldquo;Phir se bolo,&rdquo; claiming that a voice resembling Hania&rsquo;s can be heard.

The clip quickly went viral, with fans debating whether the alleged cameo is intentional or simply a coincidence.





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The track continued to trend days after its release, with comment sections flooded by users insisting the voice sounds like Hania&rsquo;s.

One user wrote, &ldquo;It&rsquo;s her voice from Ishqiya, episode 22,&rdquo; referencing a scene fans believe matches the audio.

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Fans continued to share the same phrase across the comments section, further amplifying the speculation.



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The discussion also reignited online chatter about the pair, with some users linking the rumours to sightings of Hania and Azhar together during his North American tour in New York.

Earlier, Azhar had also released a cover of Nusrat Fateh Ali Khan&rsquo;s &ldquo;Tere Bin Nahin Lagda,&rdquo; which included the line &ldquo;Jaania, Haania,&rdquo; further fuelling fan theories about subtle musical references to Aamir.

Neither Azhar nor Hania have commented on the speculation or confirmed whether the voice in the track belongs to her.

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			<title>Ali Sethi’s qawwali cameo recodes South Asian representation in 'Deli Boys'</title>
			<link>https://tribune.com.pk/story/2610534/ali-sethis-qawwali-cameo-recodes-south-asian-representation-in-deli-boys</link>
			<comments>https://tribune.com.pk/story/2610534/ali-sethis-qawwali-cameo-recodes-south-asian-representation-in-deli-boys#comments</comments>
			<pubDate>Sat, 30 May 26 10:24:38 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2610534</guid>
			<description>
				<![CDATA[Sethi's cameo highlights modern storytelling using internal cultural language over Western validation]]>
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				<![CDATA[In an unexpected yet powerful scene on Hulu&rsquo;s dark comedy, Deli Boys, classical vocalist and global music sensation Ali Sethi appears on screen to perform Amir Khusro&rsquo;s centuries-old Qawwali, Chaap Tilak, marking a significant milestone for South Asian culture.

As Poorna Jagannathan&rsquo;s character sways to the music, the scene transcends entertainment, emerging as a rare celebration of South Asian cultural heritage on a major Western platform.



https://www.instagram.com/reel/DY72xY3RryV/



Created by Abdullah Saeed, Deli Boys has built its reputation on a gritty, chaotic, and unapologetic portrayal of the Pakistani-American experience. Following brothers Mir and Raj Dar (Asif Ali and Saagar Shaikh) as they navigate their late father&rsquo;s convenience store and secret criminal underbelly, the series actively rejects the pressure to be a &quot;model minority&quot; narrative.

Sethi&rsquo;s cameo isn&rsquo;t just a clever nod to his massive global fanbase; it is a strategic move showcasing how modern storytelling uses internal cultural language, rather than Western validation, to define its own space.





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When Sethi playfully warned his Instagram followers to spot the &quot;fake qawwal&quot; in the coming episodes, he highlighted the show&#39;s brilliant irony. Sharing how Qawwali is a deeply spiritual, centuries-old Sufi devotional music form.

Placed within the hyper-modern, absurd, and occasionally illegal world of Deli Boys, the music isn&#39;t there to make the show feel &quot;mystical&quot; or &quot;oriental&quot; to an outside viewer. Instead, it serves as a hilarious, deeply internal joke for the show itself that bridges between ancient heritage and modern American hustle.

Backed by executive influences like Riz Ahmed and boasting appearances by Fred Armisen, Kumail Nanjiani, and Lilly Singh, the project serves notice to the industry that South Asian narratives no longer need to be sanitised to be respected.

Ali Sethi&#39;s brief, brilliant cameo on screen is the perfect musical entry for this new era, making it a self-assured declaration that South Asian culture is no longer explaining itself to the world; it is simply busy making great television.]]>
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			<title>Yo Yo Honey Singh opens up about bipolar disorder, addiction, road to recovery</title>
			<link>https://tribune.com.pk/story/2610374/yo-yo-honey-singh-opens-up-about-bipolar-disorder-addiction-road-to-recovery</link>
			<comments>https://tribune.com.pk/story/2610374/yo-yo-honey-singh-opens-up-about-bipolar-disorder-addiction-road-to-recovery#comments</comments>
			<pubDate>Fri, 29 May 26 09:24:47 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Reveals Shah Rukh Khan, Akshay Kumar gave him wake-up call on mental health]]>
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				<![CDATA[Indian rapper, singer, and music producer Yo Yo Honey Singh opened up about the darkest phase of his life during a recent appearance on a podcast, revealing that bipolar disorder and drug addiction nearly destroyed him at the peak of his fame. He also shared how Indian stars Shah Rukh Khan and Akshay Kumar gave him a major wake-up call about mental health and addiction.

Speaking about the height of his career, Singh recalled how success came at the time his mental health began to collapse. &ldquo;I was at my peak in 2013 and 2014. I was sick for a very long time, for seven years and I had lost hope that I&rsquo;ll ever be back to my senses,&quot; he said.

The rapper also reflected on the influence of Bollywood stars who, despite their fame, managed to live disciplined and grounded lives. &ldquo;People like Shah Rukh Khan, Amitabh Bachchan, Salman Khan, Akshay Kumar - they are such simple people, there is no darkness in them,&quot; he stated.

Singh also discussed conversations he had with Shah Rukh Khan, saying he &ldquo;told me many times, &lsquo;this is going to spoil you, finish you, and destroy you.&#39;&rdquo;

Describing the severity of his condition, the rapper said he isolated himself for years and completely withdrew from public life. &ldquo;I was in a room locked up, self-locked up. Not talking, not meeting anybody, away from the internet, away from running information on the radio or media,&quot; he revealed.

He also explained that his breakdown happened while he was juggling several massive projects at once. &ldquo;I was doing a world tour with Shah Rukh Khan, I was doing my television reality show and I was putting out a Punjabi film, so everything was happening perfectly. I was Yo Yo Honey Singh, the biggest pop star of India at that time,&quot; he said, adding, &ldquo;Then I got stuck getting symptoms of bipolar disorder.&rdquo;

Read:&nbsp;Karan Johar says no one wants to be a &#39;wannabe celebrity&#39; anymore

Singh credited faith, relationships and spiritual healing for helping him recover despite having considered himself an atheist for most of his life. He also spoke about raising awareness regarding mental health and substance abuse in India.

&ldquo;My biggest dream project is to build a mental health hospital in India,&quot; the rapper said. Addressing the growing drug crisis,&nbsp;he added, &ldquo;Drugs are taking over in India, especially in Punjab. I want to be an example for people. I did it and got a second chance &mdash; you may not.&rdquo;

Reflecting on his musical journey, Singh revealed that he initially never wanted to become a singer or rapper. &ldquo;I always wanted to be a music producer, not a rapper or singer. My greatest inspiration is AR Rahman, he is the greatest composer,&quot; he said, recalling that he first listened to Rahman&rsquo;s music at the age of 10.

Sharing the story behind his breakthrough hit Brown Rang, Singh revealed that his friend encouraged him to go solo. &quot;I said I wanted to be seen as India&rsquo;s first Punjabi artist going international, and then I picked Dubai,&rdquo; he recalled, adding that he spent $60,000 on the music video for the song.

The gamble paid off. &ldquo;Brown Rang was the biggest song in India at that time, and it changed my life,&rdquo; Singh stated.

Explaining the meaning behind his stage name, the rapper&nbsp;said, &ldquo;Honey is my name. My mother gave it to me and Singh is my Father&rsquo;s name, so we used to put Honey Singh.&rdquo; He added, &ldquo;For Brown Rang, I felt I had to add something extra, so I added the slang &lsquo;Yo Yo,&rsquo; which means &lsquo;all yours.&rsquo;&rdquo;

From battling bipolar disorder and addiction to rebuilding his life and career, Singh&rsquo;s story stands as a reminder of the importance of mental health awareness, recovery and second chances.]]>
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			<title>Eidul Azha fashion roundup: Influencers redefine festive eastern wear with modern flair</title>
			<link>https://tribune.com.pk/story/2610319/eidul-azha-fashion-roundup-influencers-redefine-festive-eastern-wear-with-modern-flair</link>
			<comments>https://tribune.com.pk/story/2610319/eidul-azha-fashion-roundup-influencers-redefine-festive-eastern-wear-with-modern-flair#comments</comments>
			<pubDate>Thu, 28 May 26 08:37:38 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Instagram bloggers showcase festive Eidul Azha looks, blending tradition with modern fashion trends]]>
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				<![CDATA[From heavily embroidered festive wear to understated pastel ensembles, creators across the fashion space showcased outfits that feel glamorous yet wearable for family gatherings, brunches, and late-night festivities this Eidul Azha.

Whether it&rsquo;s classic eastern silhouettes, modern drapes, or statement accessories, Instagram influencers and bloggers are proving that Eid dressing can be both timeless and trend-forward.

We gathered some of our favourite looks this Eidul Azha, featuring colourful palettes that help us momentarily forget the ongoing heatwave.





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Sona Rafiq opted for three looks this Eid, featuring outfits from Farah Talib Aziz, Ansab Jahangir, and NiaMia.

From sarees to kaftans, she paired each look with delicate jewellery and glowy makeup.





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Zahra Malik wore a fusion-wear outfit that included a sleeveless long vest adorned with delicate brooches and parachute pants. She paired the pastel fit with a mini blue Dior bag.





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Abeera Riaz shared pictures with her husband this Eid, with the couple dressed in soft pastel tones wearing Faiza Saqlain.

She wore a pastel pink short shirt paired with an embroidered dupatta and garara, while her husband opted for a plain white shalwar kameez with a beige-coloured waistcoat.





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Rija Mujahid dressed in the perfect shade of coral pink, wearing a sleeveless embroidered lawn kurta with a matching loose shalwar and dupatta from Republic Women&rsquo;s Wear.

The intricate details stood out alongside her delicate jewellery and matching red purse.





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Ayla Adnan, also known as Karachi blogger aylasworld, wore a printed pink ensemble paired with a sharara and dupatta from Farah Talib Aziz while posing with a pastel-coloured cake topped with cherries.





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Arooba Gill opted for a darker palette, wearing a black-and-white ensemble from Farah Talib Aziz as her first Eid look.

She chose bold makeup to elevate the otherwise minimal outfit and paired it with a tiny purse.





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Muzi Sufi celebrated Eid with her children in coordinated outfits from Farah Talib Aziz. She twinned with her two daughters, while her younger son wore a matching patterned shalwar kameez and waistcoat.





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Manahyl Khan chose an outfit from Ammara Khan Atelier, wearing an embroidered beige suit paired with a clutch, black heels, and subtle jewellery.

From dreamy pastels to bold monochromes, this year&rsquo;s Eid fashion was all about balancing comfort with elegance.

These bloggers not only embraced festive traditions but also added their own contemporary twist to eastern wear, giving fashion lovers plenty of inspiration for the festive season ahead.]]>
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			<title>Hania Aamir latest celebrity to take plunge into pixie cut trend</title>
			<link>https://tribune.com.pk/story/2609496/hania-aamir-latest-celebrity-to-take-plunge-into-pixie-cut-trend</link>
			<comments>https://tribune.com.pk/story/2609496/hania-aamir-latest-celebrity-to-take-plunge-into-pixie-cut-trend#comments</comments>
			<pubDate>Fri, 22 May 26 10:25:51 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2609496</guid>
			<description>
				<![CDATA[Actor joins Sajal Aly, Saheefa Jabbar in debuting look that is dominating celebrity circles this summer]]>
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				<![CDATA[Actor Hania Aamir unveiled a dramatic new look, debuting this summer&rsquo;s biggest hair trend &mdash; the pixie cut. Taking to Instagram, the actor shared a carousel of images showcasing the transformation, with one image prompting social media user to draw comparisons to Meryl Streep&rsquo;s iconic look in The Devil Wears Prada.

Hania&#39;s striking makeover quickly caught fan&nbsp;attention, with many praising the actor for embracing the nostalgic 90s-inspired trend. Her comment section was flooded with excitement and admiration, as followers and fellow stars applauded the actor&rsquo;s fresh new look.





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Hania is not the first celebrity to embrace the pixie cut trend this season. In April, actor Saheefa Jabbar Khattak revealed her own short haircut in a video of herself playing padel.





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The trend has continued gaining momentum among Pakistani celebrities. Actor Sajal Aly also debuted short hair in an Instagram post.





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Actor and host Mishi Khan also joined the trend, sharing a video featuring a short bob reminiscent of the pixie style.





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Although summer has only just begun, the pixie cut trend already appears to have secured its place as one of the season&rsquo;s defining celebrity style statements.]]>
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			<title>Sanam Saeed wraps up Cannes debut with vintage-inspired Western ensemble</title>
			<link>https://tribune.com.pk/story/2609147/sanam-saeed-wraps-up-cannes-debut-with-vintage-inspired-western-ensemble</link>
			<comments>https://tribune.com.pk/story/2609147/sanam-saeed-wraps-up-cannes-debut-with-vintage-inspired-western-ensemble#comments</comments>
			<pubDate>Wed, 20 May 26 10:18:54 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Actor closes out festival run with 1986 blazer, skirt after earlier traditional ensembles]]>
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			<content:encoded>
				<![CDATA[Actor Sanam Saeed wrapped up her debut appearance at the 2026 Cannes Film Festival with a final Western look, closing her style run on a contemporary note after earlier traditional ensembles.

Sanam shared a farewell message on her Instagram story, expressing her gratitude &quot;for all the love, warmth and feels!&quot; She added, &quot;It&#39;s been whirlwind of an experience and I hope we&#39;ve started a movement and made way for many many more moments like this for us all!&quot;

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For her final appearance at the film festival, Sanam wore a vintage-inspired 1986 blazer and skirt ensemble by Yves Saint Laurent (YSL), paired with stockings and black heels.

Fans praised the actor&#39;s looks throughout the festival, highlighting her representation of Pakistan on an international stage and the consistency of her styling choices.





The actor also received supportive comments from other celebrities.



In an earlier Cannes appearance, Sanam honoured Pakistani cinema icon and director&nbsp;Shamim Ara by wearing a traditional green sari designed by Hussain Rehar, who also attended the festival.





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With her Cannes debut now concluded, Sanam leaves behind a memorable style journey that balanced heritage with high fashion, honouring cinematic legacy while embracing contemporary elegance.]]>
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			<title>Chanel returns to growth as Blazy's designs win over new shoppers</title>
			<link>https://tribune.com.pk/story/2609130/chanel-returns-to-growth-as-blazys-designs-win-over-new-shoppers</link>
			<comments>https://tribune.com.pk/story/2609130/chanel-returns-to-growth-as-blazys-designs-win-over-new-shoppers#comments</comments>
			<pubDate>Wed, 20 May 26 07:49:04 +0500</pubDate>
			<dc:creator>
				<![CDATA[Reuters]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[New creative director's reinvented bags, tweed jackets drive 2% revenue rise to $19.3 billion in 2025]]>
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				<![CDATA[Parisian fashion house Chanel has drawn in shoppers who had never bought the brand before, as creative director Matthieu Blazy&#39;s reinvented versions of classic bags, shoes and jackets drove demand that outstripped supply and a return to growth.

The privately-owned company &zwnj;on Tuesday reported a 2% rise in revenue in 2025 in currency-adjusted terms to $19.3 billion. Chanel&#39;s revenue had declined 4.3% in 2024 when even the most high-end fashion labels reached the limits of demand after making big price hikes in a post-pandemic luxury boom.

Blazy, who took over from Virginie Viard last year and presented his first collection in October, has reinvigorated the brand with designs such as ​the slouchy leather &quot;maxi flapbag&quot;, retailing for $8,500, and bright, frayed versions of the classic Chanel tweed jacket.

&quot;What we saw in 2025 was a creative momentum across ​all our business activities,&quot; Chief Executive Officer Leena Nair told Reuters in an interview, adding that investments made in 2024 had laid the ⁠foundations for the sales rebound.

Chanel&#39;s operating profit also grew 5% to hit $4.7 billion, up from $4.5 billion in 2024 but lower than its level in 2021 to 2023.



A model presents a creation by designer Matthieu Blazy as part of his Chanel 2026-2027 Cruise collection. Photo: Reuters

&#39;Demand has far outstripped supply&#39;

When Blazy&#39;s first collection landed in stores in March, shoppers flocked to buy new handbags, two-tone pumps in mint green and black for $1,450, and multicoloured tweed jackets.

&ldquo;The ​recruitment of new clients &ndash; who hadn&rsquo;t previously bought Chanel - has been phenomenal,&quot; Simon Longland, director of fashion buying at high-end department store Harrods in London, told Reuters in an interview.

&ldquo;The demand has far outstripped supply, correctly so on some of the special pieces because, while there may be people disappointed they don&#39;t have the jacket they wanted, if everyone who wanted the jacket had got ​it, they would all be arriving somewhere in the same jacket,&quot; Longland added.

Chanel&#39;s 2025 growth rate was slower than rival Hermes, which grew sales 9.8% to 16 billion ​euros, but better than LVMH&#39;s fashion and leather goods division (including Louis Vuitton and Dior), which declined 5% to 37.77 billion euros.

Despite Trump&#39;s tariffs, the United States drove most of the growth, with sales &zwnj;up 7.2% in ⁠currency-adjusted terms in the Americas region, while Asia-Pacific - Chanel&#39;s biggest region by sales - declined 0.8% and Europe grew 2.5%.

Chanel raised prices by 3% overall and 2% for fashion products in 2025, and plans similar increases this year, said Chief Financial Officer Philippe Blondiaux. He said Chanel&#39;s business in the Middle East - accounting for around 4% of revenue - had been resilient despite the Iran war.

Having opened 41 stores last year, Chanel plans to open 30 stores this year, including nine fashion boutiques, with openings planned in Boca Raton, Florida, ​and Palo Alto and San Diego in ​California.

Threat to rivals, or sign of luxury revival?

As rising inflation means fewer shoppers have the means to buy luxuries, Chanel&#39;s success could threaten the turnaround attempts of Dior, Louis Vuitton, and Gucci, analysts say.

&quot;The bears (where our own view is currently tilted) would argue that in the context of anaemic industry ​growth, Chanel&#39;s revival has to come at the expense of peers,&quot; Morgan Stanley analysts wrote.

But rival luxury labels could also ​see the hype around ⁠Chanel as a positive, in that it shows a revival is possible.

&quot;I view it as a good indicator for luxury that Chanel is creating a buzz that you&#39;ve just not had in quite a few years,&rdquo; said Harsharan Mann, portfolio manager and consumer sector lead at Aviva Investors in London.

&ldquo;Chanel&rsquo;s success does show luxury really is an offer-driven market and ⁠even in a ​tougher economic environment, if you bring in new creativity, it can drive interest and sales,&rdquo; said Mann.

High-street ​retailers have taken note, and copycat Chanel looks have proliferated in recent months, from a faux-tweed yellow and black check fringed jacket for $169 at Zara, to a cropped cream jacket with Chanel-esque gold statement buttons ​for $59.99 at H&amp;M.

Chanel is owned by French billionaire brothers Alain Wertheimer and Gerard Wertheimer.



Chart showing Chanel&#39;s revenues since 2016. Photo: Reuters]]>
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			<title>SAPPHIRE hosts festive styling masterclass with Rhea Kapoor in Birmingham</title>
			<link>https://tribune.com.pk/story/2608947/sapphire-hosts-festive-styling-masterclass-with-rhea-kapoor-in-birmingham</link>
			<comments>https://tribune.com.pk/story/2608947/sapphire-hosts-festive-styling-masterclass-with-rhea-kapoor-in-birmingham#comments</comments>
			<pubDate>Tue, 19 May 26 08:58:26 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2608947</guid>
			<description>
				<![CDATA[Indian film producer and stylist shares festive fashion and styling insights]]>
			</description>
			<content:encoded>
				<![CDATA[Pakistani retail brand SAPPHIRE recently hosted a festive styling masterclass with Indian film producer and stylist Rhea Kapoor at Bullring Mall in Birmingham.

The session marked another major step for the brand in expanding Pakistan&rsquo;s presence within the global fashion conversation.





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Known for shaping modern Indian red carpet fashion, Rhea has become one of the industry&rsquo;s most influential stylists and creative producers.

She is widely recognised for curating her sister Sonam Kapoor&rsquo;s iconic fashion appearances and for styling Alia Bhatt&rsquo;s recent looks at the Cannes Film Festival.

The &ldquo;Festive and Styling Masterclass&rdquo; focused on the foundations of styling, festive fashion, and the process of building a fashion brand.

During the session, Rhea shared insights into contemporary aesthetics and modern festive dressing with attendees.





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Rhea frequently conducts exclusive in-person and digital styling masterclasses in collaboration with major brands and luxury platforms.

She has previously partnered with brands including Tata CLiQ Luxury and Natural Diamonds, and most recently collaborated with SAPPHIRE for the Birmingham event.

The cross-border collaboration was widely appreciated by attendees and social media users alike, with many praising both the initiative and the insights shared during the session.]]>
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			<title>Asim Abbasi, Mo Azmi reshape Netflix's 'A Good Girl’s Guide to Murder'</title>
			<link>https://tribune.com.pk/story/2612033/asim-abbasi-mo-azmi-reshape-netflixs-a-good-girls-guide-to-murder</link>
			<comments>https://tribune.com.pk/story/2612033/asim-abbasi-mo-azmi-reshape-netflixs-a-good-girls-guide-to-murder#comments</comments>
			<pubDate>Mon, 08 Jun 26 07:21:39 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Pakistani director-cinematographer duo bring a darker, more grounded vision to the popular mystery series]]>
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				<![CDATA[The highly anticipated second season of A Good Girl&rsquo;s Guide to Murder, adapted from Holly Jackson&rsquo;s bestselling sequel Good Girl, Bad Blood, is set to return this year, taking the hit series down a much darker path.

But what makes this global Netflix-BBC co-production particularly exciting for South Asian audiences is not just its gripping mystery. It is the powerhouse Pakistani duo behind the camera: director Asim Abbasi and cinematographer Mo Azmi.

Abbasi requires little introduction. He is the creative force behind the critically acclaimed, Oscar-submitted feature Pinky Memsaab and the groundbreaking, fiercely feminist Zindagi original series Churails.

Having established himself as a filmmaker unafraid to challenge conventions, Abbasi&#39;s stories often centre on flawed, fiercely independent women who defy societal expectations.





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Taking the director&#39;s chair for Block One of A Good Girl&rsquo;s Guide to Murder Season 2 marks a major career milestone, as it is Abbasi&#39;s first directorial project for Netflix.

Speaking about his impact on the series, lead star Emma Myers was enthusiastic about his character-driven approach.

&ldquo;Every note of Asim&#39;s was good. I love that he was not afraid to tell you when something was bad. He is so acting-specific. It&#39;s amazing to work with somebody who really cares about the performance alongside the look of it,&rdquo; she said.

One of Abbasi&#39;s greatest strengths lies in stripping away the polished surface often associated with Western young adult dramas and replacing it with a more grounded, psychologically complex realism.

To bring the world of the novels to life, Abbasi once again teamed up with frequent collaborator and acclaimed cinematographer Mo Azmi.





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Azmi, whose stunning visual work elevated Cake and helped define the rebellious aesthetic of Churails, brings an entirely fresh visual language to the fictional town of Little Kilton. His cinematography captures the urgency, tension and relentless pace of a mystery unfolding against the clock.

Seeing Abbasi and Azmi at the helm of one of the world&#39;s most popular young adult dramas represents a significant moment for Pakistani audiences. For decades, South Asian filmmakers in the global mainstream were often confined to culturally specific narratives.

By leading a major British thriller series, Abbasi and Azmi demonstrate that their cinematic language transcends borders. They are not merely participating in global television; they are helping shape its creative and visual identity.

With Season 2 now streaming, audiences around the world are experiencing a darker, sharper and more ambitious continuation of the story they first embraced.]]>
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			<title>Mawra Hocane celebrates Ameer Gilani’s acclaimed performance in drama</title>
			<link>https://tribune.com.pk/story/2612031/mawra-hocane-celebrates-ameer-gilanis-acclaimed-performance-in-drama</link>
			<comments>https://tribune.com.pk/story/2612031/mawra-hocane-celebrates-ameer-gilanis-acclaimed-performance-in-drama#comments</comments>
			<pubDate>Mon, 08 Jun 26 07:15:17 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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				<![CDATA[The actor praised her husband’s performance as fans mourn Mudassir’s tragic death in Zanjeerain]]>
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				<![CDATA[Actor Mawra Hocane shared a heartfelt tribute to her husband, Ameer Gilani, praising both his acting performance and his faith following the death of his character in the drama serial Zanjeerain.

Taking to Instagram, Mawra posted a series of stories and posts celebrating Gilani&#39;s portrayal of Mudassir in the drama, which stars Sajal Ali opposite him.

The emotional death scene has left viewers devastated, prompting widespread reactions across social media.





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Sharing her thoughts, Mawra wrote, &ldquo;We&rsquo;re all just Mudassir paglus at this point. NATIONWIDE MOURNING.&rdquo;

She continued, &ldquo;The performance, the emotions, the impact, never getting over this one scene, like never!!! Why why why? Simply EXCELLENT. So so proud &amp; this is just the beginning.&rdquo;

Mawra also shared an Instagram Story featuring a clip of Gilani praying, praising his humility despite the overwhelming response to his performance.



Screengrab: mawrellous/Instagram

&ldquo;On a good day, bad day, or an extraordinary day (weekend) like this one, this sweet boy is so unaffected, so unfazed. Praise to God. Smiling, grateful, praying for all of us. Bringing blessings into all of our lives,&rdquo; she wrote.

She added, &ldquo;This is why he deserves what he just got. What he&rsquo;s yet to get. Happiness of the entire world and so much more.&rdquo;

Concluding her tribute, Mawra affectionately referred to her husband as &ldquo;Angel boy.&rdquo;





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Gilani also expressed gratitude to his fans by sharing a video of himself singing the classic song Abhi Na Jao Chhod Kar on Instagram.

Captioning the post, he wrote, &ldquo;How I feel at all your love. Jo khatam ho kisi jaga yeh aisa silsila nahi&nbsp;[This is not the kind of connection that just ends somewhere].&rdquo;





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The actor later shared his parents&rsquo; reaction to Mudassir&rsquo;s death scene, posting a video in which both appeared emotional and were seen shedding tears. &ldquo;Woke up to this&hellip; mama is an easy crier but baba? Hahaha. Achievement unlocked,&rdquo; he wrote.

The emotional episode has left fans heartbroken, with viewers flooding social media to praise Gilani&rsquo;s powerful performance. While the actor has continued to thank fans for their support, Mawra has proudly celebrated both his professional success and personal character.]]>
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			<title>Karisma Kapoor reflects on Bollywood shift, family priorities ahead of comeback</title>
			<link>https://tribune.com.pk/story/2611394/karisma-kapoor-reflects-on-bollywood-shift-family-priorities-ahead-of-comeback</link>
			<comments>https://tribune.com.pk/story/2611394/karisma-kapoor-reflects-on-bollywood-shift-family-priorities-ahead-of-comeback#comments</comments>
			<pubDate>Thu, 04 Jun 26 07:44:52 +0500</pubDate>
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			<description>
				<![CDATA[Indian actor opens up about industry’s evolving work culture, her demanding early career and importance of family]]>
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				<![CDATA[Indian actor Karisma Kapoor is set to return to the screen with her upcoming OTT series Brown, a gritty new drama that marks a sharp departure from her glamorous 1990s image.

In a recent interview with an Indian magazine, Karisma spoke about the project, her career trajectory, the importance of family, and the evolution of Bollywood over the past three decades. Reflecting on how the industry has become more structured, she described the shift as a positive development.

&ldquo;Back then, we worked on gut instinct, passion, and belief. There are so many films I&rsquo;ve done that had no script or written scenes. You would go to the set, and it would all be developed on set within minutes,&rdquo; she said.





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Recalling her experience working with directors like David Dhawan, she added that instructions were often simple and direct: &ldquo;&#39;Faad do&rsquo; (kill it), and we would immediately understand what was expected.&rdquo;

Speaking about Haseena Maan Jaayegi, she revealed that much of her performance was improvised. Karisma fondly recalled her co-stars Govinda, Paresh Rawal, Kader Khan, and Shakti Kapoor, describing them as a close-knit &ldquo;gang&rdquo;.

&ldquo;We&rsquo;d be working together on a different film every day. There was a great comic synergy between us, almost like a theatre troupe,&rdquo; she said, adding that the camaraderie made her feel as though she had known them for years.

Reflecting on the demanding schedules of that era, Karisma noted that she sometimes worked up to four shifts a day &mdash; three in Mumbai and one overnight in Hyderabad.

&ldquo;I&rsquo;ve grown up in this industry; I&rsquo;ve been working since I was 16 or 17. It has always been about taking one step at a time and learning along the way,&rdquo; she said, describing her journey as a continuous process of growth.





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Contrasting the past with the present, she added, &ldquo;Today, I am quite clear about the balance I need between work and family, and I believe in it deeply.&rdquo;

Emphasising her priorities, Karisma said, &ldquo;Family is the most important thing for us. Family time is the most essential thing for us.&rdquo; She added that her family remains her biggest support system, especially her sister, Kareena Kapoor. &ldquo;That unconditional love and support has always been there and always will be,&rdquo; she said, noting that the encouragement goes both ways.

Speaking about her latest series, she said, &ldquo;I think Brown is a step above in a different way, because I don&rsquo;t think there&rsquo;s been such a raw character.&rdquo; She added that the role stood in stark contrast to her established screen image. She said she was drawn to the character&rsquo;s complexity, describing it as unlike anything she had done before.

&ldquo;It&rsquo;s completely opposite to Karisma Kapoor. Everything about her was the opposite of me. She was so bare, so raw,&rdquo; she said, explaining that the role challenged her in ways few others had and ultimately made the project impossible to refuse.]]>
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			<title>10 shows to watch if you enjoyed the romantic drama vibe of 'Off Campus'</title>
			<link>https://tribune.com.pk/story/2611228/10-shows-to-watch-if-you-enjoyed-the-romantic-drama-vibe-of-off-campus</link>
			<comments>https://tribune.com.pk/story/2611228/10-shows-to-watch-if-you-enjoyed-the-romantic-drama-vibe-of-off-campus#comments</comments>
			<pubDate>Wed, 03 Jun 26 09:50:10 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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				<![CDATA[From enemies-to-lovers romances, coming-of-age chaos, series capture same emotional intensity, slow-burn tension]]>
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				<![CDATA[If you have been hooked by the slow-burn romances, messy love triangles, and coming-of-age chaos, then Off Campus is already on your radar. The hit Canadian series adapted from Elle Kennedy&rsquo;s bestselling Off-Campus novel was granted huge buzz for its mix of college romance, sports-driven storylines, and intense emotional tension.

The story follows an elite group of hockey players and the women who change their lives while balancing friendship, ambition, heartbreak, and love in a way that feels dramatic and addictive.

The cast includes Ella Bright as Hannah Wells, Belmont Cameli as Garrett Graham, Mika Abdalla as Allie Hayes, and Stephen Kalyn as Dean Di Laurentis.

The show has already been renewed for season two, with a reported focus on Allie and Dean&rsquo;s relationship. While we wait for a new season, below are 10 shows that capture a similar emotional tone, romantic intensity, and character-driven storyline as Off Campus.

Finding her Edge



Photo: The Hollywood Reporter

A sports-romance drama centered on ambition, rivalry and emotional growth, Finding her Edge&nbsp;leans into the &ldquo;enemies-to-loves&rdquo; arc, making it a natural fit for fans of Off Campus. It also explores ice-skating as the main theme of the show, especially where characters are fighting for success in high-pressure athletic environments.

The Summer I Turned Pretty



Photo: BBC

This coming-of-age romance follows Belly as she becomes entangled in a love triangle between two brothers during their unforgettable summers. Like Off Campus, The Summer I Turned Pretty&nbsp;thrives on emotion and nostalgia, creating a slow-burn tension that builds over time.

One Day



Photo: Variety

A deeply emotional series that revisits two characters on the same date across many years,&nbsp;One Day&nbsp;focuses on timing, missed opportunities and lifelong connection, making it perfect for viewers who enjoy emotional weight behind romance.

My Life with the Walter Boys



PHOTO: TVLine

After a tragic loss, a girl moves in with a large family of brothers, creating romantic tension, emotional confusion, and plenty of slow-burn relationships. My Life with the Walter Boys&nbsp;mirrors Off Campus with its blend of found-family dynamics and romantic entanglements.

Normal People



Photo: Deadline

A raw and realistic portrayal of two people navigating love, class differences, and emotional vulnerability through high school and college, Normal People&nbsp;is more grounded and less glossy than Off Campus but shares the same intensity of connection and heartbreak-driven storytelling.

Heartbreak High



Photo: Rolling Stone Australia

Set in a modern high school environment, the series explores messy relationships, identity, and emotional chaos among teens. Heartbreak High&nbsp;is a mix of romance, drama, and personal growth, making it a strong match for fans who enjoy emotionally-charged ensemble storytelling.

Heated Rivalry



Photo: TV Guide

Based on Rachel Reid&rsquo;s hockey romance novels, the show focuses on fierce competition between two professional athletes whose rivalry slowly turns into something much deeper. Like Off Campus, Heated Rivalry&nbsp;combines sports pressure with forbidden romance and emotional intensity.

One Tree Hill



Photo: The Guardian

A classic teen drama that blends basketball, friendship drama, and multiple romantic arcs, One Tree Hill&nbsp;shares the same DNA as Off Campus: sports culture, emotional friendships, and complicated love lives that evolve over several seasons.

Tell Me Lies



Photo: ELLE

The series dives into a toxic, addictive college relationship that spans years. It captures obsession, emotional manipulation, and intense attraction, making it a darker but compelling counterpart to the romantic chaos in Off Campus.

Maxton Hall



Photo: Entertainment Weekly

A privileged school setting, a scholarship student, and a powerful romance that crosses social boundaries define this series. Maxton Hall&nbsp;mirrors Off Campus with its depiction of an elite academic environment, focus on emotional tension, and the enemies-to-lovers progression.

From the nostalgic warmth of The Summer I Turned Pretty to the raw intensity of Normal People and the messy drama of Tell Me Lies, each series offers a different angle on love, heartbreak, and growing up. For viewers who were pulled in by Off Campus, the shows listed above may provide that same emotional rollercoaster through&nbsp;forbidden relationships, slow-burn romances, and magnetic characters.]]>
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			<title>'Bhanwar' spins tale of a digital whirlpool</title>
			<link>https://tribune.com.pk/story/2611133/bhanwar-spins-tale-of-a-digital-whirlpool</link>
			<comments>https://tribune.com.pk/story/2611133/bhanwar-spins-tale-of-a-digital-whirlpool#comments</comments>
			<pubDate>Tue, 02 Jun 26 20:01:20 +0500</pubDate>
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				<![CDATA[Our Correspondent]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Express Entertainment production unpacks cyber harassment and online manipulation]]>
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				<![CDATA[The digital age has made communication easier than ever before, but it has also created new avenues for crime. In a world driven by social media, smartphones and online interactions, the misuse of private information and personal moments has become an increasingly serious concern.

Express Entertainment&#39;s upcoming drama &#39;Bhanwar&#39; places this issue at the centre of its narrative. The story follows women from different walks of life whose paths intersect through a disturbing shared reality.

A widow struggling to make ends meet, a college student living under the shadow of fear, and a young woman trying to build a new life in an unfamiliar city all find themselves trapped in a web of exploitation. Videos, voice recordings and stolen identities become tools of blackmail in a world where technology can easily be turned into a weapon.

At the heart of the story is a journalist determined to uncover the hidden connections between these seemingly unrelated cases. However, his search for the truth draws him into a dangerous battle against faceless predators whose actions leave lasting scars on their victims.

Starring Asad Siddiqui, Mansha Pasha, Areeka Haq and Ali Safina, &#39;Bhanwar&#39; appears to be more than just a suspense-driven drama. Its promotional material suggests an attempt to shed light on cyber blackmail, online harassment and digital exploitation issues that continue to affect countless people across society.

The drama premieres on Express Entertainment on June 3.]]>
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			<title>Faiza Hasan urges actors to guard their AI rights when signing contracts</title>
			<link>https://tribune.com.pk/story/2611591/faiza-hasan-urges-actors-to-guard-their-ai-rights-when-signing-contracts</link>
			<comments>https://tribune.com.pk/story/2611591/faiza-hasan-urges-actors-to-guard-their-ai-rights-when-signing-contracts#comments</comments>
			<pubDate>Fri, 05 Jun 26 09:05:52 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Actor warns peers broad clauses could let production houses replicate their likeness, voice without consent]]>
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				<![CDATA[Renowned actor Faiza Hasan raised a crucial discussion for Pakistan&#39;s entertainment fraternity, urging peers to review their contracts carefully before inadvertently signing away their digital likeness, voice, and image rights to production houses.

Hasan&#39;s warning comes amid the rise of artificial intelligence, which is rapidly changing the landscape of global entertainment.

Taking to social media, Hasan issued a plea to fellow artists, urging them to safeguard their &quot;AI rights&quot; against overly broad production contracts. The actor stressed that local talent must choose between protecting their future digital identity and allowing it to be replicated with the click of a button.





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In her video, Hasan spoke about thoroughly reviewing contracts and examining every aspect, particularly provisions concerning AI. Addressing fellow actors, Hasan said, &quot;When you sign agreements with production houses, channels, or private producers, please read the contracts very carefully,&quot; urging them to pay close attention to AI-related clauses.

Noting that some AI-related provisions have little to no relevance to either the work or the artists themselves, she added that such clauses may potentially lead to future legal disputes and contractual complications. &quot;These clauses are being added without proper explanation, and frankly, some of them make no sense to me,&quot; the actor remarked.

Urging fellow stars to seek legal advice or guidance from ACT (the Actors Collective of Pakistan) before signing future agreements, Hasan stated, &quot;If you do not understand it, consult a lawyer or contact the actors&#39; association before signing. In my opinion, some of these AI clauses are absolutely not in our favour.&quot;

The actor clarified that her remarks were not directed at any specific production house or television network, but were intended as a general awareness message aimed at safeguarding actors&#39; rights. Expanding on her concerns, Hasan wrote that the excessive use of AI technology as a replacement for actors in projects, including publicity materials and action sequences, could have a negative impact on the industry.

&quot;The use of any actor&rsquo;s likeness or voice needs to be used with consent and understanding of the nature, and for a specific time duration,&quot; she wrote, emphasising that actors should remain cautious and ensure such clauses are not implemented without their understanding.

The actor&#39;s message was received with gratitude and praise by fans and fellow celebrities alike.



Screengrab: FaaizaHassan/Instagram

Many expressed their agreement with the actor&#39;s message and praised her for drawing attention to an issue that may potentially impact performers&#39; rights.]]>
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			<title>Varun Dhawan spills Bollywood secrets, recalls clashes with father in Farah Khan vlog</title>
			<link>https://tribune.com.pk/story/2611740/varun-dhawan-spills-bollywood-secrets-recalls-clashes-with-father-in-farah-khan-vlog</link>
			<comments>https://tribune.com.pk/story/2611740/varun-dhawan-spills-bollywood-secrets-recalls-clashes-with-father-in-farah-khan-vlog#comments</comments>
			<pubDate>Sat, 06 Jun 26 09:17:55 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Gives fans unfiltered look at what it is really like to grow up in and work with Dhawan filmmaking dynasty]]>
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				<![CDATA[Indian actor Varun Dhawan completely stole the show in Farah Khan&rsquo;s latest vlog, turning a standard movie promotion into a exposee of vintage Bollywood secrets, hilarious family confessions, and some unexpected shade directed at Koffee with Karan.

Visiting Farah&rsquo;s house alongside his father, legendary director David Dhawan, and co-stars Pooja Hegde and Mrunal Thakur to promote Hai Jawani Toh Ishq Hona Hai, Varun gave fans an unfiltered look at what it is really like to grow up in and work with the Dhawan filmmaking dynasty.

While many assume that working with a superstar director father makes life easy, Varun quickly set the record straight. He revealed that shooting a movie with his father involves a lot of creative head-butting. Because David started his career as a film editor, he knows exactly how a scene will fit together before he even rolls the camera.





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Varun confessed that their biggest on-set arguments are over &quot;coverage&quot;; while Varun often begs for more angles, his father flatly refuses. Explaining his father&#39;s rigid but brilliant workflow, Varun noted, &quot;He is incredibly stubborn. He knows exactly what shot he wants, where the close-up needs to go, and what the flow of the performance should be. Our main fights are always about coverage.&quot;

To which David responded by saying he believes that excessive cutting ruins an actor&rsquo;s natural comic timing, preferring to rely on a single, perfectly placed track shot or close-up. Looking at David&#39;s legendary track record, Varun admitted his dad&#39;s no-nonsense formula is hard to argue with.

Varun also proved he is just as much of a Bollywood fanboy as the rest of us. He actively grilled Farah Khan about her iconic choreography career, leading to Salman Khan&rsquo;s iconic towel dance in Jeene Ke Hain Chaar Din.

Farah said that the step was completely accidental. Salman had simply walked out of his trial room holding the towel, and Farah spontaneously threw it into the routine. Varun also gushed over Pehla Nasha from Jo Jeeta Wohi Sikandar, stating, &quot;That song is the absolute favourite song of my life. It is the best-choreographed song ever.&quot;

This prompted Farah to reminisce about standing on a shaky stool to capture a young Aamir Khan in the tea gardens.

Varun also reminisced about his days as an Assistant Director on My Name Is Khan, where he first crossed paths with Farah. He laughed about how incredibly terrified he, Alia Bhatt, and Siddharth Malhotra were when Farah came to choreograph Radha, their very first song for Student of the Year. &quot;My life&#39;s very first song was choreographed by Farah ma&#39;am, and I was the only one who didn&#39;t get shouted at!&quot; Varun joked.

Farah&nbsp;also presented David and Varun with luxury watches and surprised leading ladies Pooja Hegde and Mrunal Thakur with stunning lab-grown diamond pendants. To which Varun hilariously compared the experience to Bollywood&rsquo;s ultimate talk show, Koffee with Karan, calling Farah&#39;s vlog the all-time favourite.

Showing off his domestic side, Varun wrapped up the vlog by stepping into the kitchen with Farah to help whip up a comforting, mildly-spiced plate of mutton rice.





&nbsp;]]>
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			<title>Faysal Quraishi and Shamoon Abbasi reunite on screen</title>
			<link>https://tribune.com.pk/story/2611132/faysal-quraishi-and-shamoon-abbasi-reunite-on-screen</link>
			<comments>https://tribune.com.pk/story/2611132/faysal-quraishi-and-shamoon-abbasi-reunite-on-screen#comments</comments>
			<pubDate>Tue, 02 Jun 26 20:01:20 +0500</pubDate>
			<dc:creator>
				<![CDATA[Qaisar Kamran]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Upcoming Punjabi-language film blends romance, comedy and action in Abu Aleeha's directorial venture]]>
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				<![CDATA[Actor Shamoon Abbasi knows that his strength lies in accepting and performing challenging roles, but the real motivation behind his work in a Punjabi film was his friendship with fellow actor Faysal Quraishi.

Abbasi and Quraishi are reunited on screen after nearly a decade. They are appearing together in the upcoming Lollywood film, Mango Jatt. Directed by Abu Aleeha, the film brings together action, comedy and romance and is expected to release later this year.

Shamoon Abbasi, speaking with The Express Tribune about his role, said the offer initially came with the challenge of performing in Punjabi, a language in which he was not fluent, but he accepted it as part of his acting journey.

&quot;Taking challenging roles has always been my strength,&quot; he said, adding that working again with Faysal Quraishi was a major motivation. &quot;We are friends off-screen and there are never insecurities between us. That comfort reflects in our work.&quot;

Abbasi also praised the film&#39;s title, calling Mango Jatt&nbsp;&quot;catchy and humorous&quot;. He said it reflects the tone of the project. He confirmed he plays the antagonist, describing his character as being on a constant chase, adding a layer of action-driven tension to the narrative.

Starring Hareem Farooq in a key role, the film also features an ensemble cast including Hassan Murad, Qaiser Piya and others. &quot;A romantic comedy with strong family appeal,&quot; director Abu Aleeha said. He added that Mango Jatt&nbsp;is not an action-heavy film. &quot;The teaser&#39;s tone does not reflect the film&#39;s actual genre.&quot;

He said the film is &quot;a beautiful romantic comedy and a children&#39;s film&quot;, adding that it has been designed as a complete family entertainer. &quot;This is not a stylised action film as it may look in parts. When you watch it, you will see it is a simple, warm romantic comedy,&quot; he said.

Abu Aleeha added that the film highlights Punjab&#39;s culture and scenic beauty in detail, including sequences shot in areas such as Nankana, which he said have been shown &quot;beautifully and differently from before&quot;. He also revealed that the film marks his first full-scale commercial project, describing it as &quot;Paisa Wasool&quot; with strong musical and visual appeal.

The director said the story includes &quot;small, beautiful elements of Punjab&quot;, along with comedy and family-oriented themes. He added that the film features several interesting child characters, which form an important part of the narrative.

Abu Aleeha confirmed that Ayesha Jahanzeb will make her debut in the film, alongside a large supporting cast. With its mix of humour, romance and cultural backdrop, Mango Jatt&nbsp;is being positioned as a mainstream commercial Punjabi film targeting family audiences.]]>
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			<title>Bollywood divided over bid to cap punishing work hours</title>
			<link>https://tribune.com.pk/story/2611042/bollywood-divided-over-bid-to-cap-punishing-work-hours</link>
			<comments>https://tribune.com.pk/story/2611042/bollywood-divided-over-bid-to-cap-punishing-work-hours#comments</comments>
			<pubDate>Tue, 02 Jun 26 09:06:47 +0500</pubDate>
			<dc:creator>
				<![CDATA[AFP]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Indian film industry faces rare scrutiny as actors, filmmakers clash over proposed cap on shooting days to eight hours]]>
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				<![CDATA[Bollywood&#39;s long-entrenched culture of gruelling work schedules is facing rare scrutiny, as top actors and filmmakers clash over calls to cap shooting days at eight hours.

The debate gained momentum after leading actress Deepika Padukone reportedly exited a major project last year over a demand for shorter working hours following motherhood, thrusting the issue of work-life balance into the spotlight in India&#39;s film industry.

Bollywood has long been known for punishing schedules, with shifts often stretching from 12 to 18 hours and, at times, continuing for more than a day during intensive shoots.

But what was once accepted as the norm is now being questioned, with growing calls for humane working conditions and limits on daily hours.

Supporters of reform say the current system disproportionately puts pressure on women, who often face being labeled pushy or difficult, a stigma rarely attached to male stars.

A number of actors, including Suniel Shetty, Kajol, and Ram Kapoor, have backed the push for healthier boundaries, arguing that established stars should be able to set limits on working hours.

&quot;Once you have achieved success in showbiz... then, yes, you are in a position to choose how many hours you want to work,&quot; Kapoor told AFP, reflecting a view that bargaining power in the industry remains tied to status.

Others, however, warn that the fluid nature of filmmaking makes rigid eight-hour shifts &quot;unreal&quot; to enforce on mega-budget sets.

Poor Planning

&quot;This is not like a corporate job,&quot; said actor Ali Fazal, pointing to the varying demands of projects, particularly action-heavy or technically complex productions.

Actress Chitrangda Singh echoed that argument, citing several variables such as weather disruptions and equipment failures that can derail tightly planned schedules.&nbsp;&quot;Filmmaking is also driven by business realities,&quot; she said.

Industry insiders highlight the steep costs involved in large productions, where locations, crew, and equipment can cost more than $26,000 per day, creating pressure to maximise shooting time.

Former Cine &amp; TV Artistes&#39; Association official Amit Behl said filmmakers often cannot afford to halt shoots midway, especially when a large crew or elaborate action sequences are involved.

&quot;The bungalow in which Animal&nbsp;(an action blockbuster) was shot cost 25 lakh rupees ($26,300) a day rental,&quot; said Behl. &quot;Then you have to prop it up with junior artistes, which is an additional expenditure besides catering, electricity, vanity vans, and bouncers.&quot;

But critics argue that such explanations often mask poor planning and systemic inefficiencies, placing the burden of long hours on cast and crew.

Filmmaker Shekhar Kapur criticised what he called a hierarchy that prioritises top actors over technicians, saying work-life balance should apply to all on the set. &quot;Everyone (should have) the privilege to define the hours they want to work,&quot; he told AFP.

&#39;Workaholic&#39;

The controversy has also highlighted disparities within the industry, where junior artistes and crew often have little negotiating power.

For many, the recent debate marks a broader shift in Bollywood, with younger professionals and established stars alike beginning to challenge the long-standing norms.

Yet opinions remain divided.

&quot;I have seen Shah Rukh Khan on sets working 27 hours non-stop when he had to complete a scene. He doesn&#39;t need to do it,&quot; Behl said, referring to the Bollywood superstar.

&quot;But you can&#39;t leave a scene mid-way... if it is an action scene where fighters are involved, anything can happen... it is not like shutting a laptop and working for an IT company.&quot;

Some veterans, like actress Madhuri Dixit, frame the issue as a personal choice rather than a structural problem.

&quot;We did a 12-hour shift or maybe more every day for Mrs Deshpande,&quot; she told AFP, mentioning the 2025 crime thriller.

&quot;But if a woman wants to work (fewer) hours, that is her prerogative, her life... more power to her. To each his own, I&#39;m a workaholic!&quot;]]>
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			<title>Pakistani documentary 'The Emergency Exit' wins Spirit of Doc Lab award in Kathmandu</title>
			<link>https://tribune.com.pk/story/2610548/pakistani-documentary-the-emergency-exit-wins-spirit-of-doc-lab-award-in-kathmandu</link>
			<comments>https://tribune.com.pk/story/2610548/pakistani-documentary-the-emergency-exit-wins-spirit-of-doc-lab-award-in-kathmandu#comments</comments>
			<pubDate>Sat, 30 May 26 11:57:38 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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				<![CDATA[Filmmakers Mahnoor Batool, Shahnawaz Khan's documentary portrays life in Parachinar and other conflict-hit areas]]>
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				<![CDATA[Pakistani filmmakers Mahnoor Batool and Shahnawaz Ahmed Khan&rsquo;s The Emergency Exit secured the &quot;Spirit of Doc Lab&quot; award at the Kathmandu Doc Lab. Having the prestige of being the only Pakistani film to earn an award this year at the festival.

The Emergency Exit is a film of artistic courage that introduces a vital, raw cinematic language that completely redefines how we view communities caught in the crosshairs of geopolitical conflict.

For decades, global cinema has treated Pakistan&rsquo;s northwestern border regions, specifically war-weary towns like Parachinar, through a cold, detached lens.

Screengrab from Mahnoorbatool/Instagram

To mainstream news and big-budget international features, these areas are reduced to a land of violence, places that are defined only by military statistics, geopolitical strategy, or tragedy. As natives of Parachinar, Mahnoor and Shahnawaz actively speak against this external perspective.

So does their film, The Emergency Exit, which shifts the camera away from the typical style of cinematography. Instead, it grounds the story in the quiet, delicate lives of everyday tasks: the routines of families, the laughter shared over tea, the resilience of relationships, and the subtle ways a community preserves its humanity under the constant shadow of uncertainty.





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The emotional centre of the film is captured perfectly in its haunting teaser, where a young boy is asked why he isn&#39;t afraid of the violence surrounding his home. His response carries the crushing weight of a child forced to grow up too soon: &ldquo;If a missile comes, it will come. And if it hits this house, then what? At most, we will die.&rdquo;

What makes The Emergency Exit stand out globally is how it approaches non-fiction storytelling. Under the mentorship of boundary-pushing regional filmmakers, Pakistan&#39;s Anam Abbas, the film skips standard documentary clich&eacute;s in favour of deep talks.





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By taking home one of the top four prizes in a highly competitive pool of South Asian films from India, Nepal, Bhutan, and Bangladesh, The Emergency Exit achieved something bigger than temporary festival stories. It proves that the most powerful way to counter a narrative such as this is through hyper-local, unapologetic artistic truth.

Mahnoor and Shahnawaz have built a cinematic brilliance for the people of Parachinar, one that ensures their lives are remembered not by the violence that surrounded them, but by the quiet, defiant dignity with which they lived.]]>
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			<title>Marjane Satrapi, Iranian-French author of graphic novel 'Persepolis', dies aged 56</title>
			<link>https://tribune.com.pk/story/2611439/marjane-satrapi-iranian-french-author-of-graphic-novel-persepolis-dies-aged-56</link>
			<comments>https://tribune.com.pk/story/2611439/marjane-satrapi-iranian-french-author-of-graphic-novel-persepolis-dies-aged-56#comments</comments>
			<pubDate>Thu, 04 Jun 26 13:24:21 +0500</pubDate>
			<dc:creator>
				<![CDATA[Reuters]]>
			</dc:creator>
			<category><![CDATA[World]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2611439</guid>
			<description>
				<![CDATA[She also designed nine-metre wool triptych ⁠for Paris 2024 Olympics, showing athletes competing around Eiffel Tower]]>
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				<![CDATA[Marjane Satrapi, the Iranian-French artist, filmmaker and author of the autobiographical graphic novel &quot;Persepolis&quot;, has died aged 56, French President Emmanuel Macron&#39;s office said on Thursday.

&quot;Her ​passing is that of a figure of French culture and of an &zwnj;artist enamoured of freedom, whose work carried a universal message and had earned her immense international renown,&quot; the Elysee said in a statement.

A statement released by members of her family to the French news ​agency AFP said she had died of &quot;sadness&quot;, a little over a year after ​the death of her husband, Swedish actor, producer and screenwriter Mattias Ripa. ⁠No further information about the cause of her death was available.

Born in 1969, Satrapi spent ​her childhood in Tehran in a communist-leaning household. Her parents sent her to Vienna as ​a teenager, before she returned to Iran to study fine arts and later settled in France, where she continued her training in Strasbourg.

Read More: French author becomes an Urdu novelist after coming to Pakistan

She drew on that life of revolution, exile and return in &quot;Persepolis&quot;, the ​stark black-and-white memoir that chronicled her childhood during and after Iran&#39;s 1979 Islamic Revolution. The ​book became an international success and was later adapted into an animated film, which won the jury &zwnj;prize ⁠at Cannes and was nominated for an Academy Award.

Satrapi&#39;s work mixed political defiance with dark humour and a stripped-down visual style, making her one of the best-known graphic novelists of her generation. She went on to direct films including &quot;Chicken with Plums&quot;, &quot;The Voices&quot; and &quot;Radioactive&quot;, about scientist ​Marie Sklodowska Curie.

Satrapi also designed a nine-metre wool triptych ⁠for the Paris 2024 Olympics, showing athletes competing around the Eiffel Tower.

Satrapi also became a prominent voice on exile, women&#39;s freedom and ​authoritarianism, frequently using her public platform to denounce repression in Iran.

Also Read: Novelist Kenize Mourad: At home in the world

In ​2025, she ⁠refused the Legion of Honour, France&#39;s top order of merit, citing France&#39;s &quot;hypocritical attitude&quot; toward Iran, French media reported.

&quot;I can&#39;t continue seeing the children of Iranian oligarchs come to spend their holidays ⁠in France, ​even become naturalised, while at the same time young ​dissidents have difficulty in obtaining a tourist visa to come to see what the country of the Enlightenment and ​human rights looks like,&quot; she wrote at the time.]]>
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			<title>Maheen Elahi takes South Asian miniature painting to London with 'Reimagined Realities'</title>
			<link>https://tribune.com.pk/story/2607467/maheen-elahi-takes-south-asian-miniature-painting-to-london-with-reimagined-realities</link>
			<comments>https://tribune.com.pk/story/2607467/maheen-elahi-takes-south-asian-miniature-painting-to-london-with-reimagined-realities#comments</comments>
			<pubDate>Mon, 11 May 26 05:54:56 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Lahore-based artist debuts major London showcase blending traditional miniature techniques with contemporary themes]]>
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				<![CDATA[Lahore-based artist Maheen Elahi&nbsp;unveiled her latest exhibition&nbsp;Reimagined Realities&nbsp;in London, sharing artwork that serves as a reflection of South Asia&#39;s oldest art forms and focuses on peace, tranquillity and bliss through solitude.

Maheen presented a varied collection of works that explored the centuries-old practice of South Asian miniature painting. The exhibition, displayed at the Green &amp; Stone Gallery, marks the artist&#39;s first major showcase since graduating from one of South Asia&rsquo;s leading art schools.





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Maheen is the granddaughter of renowned painter Saeed Akhtar, who was one of Pakistan&rsquo;s most celebrated visual artists. She is gaining attention in artistic circles for her detailed gouache paintings on wasli paper, a traditional hand-prepared surface usually associated with classical miniature art.

Combining traditional techniques with contemporary themes, Maheen creates impressive landscapes that focus on tranquillity, reflection, and the passage of time. In an interview, she explained her artwork as &ldquo;a renewal of the miniature tradition rather than a repetition of it.&rdquo;

Her collection centres on visual narratives that unfold slowly, encouraging viewers to spend time with the paintings. Moving beyond conventional storytelling to explore themes of duration, change and contemplation, Maheen&#39;s work transforms painting into a meditation on nature.





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Hester Baldwin, Managing Director of Green &amp; Stone Gallery, praised Maheen&rsquo;s work, saying it was a pleasure to introduce the artist to the London art scene. Baldwin said the artist&rsquo;s work immediately caught her attention, recognising Maheen as an artist of unusual sensitivity and assurance.

She added that Maheen had found a stillness within painting that speaks with confidence without demanding attention, yet remains capable of holding it.

&ldquo;What distinguishes Maheen&rsquo;s practice is her ability to inhabit the language of traditional South Asian miniature painting without ever becoming subordinate to it,&rdquo; said Hester. She also described Maheen&#39;s work as &ldquo;contemplative in the truest sense&rdquo;, calling it attentive to atmosphere, duration and the subtle emotional shifts found within nature itself.

Maheen has previously exhibited her work at group shows in several cities across Pakistan and Mumbai. She also shared that she plans to work in New York and Dubai later this year.]]>
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			<title>Do we still want to read?</title>
			<link>https://tribune.com.pk/story/2606124/do-we-still-want-to-read</link>
			<comments>https://tribune.com.pk/story/2606124/do-we-still-want-to-read#comments</comments>
			<pubDate>Sun, 03 May 26 04:08:22 +0500</pubDate>
			<dc:creator>
				<![CDATA[Rabia Khan]]>
			</dc:creator>
			<category><![CDATA[Pakistan]]></category><category><![CDATA[Entertainment]]></category><category><![CDATA[Art and Books]]></category><category><![CDATA[T-Magazine]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2606124</guid>
			<description>
				<![CDATA[Reels and nonstop social media, with shrinking attention spans and overload, are pushing books to the margins]]>
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				<![CDATA[&ldquo;So please, oh please, we beg, we pray, go throw your TV set away, and in its place you can install a lovely bookshelf on the wall.&rdquo; &ndash; Roald Dahl

Every year on April 23, the world observes World Book Day, dedicated to celebrating books, authors, and the enduring power of reading. Yet, beyond the symbolic gestures and occasional tributes, an uncomfortable question lingers: in an age dominated by screens, are we slowly losing our relationship with books?

From the earliest days of human civilisation, reading and storytelling have been central to how societies understand themselves and preserve their identities. Long before modern books, stories were passed down orally, carrying history, culture, and wisdom from one generation to another. With the advent of writing, these narratives found permanence, as seen in ancient works, which reflects humanity&rsquo;s timeless desire to record experiences and seek meaning.

Across centuries, reading has remained more than a skill; it has been a bridge between past and present, allowing individuals to access ideas, emotions, and knowledge beyond their immediate world. At its core, humanity has always been driven by stories, because beyond survival, people seek connection, understanding, and a sense of belonging and it is through reading that these stories continue to live.

In the past, particularly during the 1990s, reading was a natural and encouraged part of childhood. Children eagerly read comics like Enid Blyton, Archie Comics and Urdu magazines such as Naunehal, which were not only entertaining but also culturally familiar and widely accepted by families. Reading was seen as a healthy habit, and parents often gave children the time and freedom to explore books.

In contrast, today&rsquo;s generation appears more distant from reading. Many children are reluctant to pick up books at all, and those who do often gravitate toward unfamiliar or globally popular content such as Harry Potter books, Japanese anime-based stories, humorous series like Horrid Henry, Captain Underpants, or something from the genre of horror. It is as though what is trending on their screens might influence their choice in reading. While these are not inherently negative, the disconnect lies in the lack of guidance and understanding. For many parents, these titles feel alien or inappropriate, creating a gap between generations.

More importantly, the issue is not what children read, but that reading itself is no longer a widely nurtured habit. Where earlier generations were immersed in books, today&rsquo;s children are more immersed in screens. Reading, once a shared and celebrated activity, has become increasingly rare.

Mustafa Quraishi, a veteran bookseller who has been running a bookstore in Islamabad for nearly 45 years, observes that reading trends have changed significantly over time. According to him, English novels, self-help, history, and biographies remain among the most sought-after genres among grown-ups. However, a noticeable decline in reading began around 2015, after which the market increasingly tilted toward marketing and self-help books. He points out that while some children still engage with reading, their preferences have shifted toward globally popular content such as Jujutsu Kaisen and other comic-based series. More concerning, he notes, is the growing dependence on short-form digital content: &ldquo;People now rely on 10-second reels, without even knowing the stories or ideas behind them&mdash;because they don&rsquo;t read.&rdquo;



Quraishi also highlights a cultural gap, where international authors dominate readership while Pakistani writers remain largely overlooked. Emphasising the role of institutions, he stresses that parents play a key role in building reading habits, but schools must also step up by promoting reading festivals and literary activities instead of focusing solely on routine events.

A similar concern was shared by Muhammad Hafiz, who has been running a bookstore for over 23 years. He said clearly, &ldquo;Hardly anyone reads books anymore.&rdquo; According to him, most customers now only come for coursebooks and stationery, while general books are rarely bought. He believes one major reason is that children are given mobile phones at a very young age. &ldquo;Instead of books, they are given screens,&rdquo; he said. He also added that because of this, people are moving away from original and authentic knowledge, as they prefer quick and easy information instead of reading in depth. His words paint a clear picture&mdash;reading is disappearing, and books are being replaced by screens.

Fiza Ali, teacher in Islamabad, says that parents play a decisive role in shaping a child&rsquo;s relationship with reading. Long before classrooms and curricula, it is the home that introduces a child to the world of stories. A child who grows up seeing books as a natural part of daily life is far more likely to develop a lasting reading habit. When parents read, discuss stories, or simply make books accessible, they create an environment where curiosity thrives.

Man is a storytelling animal, the only creature on earth that tells itself stories to understand what kind of creature it is. After all, beyond basic needs like food and security, what we ultimately seek is a story. In a way, this is our very nature. From the sun-baked cuneiform tablets on which we discovered the Epic of Gilgamesh, the world&rsquo;s first known work of written creative literature, to the reading fever of the eighteenth century and beyond, human history is marked by an enduring engagement with narratives in written form. This represented an outlandish departure from the more archaic oral tradition, where memory alone carried the burden of preservation.



Despite this millennia-long relationship between readers and writers, the bond now appears to be in a precarious state. And this is a global phenomenon. Firstly, we are consumed by smartphones: The average person today spends nearly seven hours a day staring at a screen.

For Gen Z, the figure rises to nine hours. A recent article in The Times notes that modern students are projected to spend up to 25 years of their waking lives scrolling on screens. Correspondingly, global (Programme for International Student Assessment) PISA scores, widely regarded as the most reliable international measure of student ability, have begun to decline. Compound this with the AI glut and widespread internet connectivity, and we face a severe short attention span problem: How come then a person will be willing to spend hours and days with books? The consequences are stark: low sales. According to a 2022 report, half of all books published by Penguin Random House reportedly sell fewer than 12 copies. And, of course, we risk becoming less informed, less democratic, less creative, and more brutal.

In Pakistan, the situation is arguably worse, despite rising literacy rates. According to the World Population Review, the top three countries in terms of books read annually and hours spent reading are the US (17 books, 357 hours), India (16 books, 352 hours) and the United Kingdom (15 books, 343 hours). Pakistan, in contrast, ranks among the lowest three, with only 2.6 books read per person annually and 60 hours spent reading. This lack of reading is so widespread that statistics aren&rsquo;t even necessary; lived experience speaks louder than any report. Just ask your friends and family when they last read a book from start to finish.

Even a cursory scrutiny unfurls problems along two self-reinforcing dimensions: On the demand side, the public increasingly lacks the inclination to read. Shrinking attention spans, limited exposure to quality writing, and the absence of cultivated literary taste all contribute to weak demand. On the other side, the supply side: The quality of writing is also affected. With such limited demand, writing is rarely seen as a viable career, forcing writers to axe their energy elsewhere. The rise of AI has further catapulted the formulaic, MFA-style slop writing. Further, the broader literary ecosystem remains malnourished: poignant criticism is scarce, literary circles are often gatekept and elitist, and publishers, pestered by low demand and high costs, are reluctant to take risks on new writers. Marketing strategies and institutional support for authors are also notably weak.

We need to rethink all of this. The fundamental questions remain: how do we contend with the cognitive offloading effects of AI? What gaps exist in our curricula that fail to nurture readership? How can we reform our literary circles and strengthen the culture of criticism? Lastly, what exactly should the government, civil society, and the public do in this reading crisis?



This broader decline is also reflected in everyday experiences. Bookshop owners note that customers increasingly visit stores with a singular goal: to purchase exam-related materials rather than books for leisure. As one bookseller observed, &ldquo;People come for notes, not novels anymore.&rdquo; Similarly, teachers report that students often rely on summaries instead of engaging with full texts, highlighting a growing inability or unwillingness to read deeply.

A senior teacher, Shahida Ahmed said, &ldquo;Ten or fifteen years ago, students were more engaged with books. Today, their attention is divided, mostly because of digital distractions.&rdquo;

At the heart of this issue lies a fundamental misunderstanding, particularly among children and young readers. Many perceive reading as something confined to school, an obligation tied to exams rather than an activity associated with enjoyment. This perception strips reading of its true essence. Literature, across cultures and generations, has always been a source of escape, imagination, and emotional connection.

For many readers, the relationship with books begins on a deeply personal level. Before the rise of the internet, books often served as the first gateway to imagination. They offered comfort, joy, and a sense of discovery. For some, they even shaped life paths, inspiring careers and creative pursuits. Reading was not merely about gaining knowledge&mdash;it was about experiencing different worlds.

This is precisely what the theme of this year&rsquo;s World Book Day &ldquo;Reading for Pleasure&rdquo; seeks to highlight. Beyond academic benefits, books possess a unique ability to connect us with lives beyond our own. Holding a story from another time or another part of the world creates a sense of wonder that few other mediums can replicate.

Muhammad Khizar, a student from grade 6 said, &ldquo;Books help me relax. When I read, I feel disconnected from everything else. I think more students would read if they found the right book.&rdquo;

Reading for pleasure is rooted in connection. It may be a connection with a character, a storyline, or an imagined world. Through these connections, readers find joy, understanding, and often reassurance. Books remind individuals that their experiences are shared, that their emotions are valid, and that they are not alone.

Representation plays a crucial role in strengthening this connection. When readers see their own realities reflected in stories, literature becomes more meaningful. Expanding narratives to include diverse voices and experiences not only enriches literature but also invites more people to engage with it.

However, the responsibility of reviving reading culture does not lie with individuals alone. Educational institutions must move beyond rote learning and actively encourage reading as a habit rather than a task. Schools should create spaces where students explore literature freely, rather than limiting reading to prescribed texts. Teachers must inspire curiosity, not just deliver content.

Families, too, play a significant role. In homes where reading is valued, children are more likely to adopt the habit. Simple acts&mdash;such as keeping books accessible or discussing stories&mdash;can have lasting effects. At a societal level, libraries and public reading spaces must be revitalised. Community initiatives, book fairs, and reading circles can help restore the collective experience of reading.

Ultimately, however, the decision to read remains deeply personal. In a world filled with distractions, choosing to pick up a book is an act of intention. It is a decision to slow down, to think deeply, and to engage meaningfully with ideas.

World Book Day, therefore, should not be reduced to a symbolic celebration. It should serve as a reminder&mdash;a moment to reflect on what we are losing and what we stand to regain. Because books are not just objects; they are tools of thought, imagination, and connection.

In the end, the question is not whether books still matter. It is whether we are willing to make space for them again.

For a society that stops reading does not merely lose its stories; it risks losing its ability to understand itself

.

The writer is a teacher and freelance contributor and can be reached at rabiayousufzai26@gmail.com

All facts and information are the sole responsibility of the writer]]>
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			<title>Momina Iqbal shares stunning wedding moments with Hamza Habib</title>
			<link>https://tribune.com.pk/story/2611070/momina-iqbal-shares-stunning-wedding-moments-with-hamza-habib</link>
			<comments>https://tribune.com.pk/story/2611070/momina-iqbal-shares-stunning-wedding-moments-with-hamza-habib#comments</comments>
			<pubDate>Tue, 02 Jun 26 12:34:29 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Actor showcases multiple designer ensembles and heartfelt moments with husband]]>
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				<![CDATA[Actor Momina Iqbal tied the knot with Hamza Habib this week, sharing photographs and videos from their wedding festivities, including the Dua-e-Khair, Mayoun, Mehndi Lagayi, Mehndi and Baraat ceremonies.

The actor documented each event on Instagram, giving followers a glimpse into the celebrations through candid moments, couple portraits and detailed looks at her bridal wardrobe.

Iqbal began by sharing images from her Dua-e-Khair ceremony, where she wore a light pink garara paired with a gold blouse and an embroidered dupatta by Aneelas Formals. She completed the look with soft pink-toned makeup and fresh pink roses woven into her hair.





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For the Mayoun ceremony, the couple coordinated in shades of yellow. Iqbal complemented the traditional colour palette with orange floral accessories and a matching dupatta.

At her Mehndi Lagayi event, the actor chose a golden sharara ensemble by Haseens, consisting of a shirt and dupatta adorned with intricate detailing.

She later switched to a heavily embellished gown by Ahmad Sultan for the Mehndi celebration, pairing it with a dark purple dupatta while Habib coordinated his attire to complement her look.





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However, it was her bridal ensemble that drew the most attention.

Designed by Fahad Hussayn, the orange-and-gold outfit featured intricate craftsmanship, statement jewellery and bold bridal makeup.





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One of the most distinctive elements of the look was the use of three dupattas &mdash; one draped over her shoulders, another styled across her outfit, and a third placed traditionally over her head.&nbsp;





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In her final wedding post, Iqbal shared a heartfelt message dedicated to designer Fahad Hussayn alongside a series of bridal portraits.

&ldquo;Fahad, I honestly don&#39;t have enough words to express my admiration for you or to offer prayers that truly reflect how much you deserve,&rdquo; she wrote.

&ldquo;Meeting you made me understand why God grants certain people such respect, recognition, honour and a special place in the hearts of others.&rdquo;





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The actor also expressed gratitude to the photographers, stylists and the wider team involved in bringing the wedding celebrations together.

The couple&#39;s wedding photos have since garnered widespread attention on social media, with fans congratulating the newlyweds and praising Iqbal&#39;s carefully curated looks throughout the festivities.]]>
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			<title>Nida Yasir shares highlights from Europe trip with son</title>
			<link>https://tribune.com.pk/story/2611043/nida-yasir-shares-highlights-from-europe-trip-with-son</link>
			<comments>https://tribune.com.pk/story/2611043/nida-yasir-shares-highlights-from-europe-trip-with-son#comments</comments>
			<pubDate>Tue, 02 Jun 26 09:07:11 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2611043</guid>
			<description>
				<![CDATA[TV host documents her travels, sharing sightseeing adventures, family moments and a stylish vacation wardrobe]]>
			</description>
			<content:encoded>
				<![CDATA[Television host Nida Yasir has been drawing attention on social media after sharing glimpses of her recent family trip to Europe with her son, Balaj.

Through a series of Instagram posts and videos, Nida documented moments from her travels, including sightseeing tours, interactive art experiences and visits to some of the region&#39;s most popular attractions.

One of the most talked-about clips from the trip shows the host riding a Vespa scooter through the streets of Budapest, passing several iconic landmarks.

In the video, she is seen wearing a yellow dress paired with a brown top and statement jewellery.





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The post received an enthusiastic response from followers, with many praising her energy and adventurous spirit. One user commented, &quot;The heart should stay young,&quot; applauding her youthful outlook.



In another update, Nida shared footage from a visit to Fr&ouml;csk&ouml;lő, an interactive art space where participants paint on one another as well as on surrounding surfaces, turning the activity into a colourful paint-filled experience.





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The host also gave followers a look at her travel wardrobe, which differed from the traditional attire viewers are accustomed to seeing on her morning show appearances.

During the trip, Nida opted for several Western outfits, including a black-and-white polka dot dress paired with a white cardigan.

Fans were quick to notice the style shift and compliment her fashion choices throughout the vacation.





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Nida is married to actor and director Yasir Nawaz, and the couple have three children. She is widely recognised as a long-running morning show host on television.]]>
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			<title>Reports suggest strain in Justin Timberlake, Jessica Biel’s marriage amid singer’s drinking habits</title>
			<link>https://tribune.com.pk/story/2609135/reports-suggest-strain-in-justin-timberlake-jessica-biels-marriage-amid-singers-drinking-habits</link>
			<comments>https://tribune.com.pk/story/2609135/reports-suggest-strain-in-justin-timberlake-jessica-biels-marriage-amid-singers-drinking-habits#comments</comments>
			<pubDate>Wed, 20 May 26 08:37:40 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Tabloid claims Biel 'sick of being publicly embarrassed' following husband's 2024 drink-driving charge]]>
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			<content:encoded>
				<![CDATA[Reports suggest that singer Justin Timberlake may be facing strain in his marriage to Jessica Biel after 13 years together, with rumours alleging the situation has worsened due to public scrutiny surrounding Timberlake&#39;s alleged driving-related incidents and concerns regarding aspects of his lifestyle.

A report by&nbsp;Radar Online&nbsp;suggests Biel has long tolerated the musician&rsquo;s irresponsible behavior and drinking habits, and is now reportedly feeling embarrassed about how their relationship is perceived publicly.





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Timberlake received a driving while ability impaired (DWAI) charge in September 2024 after prosecutors dropped the more serious driving while intoxicated (DWI) count as part of a plea deal. The singer was required to pay a $500 fine, complete 25 hours of community service, and publish a public safety announcement.

The case drew further attention in March 2025 when additional police bodycam footage emerged showing the singer performing sobriety tests.

&ldquo;She [Biel] does everything with the kids, and she&rsquo;s sick of being publicly embarrassed&rdquo;, an insider told Radar Online. The source also told the outlet, &ldquo;Justin is the kind of guy that when he&rsquo;s out, has always had a drink in hand&rdquo;, referring all the way back to the singer&#39;s NSYNC prime tour days.

Timberlake and Biel, married since 2012, share two sons. However, they have reportedly been going through a rough patch ever since their engagement days in 2011, when Biel warned Timberlake to &ldquo;settle down or she was out&rdquo;.]]>
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			<title>Fact check: Viral video does not show Hollywood actor Jason Statham displaying Palestine flag on his car</title>
			<link>https://tribune.com.pk/story/2606680/fact-check-viral-video-does-not-show-hollywood-actor-jason-statham-displaying-palestine-flag-on-car</link>
			<comments>https://tribune.com.pk/story/2606680/fact-check-viral-video-does-not-show-hollywood-actor-jason-statham-displaying-palestine-flag-on-car#comments</comments>
			<pubDate>Wed, 06 May 26 16:33:10 +0500</pubDate>
			<dc:creator>
				<![CDATA[Fact Check By iVerify]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[The clip is from 2023 and does not feature Statham; no such video was found on actor's social media accounts]]>
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			<content:encoded>
				<![CDATA[Multiple accounts on the social media platform X were sharing a video since May 5, 2026, claiming to show Hollywood actor Jason Statham displaying a Palestinian flag on his car. However, the clip is old from 2023 and does not feature Statham.

Public figures, including actors, musicians, and athletes, have repeatedly used their platforms to comment on the war in Gaza since late 2023. Several celebrities have expressed solidarity with Palestinians by calling for&nbsp;ceasefires, humanitarian aid access, and protection of civilians, while others have&nbsp;voiced support&nbsp;for Israel or focused on condemning violence more broadly. These positions have often been communicated through social media posts, open letters, fundraising campaigns, concerts, and appearances at public events.&nbsp;

HOW IT STARTED

On May 5, 2026, an X user, who appears to be based in Turkiye per their profile and previous posts,&nbsp;shared&nbsp;a video of an individual displaying a Palestinian flag on his car, with the following caption: &ldquo;Famous actor Jason Statham hung a Palestinian flag on his car.&rdquo;

The post, which racked up 2.5 million views, also included a photo of Statham.

A similar post, including the clip and the actor&rsquo;s photograph, was&nbsp;shared&nbsp;by another X account with the same caption. It garnered 176,700 views.

An X user, who calls themselves a journalist in the bio, also&nbsp;shared&nbsp;the video with a similar caption, gathering 90,600 views.

Subsequently, several other social media users shared the video on&nbsp;Instagram&nbsp;and X, as can be seen&nbsp;here,&nbsp;here,&nbsp;here,&nbsp;here,&nbsp;here, and&nbsp;here; collectively accumulating more than 90,000 views.&nbsp;

METHODOLOGY

A fact-check was initiated to determine the veracity of the claim due to its high virality and keen public interest in celebrities expressing solidarity with Palestinians.

A keyword search was conducted to corroborate whether any credible international media outlets had reported on such a video of Statham; however, it did not yield any results.

Similarly, no such video was found on any of Statham&rsquo;s official social media accounts, including&nbsp;Instagram&nbsp;and&nbsp;Facebook.



@sitsavorbite

he made sure to wash his car first🥹 #freepalestine #freepalestine🇵🇸❤️ #freepalestine🇵🇸 #palestine #palestinetiktok #fyp #fypシ
♬ الصوت الأصلي - Ramos Hajjaj




A reverse image search yielded a&nbsp;TikTok post&nbsp;dated October 21, 2023, wherein the same video was shared with the caption: &ldquo;He made sure to wash his car first.&rdquo; It was accompanied by several pro-Palestinian hashtags.

As can be seen, the video is old, and the caption suggests that the individual in the clip is preparing for a pro-Palestinian rally by washing his car first.

The results further identified the&nbsp;location&nbsp;in the clip as&nbsp;Moo Moo Express Car Wash, which is situated on Rome Road in Ohio, US.



When the team conducted a keyword search, it yielded several news reports regarding a pro-Palestine rally in Downtown Ohio on October 22, 2023. They&nbsp;featured&nbsp;cars at the rally that were similar to the one in the viral clip, displaying Palestinian flags on their bonnets.





The search results also found news reports by several media outlets from October 2023 &mdash; including Turkish and&nbsp;Pakistani&nbsp;social media outlets, such as&nbsp;Anadolu Agency,&nbsp;T&uuml;rkiye Gazetesi, and&nbsp;TGRT Haber&nbsp;&mdash; in which they had debunked the claim that the viral clip showed Statham or his car.

FACT-CHECK STATUS: FALSE

The claim that a viral video of Hollywood actor Jason Statham displaying a Palestinian flag on his car is&nbsp;false.

The footage is old and shows a pro-Palestinian demonstrator preparing for a rally in Columbus, Ohio.

This fact check was&nbsp;originally published&nbsp;by iVerify Pakistan &mdash; a project of CEJ-IBA and UNDP.]]>
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			<title>Abhishek Bachchan calls Aishwarya Rai his 'soulmate' ahead of 20th wedding anniversary</title>
			<link>https://tribune.com.pk/story/2604373/abhishek-bachchan-calls-aishwarya-rai-his-soulmate-ahead-of-20th-wedding-anniversary</link>
			<comments>https://tribune.com.pk/story/2604373/abhishek-bachchan-calls-aishwarya-rai-his-soulmate-ahead-of-20th-wedding-anniversary#comments</comments>
			<pubDate>Thu, 23 Apr 26 12:03:05 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2604373</guid>
			<description>
				<![CDATA[Actor reflects on marriage journey, praises Aishwarya for raising their daughter with strong values and love]]>
			</description>
			<content:encoded>
				<![CDATA[Indian actor Abhishek Bachchan recently addressed long-standing speculation about his marriage, describing wife Aishwarya Rai as his &ldquo;soulmate&rdquo; as they approach their 20th anniversary.

In a conversation with Subhash K&nbsp;Jha,&nbsp;the actor reflected on their journey together, effectively putting to rest ongoing rumours about their separation. Abhishek revealed that he first met Aishwarya in 2000 during the shoot of Dhai Akshar Prem Ke, but realised his feelings for her later while filming JP&nbsp;Dutta&rsquo;s Umrao Jaan.

&ldquo;We got married a few months after the release of our film Guru together. Mani Ratnam (director) remains special for both of us. We consider him a dear friend and godfather&rdquo;, he said.

Speaking warmly about his wife, Abhishek added, &ldquo;Today, Ash is not just the mother of my daughter and full credit to her for bringing up Aaradhya with the right values, but also my soulmate. Nineteen years of our marriage have been a dream. I have big plans for our twentieth anniversary, but I am not telling you about them now.&rdquo;

He also joked about relationship advice, saying, &ldquo;Every night before you sleep, say &lsquo;sorry&rsquo; three times to your wife without fail.&rdquo;





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Meanwhile, Aishwarya shared glimpses of their family celebrations on Instagram, accompanied by a heart emoji.

The couple married in 2007 in an intimate yet grand ceremony and welcomed their daughter, Aaradhya, in 2011.

Over the years, Abhishek and Aishwarya have faced persistent rumors about their relationship, including speculation about tensions within the Bachchan family. However, his recent remarks appear to firmly dismiss such claims.]]>
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			<title>From hiking to hotpot, lonely consumers in China fuel a $7.4b companionship economy</title>
			<link>https://tribune.com.pk/story/2611049/from-hiking-to-hotpot-lonely-consumers-in-china-fuel-a-74b-companionship-economy</link>
			<comments>https://tribune.com.pk/story/2611049/from-hiking-to-hotpot-lonely-consumers-in-china-fuel-a-74b-companionship-economy#comments</comments>
			<pubDate>Tue, 02 Jun 26 09:50:26 +0500</pubDate>
			<dc:creator>
				<![CDATA[Reuters]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Young adults in China are paying gig workers for emotional support and shared activities to cure social anxiety]]>
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				<![CDATA[On the stone steps leading up Mount Tai, one of China&rsquo;s best-known peaks, hikers can book and &zwnj;pay for &ldquo;climbing buddies&rdquo; to walk with them, carry bags, and take photos for a few hundred yuan.

The increasingly popular service is part of a broader &ldquo;companionship economy&rdquo; emerging in China, which includes paid partners for running, sightseeing, and even eating out at hotpot restaurants, a meal traditionally shared with friends.

Providers, often students or ​young gig workers, advertise on social media with promises of &ldquo;emotional value&rdquo; conversation, and practical help, turning what was once an ​experience or favour among friends into a bookable &ndash; and payable &ndash; service.

While there is no official data about ⁠the size of the companion economy, estimates cited by state media said it was worth around 50 billion yuan ($7.4 billion) in 2025.

The ​trend reflects broader shifts in China&rsquo;s urban lifestyles and service economy.

Researchers and state media have described growing demand for &ldquo;emotional consumption&rdquo; as young ​people live and work farther from family networks, face longer working hours and have a harder time maintaining traditional social ties.

China&#39;s prolonged youth unemployment has coincided with - and contributed to - a growing reliance on gig and flexible work among young people, as graduates and job seekers turn to delivery, ride‑hailing and ​other online platform work in the absence of stable jobs.

Official data shows China has more than 200 million so-called flexible workers.

Paying for company

After leaving the army in 2022, Chen Wenxin founded a hiking-companion company, with a focus on the eastern province of Shandong. &ldquo;I have always been &zwnj;a hiker ⁠and have a lot of hiking experience,&quot; Chen said. &quot;I noticed rising demand in the hiking escort service, then decided to try my hand in the field.&rdquo;

His team has expanded from fewer than 10 workers to about 370 now. He said the company charges 800 yuan ($116) for daytime climbs on Mount Tai, the highest point in Shandong.

Psychotherapist Sami Wong, managing director of research firm 3Drips Psychology, said the appeal ​of paid companions is partly about ​certainty and control in a ⁠social environment that can otherwise feel like a lot of effort and high-risk.

Meeting people requires emotional labour and investment, she said, and &ldquo;the outcome is very uncertain,&rdquo; which creates anxiety. Paid companionship can help ​customers avoid the sting of rejection. &ldquo;When you pay for this service, you always get a &#39;yes&#39;,&rdquo; Wong ​said.

Tang Junxing, 24, a ⁠junior at a university in the southern Chinese city of Guilin, said he earns pocket money as a travel companion. The side gig started when a university professor asked him to be her driver on a week-long road trip.

&ldquo;That&rsquo;s when I realised you can actually make money ⁠by accompanying ​people on trips and driving for them,&rdquo; he said. Tang says he typically ​earns 3,000 to 5,000 yuan a month.

&ldquo;Most of my clients are women and their core need is emotional value, someone who makes them feel good and makes the ​trip easy,&rdquo; he said.]]>
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			<title>In New York, waiting in line becomes a social scene</title>
			<link>https://tribune.com.pk/story/2611619/in-new-york-waiting-in-line-becomes-a-social-scene</link>
			<comments>https://tribune.com.pk/story/2611619/in-new-york-waiting-in-line-becomes-a-social-scene#comments</comments>
			<pubDate>Fri, 05 Jun 26 12:18:46 +0500</pubDate>
			<dc:creator>
				<![CDATA[AFP]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[The power of social media trends means that for some, waiting for hours is an attraction in itself in New York]]>
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				<![CDATA[In front of L&#39;industrie Pizzeria, as at many other New York restaurants and shops, customers line up behind barriers in this case, all to grab a prized pizza slice.

Not everyone in America&#39;s biggest city finds standing in line to be a chore. The power of social media trends means that for some, waiting for hours is an attraction in itself.

&quot;It&#39;s gotten pretty crazy in the city recently,&quot; food influencer Ali Chilton, who has 168,000 followers on Instagram, told AFP.

&quot;Some would blame me for the lines at some of those places,&quot; the 31-year-old said, citing a craze for hot chocolates at dessert shop Glace after a video she posted in 2023 racked up tens of millions of views.

People can queue overnight in New York if needed, as happened last year when punters sought to bag free tickets for a play starring Lupita Nyong&#39;o and Peter Dinklage in Central Park.

Isabella Downes, who lately waited 40 minutes outside a Manhattan deli, said she was drawn to the idea of &quot;participating in something trendy and fun.&quot;

She was queuing to try out Dot Cakes, small frosted cakes with multicoloured sprinkles that went viral and sell for $11 apiece.

In a &quot;polarising&quot; world, she said, &quot;being collectively together over one thing, and it&#39;s usually a pretty happy and excited environment, that can be really nice too.&quot;

Line sitters



Photo: Queue outside Swatch/AFP

For the impatient, a new tool has recently become available: the website &quot;Damn Lines&quot; estimates waiting times in real time using cameras installed in nearby homes, in exchange for payment.

Or you can hire a line sitter to wait in your place.

One firm, Same Ole Line Dudes, says its workers are in at least two separate queues on any given day.

They charge clients $25 an hour for the privilege of sparing them the boredom of waiting. At courts, where media outlets often use line sitters to get a seat for high-profile cases, the rate rises to $50 an hour.

Robert Samuel, the company&#39;s founder, said that customers include businesses that may hire sitters to create a queue, enticing others to join it.

&quot;I can&#39;t say the name, but we&#39;ve had a few companies that have hired my line sitters as posers to wait outside their establishments,&quot; he told AFP.

Social ritual

Roberto Casati, a French-Italian philosopher, pointed to a deeper sense of meaning for people who join long queues like those in New York.

&quot;A social ritual is being created around the line,&quot; Casati, a research director at the French National Centre for Scientific Research, told AFP.

These moments become &quot;shareable,&quot; &quot;Instagrammable&quot; experiences and therefore more &quot;acceptable&quot; than waiting at the supermarket, he added.

Samuel Abrams, a professor at Sarah Lawrence College in New York state, said that queuing was about &quot;status.&quot;

&quot;To wait at the right place signals taste, knowledge, and stamina,&quot; he wrote in a piece for specialist website NewGeography.com.

The phenomenon can, however, create tensions.

In 2024, the hugely popular bagel chain Apollo ended up in court with the owner of a building over its long lines blocking neighbouring tenants&#39; entrances.]]>
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			<title>French museum reports theft of arty banana</title>
			<link>https://tribune.com.pk/story/2610853/french-museum-reports-theft-of-arty-banana</link>
			<comments>https://tribune.com.pk/story/2610853/french-museum-reports-theft-of-arty-banana#comments</comments>
			<pubDate>Mon, 01 Jun 26 07:26:51 +0500</pubDate>
			<dc:creator>
				<![CDATA[AFP]]>
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			<category><![CDATA[Life &amp; Style]]></category>
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				<![CDATA[In July last year, a visitor ate the fruit but guards quickly intervened and stuck up a replacement banana]]>
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				<![CDATA[The missing fruit, which was taped to a wall to form the provocative work by Cattelan called &quot;Comedian&quot;, was noticed by a guard on Saturday to have gone missing.

The Pompidou-Metz museum, which is a branch of the famous Pompidou Centre in Paris, said in a statement it had lodged a criminal complaint for theft against persons unknown.

It also said it had replaced the banana.

It is not the first time damage has been dealt to the conceptual artwork, whose perishable banana centrepiece is replaced every three days to keep it contemporary.

In July last year, a visitor to the museum ate the fruit. But guards quickly intervened and stuck up a replacement banana.

Cattelan said at the time he was disappointed the hungry visitor had consumed only the banana and not the tape as well. The museum did not take legal action in that instance.

This time, though, it decided to make its criminal complaint because the perpetrator was unidentified, and therefore &quot;there is no possibility of dialogue&quot;.

It also said that &quot;this is the second time this has happened&quot;, and it felt it was an issue of respect for the artwork.

Cattelan&#39;s edible creation, which aims to question the notion of art and its value, has sparked controversy ever since it made its debut at the 2019 Art Basel show in Miami Beach with an asking price of $120,000.

A performance artist, David Datuna, ate &quot;Comedian&quot; at that 2019 show, saying he felt &quot;hungry&quot;.

But the work&#39;s value has only risen.

Chinese-born crypto founder Justin Sun, in 2024, forked out $5.2 million for one iteration of the work, then days later ate it in front of cameras in Hong Kong.

As well as &quot;Comedian&quot;, Cattelan is also known for producing an 18-carat, fully functioning gold toilet called &quot;America&quot; that was offered to Donald Trump during his first term in the White House.

A British court in March found two men guilty of stealing it during an exhibition in 2020 in the United Kingdom, from an 18th-century stately home that was the birthplace of wartime prime minister Winston Churchill.

It was split up into parts, and none of the gold was ever recovered.]]>
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			<title>PCOS renamed Polycystic Metabolic Ovarian Syndrome in hopes of improving diagnoses</title>
			<link>https://tribune.com.pk/story/2607884/pcos-renamed-polycystic-metabolic-ovarian-syndrome-in-hopes-of-improving-diagnoses</link>
			<comments>https://tribune.com.pk/story/2607884/pcos-renamed-polycystic-metabolic-ovarian-syndrome-in-hopes-of-improving-diagnoses#comments</comments>
			<pubDate>Wed, 13 May 26 10:51:46 +0500</pubDate>
			<dc:creator>
				<![CDATA[Web Desk]]>
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			<category><![CDATA[Technology]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2607884</guid>
			<description>
				<![CDATA[PCOS renamed PMOS after 14-year global effort to better reflect hormonal and metabolic nature of condition]]>
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				<![CDATA[Polycystic Ovary Syndrome (PCOS) has officially been renamed Polyendocrine Metabolic Ovarian Syndrome (PMOS), following a landmark 14-year collaboration between Monash University, medical experts, researchers, and patients worldwide.

The announcement was made by The Lancet on Tuesday, marking a significant shift in how the condition is understood and discussed globally. The condition affects around one in eight women, impacting more than 170 million people worldwide.

According to speakers at a press conference announcing the change, the previous name &ldquo;Polycystic Ovary Syndrome&rdquo; was considered misleading because it inaccurately suggested the condition was primarily a gynecological issue centered on ovarian cysts.

Patient advocacy and professional organisations, including the Endocrine Society, participated in the renaming process. Experts explained that the new term, PMOS, better reflects the complex nature of the condition by highlighting its hormonal, metabolic, and reproductive aspects rather than focusing solely on the ovaries.

The updated name aims to simplify public understanding of the condition while recognising its broad effects on the body. PMOS is associated with hormonal imbalances, metabolic complications, weight fluctuations, skin issues, mental health challenges, and reproductive health concerns.

A three-year international transition period will now begin, supported by educational campaigns and awareness initiatives involving healthcare professionals, researchers, and governments worldwide. The updated terminology is expected to be formally incorporated into the 2028 International Guideline update. 

&ldquo;The thought behind that is that there&#39;s no cysts in the ovary, so it&rsquo;s very confusing,&rdquo;&nbsp;said Dr Melanie Cree, of the pediatric endocrinology department at the University of Colorado. She added, &ldquo;The hope was that with a more comprehensive and accurate name change, that it would start to enable and push better care.&rdquo;

The conference also highlighted the contributions of Lorna Berry, an Australian woman living with PMOS who played a key role in the renaming initiative. &ldquo;This is about accountability and progress,&rdquo;&nbsp;she said.

Berry added, &ldquo;It is about my daughters, their daughters, and the countless women yet to be born. We deserve clarity, understanding, and equitable healthcare from the very beginning.&rdquo;

Rachael Morman, chair of Verity, also welcomed the change, saying the new name properly acknowledges the hormonal and metabolic dimensions of the condition.

&ldquo;It is fantastic that the new name now leads with hormones and recognises the metabolic dimension of the condition,&rdquo; she said. She concluded, &ldquo;This shift will reframe the conversation and demand that it is taken as seriously as the long-term, complex health condition it is.&rdquo;]]>
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			<title>Soviet-era watches revived for luxury market</title>
			<link>https://tribune.com.pk/story/2603857/soviet-era-watches-revived-for-luxury-market</link>
			<comments>https://tribune.com.pk/story/2603857/soviet-era-watches-revived-for-luxury-market#comments</comments>
			<pubDate>Mon, 20 Apr 26 20:10:40 +0500</pubDate>
			<dc:creator>
				<![CDATA[reuters]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[From frozen factory floors to the wrist of Putin, former British lawyer turns ailing Raketa into a success story]]>
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				<![CDATA[When David Henderson-Stewart first visited Russia&#39;s Raketa watch factory, its few remaining watchmakers were huddled in winter coats over vintage equipment.

The British former lawyer knew nothing about watches, but his love of Soviet design led him to see potential in the ailing enterprise, which once employed 7,000 workers and produced timepieces for astronauts and the mass market.

President Vladimir Putin now wears a watch made by its bespoke offshoot, Imperial Peterhof Factory. &quot;I would never have found something as interesting as Raketa in the West,&quot; said Henderson-Stewart, who did not wear a watch until he took over the factory outside St Petersburg with a partner in 2010.

A yearning to live abroad drove Henderson-Stewart to move to Russia to work in law after studying at Oxford and at Paris&#39;s Sorbonne University. He has stayed, raising three children, who all have Russian citizenship. Under his leadership, Raketa&#39;s pivot to high end watches with an emphasis on their &quot;Made in Russia&quot; credentials has paid off.

Western sanctions imposed over the war in Ukraine squeezed trade and shuttered foreign luxury stores in Russia from 2022, but domestic demand rose for the largely unsanctioned company, while sales continued to Europe and the Middle East. Its own supply chain was little affected.

&quot;We don&#39;t depend on the West for components. We produce most of them ourselves,&quot; Henderson-Stewart said at the revamped Raketa facility, whose industrial roots date to 1721. &quot;That&#39;s what our community likes ... that it&#39;s a Russian-made watch.&quot;

PUTIN BOOST

In the factory, some of the over 200 employees use refurbished machinery to fashion tiny cogs, wheels and springs, continuing the rare practice of making all mechanical parts in-house. Elsewhere, watchmakers with magnifying eyepieces work painstakingly, pop music blaring in the background.

Raketa received a boost in 2022 when Putin was spotted wearing his Imperial Peterhof Factory watch. Some local media read it as a signal of support for domestic production after the invasion of Ukraine. Putin has since worn the watch regularly, spurring demand for similar designs, said Henderson-Stewart.

Public records show Raketa posted profit of 109 million roubles ($1.43 million) in 2025, over 15% more than in 2024. Priced from around $700 to $3,500, Raketa watches are mostly based on Soviet designs, including the steely-faced Baikonur, named after the cosmodrome from which Moscow still launches crewed space flights.

The hands of another of its watches sweep counter-clockwise. This unique model has become a bestseller since it was brought to Henderson-Stewart&#39;s attention by head engineer Lyudmila Voynik, 86, who has worked at the factory since the 1950s. &quot;I have lived my life here. I am proud that we managed to revive it all once again.&quot;]]>
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			<title>Shehzad Roy unveils teaser of new podcast featuring Malala Yousafzai</title>
			<link>https://tribune.com.pk/story/2600850/shehzad-roy-unveils-teaser-of-new-podcast-featuring-malala-yousafzai</link>
			<comments>https://tribune.com.pk/story/2600850/shehzad-roy-unveils-teaser-of-new-podcast-featuring-malala-yousafzai#comments</comments>
			<pubDate>Fri, 03 Apr 26 08:52:03 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Shot at her London home, Malala appears as the first guest on Roy’s new venture, ‘Laga Reh Podcast’]]>
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				<![CDATA[Shehzad Roy has given fans a first look at his new venture, Laga Reh Podcast, with a teaser featuring Nobel Peace Prize winner Malala Yousafzai as his first guest.

The short clip, shared on Thursday on YouTube and Instagram, was filmed in Malala&rsquo;s London home and promises a conversation that is open, honest, and more personal than usual interviews.

In the teaser, Roy is seen asking Malala questions about her life, her work in education, and the challenges she has faced over the years. The discussion touches on topics that are often surrounded by public debate, showing that the episode will not shy away from tough questions.





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At the same time, the conversation feels natural, with moments of light humour and relaxed chatting, making it clear that the podcast will mix serious discussion with friendly conversation.

The teaser also shows Malala&rsquo;s husband, Asser Malik, joining parts of the conversation. Roy directs a few questions to him, including topics about Malala&rsquo;s bestselling book. This gives a hint that the podcast will not just focus on Malala alone but also on the people around her, giving viewers a fuller picture of her life and work.





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What makes the promo stand out is how relaxed and open the conversation feels. The podcast will be more than a standard interview, aiming instead to give viewers a chance to hear personal thoughts and insights that are rarely shared in public.

The pacing and tone of the teaser suggest that the full episode will be a mix of deep questions, personal stories, and lighthearted moments.





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With this first glimpse, anticipation is growing for the full episode.

Fans are eager to hear Malala speak openly about her experiences all in the calm and thoughtful style that Roy brings to his podcast.]]>
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			<title>Thought-provoking 'Khali Stage' wins hearts on World Theatre Day</title>
			<link>https://tribune.com.pk/story/2599838/thought-provoking-khali-stage-wins-hearts-on-world-theatre-day</link>
			<comments>https://tribune.com.pk/story/2599838/thought-provoking-khali-stage-wins-hearts-on-world-theatre-day#comments</comments>
			<pubDate>Sat, 28 Mar 26 20:36:34 +0500</pubDate>
			<dc:creator>
				<![CDATA[APP]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Play captivates audience with powerful message, artistic brilliance; receives all-round praise from enthusiastic audie]]>
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				<![CDATA[Marking World Theatre Day on Friday, the thought-provoking play &quot;Khali Stage&quot;, presented in collaboration with Dolphin Communication and the Pakistan National Council of the Arts, captivated the audience with its powerful message and artistic brilliance. The hall echoed with applause for a long time after the outstanding performance, as attendees paid rich tribute to the creative efforts of Asma Ismail Butt.

They remarked that such meaningful and creative productions not only breathe new life into theatre but also play a vital role in highlighting social values and intellectual awareness.

The play was written by Muhammad Waqar Azeem, while direction and presentation were led by Ms. Asma Ismail Butt.

The drama effectively and movingly portrayed the spirit of theatre, its history, and its decline and revival. The cast included Lareb Rathore, Imran Rashdi, Kaleem Khan, Masooma Shah, Noor Shararti, Waqas, and Samran Ali, all of whom delivered powerful and deeply felt performances that received great appreciation from the audience.

The story revolves around a young girl who is deeply connected to theatre. On an empty stage, she begins to see characters from the past come alive before her eyes. However, as soon as a modern director enters the scene, all the characters disappear.The dialogue that unfolds between the girl and the director reflects the lack of creative spirit in modern theatre and raises important questions about its future.

According to the CEO of Dolphin Communication, Ms. Asma Ismail Butt, &quot;Khali Stage&quot; is a sincere effort to highlight the creative and intellectual dimensions of theatre and to remind audiences of its enduring importance.

At the end of the performance, the audience praised the play wholeheartedly and stated that such productions play an important and necessary role in promoting intellectual awareness and cultural sensitivity in society.

World Theatre Day (WTD) is an international observance celebrated on 27 March. It was initiated in 1961 by the International Theatre Institute.

World Theatre Day was initiated in 1962 by the International Theatre Institute (ITI). It is celebrated annually on 27 March by ITI Centres and the international theatre community. Various national and international theatre events are organized to mark this occasion. One of the most important of these is the circulation of the World Theatre Day International Message through which at the invitation of ITI, a figure of world stature shares his or her reflections on the theme of Theatre and a Culture of Peace. The first World Theatre Day International Message was written by Jean Cocteau (France) in 1962. It was first in Helsinki, and then in Vienna at the 9th World Congress of the ITI in June 1961 that President Arvi Kivimaa proposed on behalf of the Finnish Centre of the International Theatre Institute that a World Theatre Day be instituted. The proposal, backed by the Scandinavian centres, was carried with acclamation.

The 2023 International Message was entrusted to Samiha Ayoub, an Egyptian actress mainly in theater, but also active in the world of cinema and television.

For the 62nd edition of World Theatre Day in 2024, the message, entitled &#39;Art is Peace&#39;, was written by Jon Fosse, Norwegian writer and playwright. It strongly and profoundly recalls the founding values of theatre with respect to the global community, emphasizing the peaceful and universal value of art.

The 2026 International Massage was entrusted to American actor Willem Dafoe with the conclusion: &quot;In a world that seems to get more divisive, controlling and violent, our challenge as theatre makers is to avoid the corruption of theatre solely as a commercial enterprise dedicated to the entertainment by distraction or as the dry institutional preserver of traditions, but rather to foster its strength to connect peoples, communities, cultures and above all to question where we are going.&quot;]]>
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			<title>James Tolkan, iconic 'Back to the Future' actor, dies at 94</title>
			<link>https://tribune.com.pk/story/2599840/james-tolkan-iconic-back-to-the-future-actor-dies-at-94</link>
			<comments>https://tribune.com.pk/story/2599840/james-tolkan-iconic-back-to-the-future-actor-dies-at-94#comments</comments>
			<pubDate>Sat, 28 Mar 26 20:36:34 +0500</pubDate>
			<dc:creator>
				<![CDATA[News Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Also famous for his 'Top Gun' role, star leaves behind strong legacy]]>
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				<![CDATA[James Tolkan, the veteran character actor known for his steely presence and unforgettable roles, has died at 94 in Saranac Lake, New York, a family spokesperson confirmed. Tolkan became an indelible figure in Hollywood with his portrayals of intense, no-nonsense characters, leaving a mark on audiences across decades.

Tolkan is perhaps best remembered for Back to the Future, where he played the strict Hill Valley High School principal Mr. Strickland, famously berating students as &#39;slackers&#39;. He reprised the role in the sequel and even appeared as Strickland&#39;s grandfather in the third installment. Audiences also cheered his commanding presence as Tom Cruise&#39;s officer, Pete &#39;Stinger&#39; Jardian, in Top Gun.

Beyond these iconic roles, Tolkan&#39;s filmography spanned a remarkable range. He appeared in Woody Allen&#39;s Love and Death as Napoleon and his look-alike, played the crooked accountant Numbers in Dick Tracy, and featured in three Sidney Lumet films: Serpico, Prince of the City, and Family Business. His versatility extended to horror with The Amityville Horror, sci-fi with WarGames, and fantasy with Masters of the Universe.

On stage, Tolkan shone in Broadway productions, including the original Glengarry Glen Ross as Dave Moss and Wait Until Dark, where he replaced Robert Duvall in the role of Harry Roat. His television credits were equally extensive, with appearances on Remington Steele, Miami Vice, The Fresh Prince of Bel-Air, The Wonder Years, Leverage, and A Nero Wolfe Mystery, where he also directed several episodes.

Born on June 20, 1931, in Calumet, Michigan, Tolkan moved through Chicago and Tucson, Arizona, after his parents divorced. Following service in the U.S. Navy, he studied at Coe College, the University of Iowa, and honed his craft at The Actors Studio alongside classmates like Warren Beatty. He made his onscreen debut in 1960 on Naked City and built a career defined by dedication, discipline, and memorable intensity.

Tolkan is survived by his wife, Parmelee, whom he met on the set of the off-Broadway play Pinkville in 1971. The couple married that year in Lake Placid. Fans wishing to honour Tolkan&#39;s memory are encouraged to donate to local animal shelters or Humane Society chapters.

Tolkan is perhaps best known for his role in the 1985 film Back to the Future as the strict Hill Valley High School vice principal Gerald Strickland; the character refers to Marty McFly, his father, and Biff Tannen derisively as &quot;slackers&quot;.]]>
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			<title>'Cheating fruit' AI trend gains millions of TikTok views</title>
			<link>https://tribune.com.pk/story/2599111/cheating-fruit-ai-trend-gains-millions-of-tiktok-views</link>
			<comments>https://tribune.com.pk/story/2599111/cheating-fruit-ai-trend-gains-millions-of-tiktok-views#comments</comments>
			<pubDate>Tue, 24 Mar 26 23:07:11 +0500</pubDate>
			<dc:creator>
				<![CDATA[News Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
			<guid isPermaLink="false">https://tribune.com.pk/?p=2599111</guid>
			<description>
				<![CDATA[Video shows strawberry cheating on her husband with eggplant]]>
			</description>
			<content:encoded>
				<![CDATA[The latest social media trend featuring AI-generated fruits has people creating dramatic, soap-opera-style stories where fruits cheat on one another. It all started with a TikTok video showing a strawberry cheating on her husband with an eggplant. Since then, these anthropomorphic fruit characters have continued the trend, engaging in over-the-top relationship drama and infidelity.

Posted by creator trombonechef and AI cinema on TikTok, the sad fruit stories have increased to subsequent multi-part videos and continues stories of affairs. Many compared the drama to Love Island storylines.

Although not very impressive productions of AI, the trends have taken over for pure entertainment purposes, which often include ridiculous storylines of betrayal and awkward voiceovers, gaining millions of views.

Another popular trending storyline is that of a strawberry couple, whose upcoming wedding is sabotaged by a chocolate. The video features the chocolate going out of her way to steal the strawberry&#39;s man and set fire to her wedding dress.

Many viewers took to TikTok to share their obsession with these AI-cheating fruit videos, saying that they are taking over their lives.

Many musicians, including Zara Larsson, received criticism for reposting these videos after talking about the negative consequences of AI.

This is not the first time that we have seen AI videos go viral. Just last year, AI cat videos were blowing up on social media, featuring cheating scandals and videos of mothers accidentally cooking their children in ovens or throwing them into washing machines.

Commentators took to social media to share the consequences of this type of content for children who are scrolling online.

This trend has also entered the Eastern sphere, where content creators in South Asia are making similar AI videos with desi-flavored items including Samosa and Jalebi, as well as Karela and Aloo.

All in all, it could be noted that this viral wave of AI-generated &quot;cheating fruit&quot; dramas highlights both playful creativity and the growing absurdity of internet culture in the age of artificial intelligence. While these humorous and exaggerated soap-opera-style short films might appeal to the audience, they also raise concerns about the type of content we are allowing our children to be subjected to.

As this phenomenon grows globally, we can see how AI is not just a tool for innovation, but also a powerful force shaping entertainment, trends, and digital behavior.]]>
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			<title>Social media welcomes SC verdict upholding Zahir Jaffer's death sentence</title>
			<link>https://tribune.com.pk/story/2611585/social-media-welcomes-sc-verdict-upholding-zahir-jaffers-death-sentence</link>
			<comments>https://tribune.com.pk/story/2611585/social-media-welcomes-sc-verdict-upholding-zahir-jaffers-death-sentence#comments</comments>
			<pubDate>Fri, 05 Jun 26 08:06:44 +0500</pubDate>
			<dc:creator>
				<![CDATA[Life And Style Desk]]>
			</dc:creator>
			<category><![CDATA[Life &amp; Style]]></category>
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			<description>
				<![CDATA[Apex court dismissed review petition filed by Jaffer's counsel in Noor Mukadam murder case]]>
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				<![CDATA[On Thursday, the Supreme Court dismissed Zahir Jaffer&#39;s plea for a review of its decision upholding his death sentence in one of the country&#39;s most notable cases of violence against women.

The court&#39;s definitive dismissal of Jaffer&#39;s review petition marked the end of a gruelling five-year judicial saga, triggering a wave of relief and reflection across the nation.



#WATCH: &ldquo;All three courts had upheld the death sentence,&rdquo; says Noor Mukadam&rsquo;s father after Pakistan&rsquo;s Supreme Court rejects Zahir Jaffer&rsquo;s review petition, upholding his conviction in the 2021 murder case. https://t.co/mBHx3RCsol pic.twitter.com/WfsELSzhq5
&mdash; Arab News Pakistan (@arabnewspk) June 4, 2026


According to the last verdict, Jaffer was sentenced to death in February 2022 by a sessions court in Islamabad for the murder of Noor Mukadam in 2021. The sentence was upheld by both the Islamabad High Court and the Supreme Court following a series of appeals.

For years, the Pakistani public followed the case with a sense of collective anxiety, fearing that elite privilege, wealth, and the murderer&#39;s dual citizenship may potentially create a legal loophole or lead to an indefinite delay in justice.

Following the final hearing, the public held its breath as the defence team mounted a psychological argument in a desperate bid to save Jaffer from the death sentence. A three-member Supreme Court bench ultimately dismantled this narrative, noting that there was no lifelong medical or academic history to support such a sudden and severe psychiatric claim.

Since the Supreme Court upheld Jaffer&#39;s death sentence, the mood across social media has largely been one of profound relief. Users received the decision as less of a routine legal victory and more as a historic moment of accountability.



Justice prevails. Supreme Court dismisses Zahir Jaffer&rsquo;s review petition in Noor Mukadam murder case. Death sentence stands. A strong message: No one is above the law. #JusticeForNoor #NoorMukadam #SupremeCourt #EndViolenceAgainstWomen
&mdash; Fozia Chaudary (@Fozia_chaudary) June 4, 2026


The decision sends a rare and powerful message to the highest tiers of society that violence against women will no longer be shielded by family status, wealth, or influence. Many social media users argued that Jaffer&#39;s sentencing sets an important moment for potential convicts.



Glad to see the courts continue to uphold Zahir Jaffer&rsquo;s sentence. The #NoorMukadam case feels as haunting today as it did in 2021. What also needs to be said is that mental health cannot become the go to defense plan every time a privileged perpetrator commits a horrific crime.&hellip; https://t.co/X1a6yc7GAd
&mdash; Maheen Ghani (@maheenghani_) June 4, 2026


Although the dismissal of the review petition closes a legal avenue for the murderer,&nbsp;many people stated that the fight isn&#39;t over, arguing that the case is only the beginning and that there is still a long way to go to ensure the protection of women in Pakistan.



Noor Mukadam should still be alive...
Today&#39;s decision won&#39;t bring her back, but it closes one more avenue for escaping accountability in one of Pakistan&#39;s most horrific cases. #NoorMukadam #JusticeForNoor #Pakistan pic.twitter.com/WORCHKD3PL
&mdash; Saman 🍉 🕊️ 🎒 (@SamanAhsan) June 4, 2026


Users also commented that while justice was ultimately served, it remains out of reach for many victims who are without means or societal influence. They argued that the case reached its conclusion within four to five years because Noor&#39;s father was a retired diplomat belonging to an influential family.



Justice served, and that&#39;s good to see. But let&#39;s be honest, this moved from Sessions to the High Court to SC, appeal, and review all within 4-5 years because it was elite vs elite. A ghareeb aadmi&#39;s case rots in the system for decades. The disparity is the real scandal.
&mdash; awais (@awais_ch_92) June 4, 2026


Many others drew comparisons with other cases involving influential figures who were accused in high-profile cases and later got benefits with legal outcomes that were shaped by settlements with the victims&#39; families. Commenters said that such cases highlight the dysfunctional judicial system that continues to exist within Pakistan.



Just imagine how difficult it is to obtain justice in Pakistan when the accused belongs to the elite class. Noor Mukadam was brutally murdered in July 2021, and Zahir Jaffar was caught at the scene, yet years later the case continued through appeal after appeal before reaching&hellip; https://t.co/5oQpNE0AS7
&mdash; Dr Ahmad Rehan Khan (@AhmadRehanKhan) June 4, 2026


With Jaffer having officially exhausted every judicial avenue of appeal within Pakistan&#39;s&nbsp;system, the only remaining barrier to the execution of his death sentence is a presidential pardon under Article 45 of the Constitution of Pakistan.

Given the overwhelming public mandate for justice, however, users view the prospect of a pardon as highly unlikely.



SC upholds Zahir Jaffer&#39;s death sentence in Noor Mukadam case. Only option left: presidential mercy petition, subject to victim&#39;s family consent. Pakistan has executed in similar cases before, Mumtaz Qadri and Zainab&#39;s killer Imran Ali.@NuktaPakistan https://t.co/b63xSDSYyM
&mdash; Ali Hamza (@alihamzaisb) June 4, 2026




The president of Pakistan must reject the mercy petition of Zahir Jaffer. His crime is unforgivable. He must be held accountable for his heinous crime. We all know he&rsquo;s part of the elite &amp; the powerful of this country. A presidential pardon will be a betrayal to the women of this&hellip;
&mdash; Tooba Syed (@Tooba_Sd) June 4, 2026]]>
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			<title>Aishwarya Rai Bachchan named global brand ambassador for JW Marriott</title>
			<link>https://tribune.com.pk/story/2611238/aishwarya-rai-bachchan-named-global-brand-ambassador-for-jw-marriott</link>
			<comments>https://tribune.com.pk/story/2611238/aishwarya-rai-bachchan-named-global-brand-ambassador-for-jw-marriott#comments</comments>
			<pubDate>Wed, 03 Jun 26 10:46:01 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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				<![CDATA[Indian actor will join 'Stay in the Moment' campaign, showcasing mindful travel, well-being and meaningful connections]]>
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				<![CDATA[JW Marriott, part of Marriott Bonvoy&#39;s portfolio of more than 30 hotel brands, has announced Indian actor Aishwarya Rai Bachchan as its new global brand ambassador.

The internationally acclaimed star will help bring renewed visibility to the luxury hospitality brand&#39;s global &quot;Stay in the Moment&quot; platform, which promotes mindful travel, well-being and meaningful connections.

Sharing her thoughts on the partnership, Aishwarya said travel has always played an important role in her life, both personally and professionally.

&ldquo;The most meaningful travel experiences are often the quietest ones, when you are fully aware of where you are and who you are with,&rdquo; she said. &ldquo;JW Marriott&#39;s philosophy of being present and in the moment speaks to that awareness. I am honoured to represent a brand that values presence and purpose in equal measure,&rdquo; she added.





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For more than two decades, Aishwarya has represented India on the global stage through her work in cinema, fashion, philanthropy and international cultural initiatives. According to the company, her global appeal and enduring reputation align with JW Marriott&#39;s focus on luxury, authenticity and well-being.

&ldquo;Aishwarya&#39;s global stature, warmth and authenticity make her a natural embodiment of JW Marriott and an ideal partner for the brand,&rdquo; said Bruce Rohr, Vice President and Global Brand Leader of JW Marriott.

&ldquo;She brings a thoughtful and grounded presence that reflects the way our guests seek to travel &mdash; with intention and a sense of connection,&rdquo; he added.

As part of the partnership, Aishwarya will feature in international marketing campaigns across film, digital and other media platforms. JW Marriott said the collaboration reflects its long-term commitment to India while further strengthening its global &quot;Stay in the Moment&quot; initiative.]]>
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			<title>Kinza Hashmi says she still does not feel she has 'made it' after 12 years in entertainment industry</title>
			<link>https://tribune.com.pk/story/2610855/kinza-hashmi-says-she-still-does-not-feel-she-has-made-it-after-12-years-in-entertainment-industry</link>
			<comments>https://tribune.com.pk/story/2610855/kinza-hashmi-says-she-still-does-not-feel-she-has-made-it-after-12-years-in-entertainment-industry#comments</comments>
			<pubDate>Mon, 01 Jun 26 07:41:14 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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				<![CDATA[Actor opens up about fear of criticism, constant struggle for relevance]]>
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				<![CDATA[Actor Kinza Hashmi in a recent interview reflected on her career, gaining attention for candid remarks about choosing personal peace and meaningful work over fame.

Kinza discussed her 12-year journey in Pakistan&rsquo;s entertainment industry, sharing her perspective on success, criticism, and staying true to herself. Regarding fame, Kinza said she has never wanted to be part of a competitive race&nbsp;for success. &ldquo;I don&rsquo;t want to be part of any race. I do projects that feel right in my heart and I don&rsquo;t want any negative attention,&quot; she said.

The actor admitted that she often feels hesitant taking on controversial roles or even giving interviews because of the fear of criticism and public backlash. &ldquo;People in Pakistan love you, but if you do or say one thing wrong, they will not accept that,&rdquo; she said.

Kinza also reflected on her career, saying that despite spending over a decade in the industry, she still does not feel she has fully &ldquo;made it.&quot; &ldquo;I feel every day is a struggle. One project is done, another struggle and a new script begins. It is constant. You can never feel successful in Pakistan or feel that you have made it as a star. Maybe you can be in Bollywood or Hollywood,&rdquo; the actor stated.

She further revealed that her interest in entertainment originally began through singing rather than acting. &ldquo;When I was in school, my teacher used to tell me my voice is really nice. From there, my friends in school and my mother encouraged me to start but then I got offered a drama. Acting started, but occasionally I also did singing projects, and then I did a song with Ali Raza,&rdquo; Kinza shared.

She explained that while singing remains close to her heart, she now sees it more as a hobby than a professional path.





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Opening up about the realities of the entertainment industry, Kinza stressed that success does not automatically make life easier. &ldquo;You don&rsquo;t get everything handed to you on a plate. It does not mean that if one project does well, everything becomes easy. Like I said before, it is a constant struggle,&rdquo; she explained.

Discussing opportunities for newcomers in the industry, Kinza said there is always room for fresh talent but stressed that consistency is what helps actors stay relevant. &ldquo;There are not that many actors that there is no space for new ones, but people are forgettable. You have to remain constant or, if you take a break, people will forget you,&rdquo; the actor said.

Further, she spoke about how industry has evolved over the years, noting that social media and online trolling have made the environment more intense for actors.

&ldquo;When I started, I was learning and it was a bit easier. There were fewer views coming from YouTube and less trolling. People used to watch for entertainment,&rdquo; the actor noted. She added, &ldquo;But now I find this time different. You have to understand how to perform. You are having discussions on the scripts and trying to understand the characters.&quot;

Talking about her latest drama Leader, in which she plays Rubab, the daughter of a wealthy politician, Kinza shared how deeply she worked on understanding her character&rsquo;s emotional journey. &ldquo;I thought about the character&rsquo;s journey a lot &mdash; where she starts and where she ends,&rdquo; she said, adding that people really praised her acting in the role.

&quot;I think when you understand your character well, you understand what emotions to bring out so that each scene feels different,&rdquo; she added.

Recalling one particularly emotional sequence, she revealed that it took her two days to perfect a crying scene because she wanted to portray the emotions realistically. &ldquo;It took me two days to get that crying scene right because I tried to understand what Rubab was feeling and the authority she carried. I try to think realistically &mdash; if someone was shot in front of me, I would not immediately cry, I would first be scared,&rdquo; she explained.

Through the interview, Kinza offered an honest look into the pressures of the entertainment industry while emphasising the importance of staying grounded, consistent, and emotionally connected to the work she chooses.]]>
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			<title>Lilly Singh says being 37 and unmarried is just part of the journey</title>
			<link>https://tribune.com.pk/story/2609513/lilly-singh-says-being-37-and-unmarried-is-just-part-of-the-journey</link>
			<comments>https://tribune.com.pk/story/2609513/lilly-singh-says-being-37-and-unmarried-is-just-part-of-the-journey#comments</comments>
			<pubDate>Fri, 22 May 26 12:28:53 +0500</pubDate>
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				<![CDATA[Life And Style Desk]]>
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			<description>
				<![CDATA[Indian-Canadian host reflects on fame, purpose, and rejecting pressure around marriage and success in her 30s]]>
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				<![CDATA[Indian-Canadian host, author and actor&nbsp;Lilly Singh, also known as &ldquo;Superwoman&rdquo;, spoke to Variety about her journey from a small-time vlogger to a global entertainer, reflecting on career growth, philanthropy, travel and work-life balance.

In the interview, Singh discussed the highs and lows of fame, saying the experience ultimately helped her build a successful multi-platform career.&nbsp;

One of Singh&rsquo;s most talked-about remarks centred on societal expectations surrounding marriage and age. &ldquo;I do not believe in regrets. When I was 16, I believed I had to figure it all out &mdash; my career, marriage and having kids,&rdquo; she said.

&ldquo;Now I am 37, unmarried and do not have children. What I would tell my 16-year-old self is to put a little less pressure on figuring everything out and instead enjoy the journey.&rdquo;

Singh revealed that her career began during a difficult period in her teenage years when she struggled with depression in high school before rising to fame through her relatable South Asian-themed YouTube content as &ldquo;Superwoman&rdquo;.

Today, she is known as the host of A Little Late with Lilly Singh and has also established herself as an author, producer and podcaster.

Speaking about philanthropy, Singh highlighted her commitment to supporting underprivileged girls in India through her initiative, Unicorn Island. &ldquo;I believe in gender equality. The world would be a better place if women had more power,&rdquo; she said.

Singh added that she works with the Pardada Pardadi Educational Society, which supports the education of girls from underprivileged rural communities. &ldquo;I found it important to personally support this endeavour,&rdquo; she said.

Despite growing up in Canada, Singh said India remains close to her heart. &ldquo;My problems may seem vastly different from those faced by girls in some parts of the world, but many issues are universal &mdash; body shaming, standing up to your parents and fighting for what you want,&rdquo; she said.

Singh also reflected on her admiration for Bollywood icon Shah Rukh Khan, recalling a memorable visit to his residence, Mannat. &ldquo;I still vividly remember how I felt spending time with him. He spoke to me in detail about what he loved about my work,&rdquo; she said. &ldquo;The best gift you can give people is your time and attention. I try to emulate that with my fans.&rdquo;

Now active in the film industry, Singh is also involved in Holy Curse, a film exploring gender identity issues within a traditional social setting. &ldquo;Everything I do has meaning and is artistic. I do things for the little Lilly who just wants to have fun,&rdquo; she said.

Singh also described travel as one of life&rsquo;s greatest teachers. &ldquo;If I were president of the world, I would make travel mandatory and accessible for everyone. Meeting people from the other side of the world is incredibly important,&rdquo; she said.

Reflecting on her work ethic, Singh said she no longer believes overworking should be glorified. &ldquo;In my 20s, I worked all day without breaks. Now, in my 30s, I know better,&rdquo; she added.]]>
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			<title>Louvre begins 'New Renaissance' renovation project amid security concerns</title>
			<link>https://tribune.com.pk/story/2608956/louvre-begins-new-renaissance-renovation-project-amid-security-concerns</link>
			<comments>https://tribune.com.pk/story/2608956/louvre-begins-new-renaissance-renovation-project-amid-security-concerns#comments</comments>
			<pubDate>Tue, 19 May 26 10:20:08 +0500</pubDate>
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				<![CDATA[Redevelopment begins with new entrance and Mona Lisa area to ease congestion, with cost projected up to €1b]]>
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				<![CDATA[A major redevelopment of the Louvre Museum in Paris has started, led by a team of international architects. The project, announced earlier this week, will introduce a new entrance and a dedicated viewing area for Leonardo da Vinci&rsquo;s Mona Lisa.

The initiative, titled &ldquo;Louvre &ndash; New Renaissance&rdquo;, was first unveiled by French President Emmanuel Macron last year and has now officially begun its planning and design phase. The overall cost is estimated to be between &euro;700 million and &euro;800 million, although France&rsquo;s Court of Auditors has projected a higher figure of around &euro;1.15 billion.

A key feature of the redesign is a new entrance intended to reduce congestion at the museum&rsquo;s iconic glass pyramid, which currently serves as the main access point. Designed in 1988 to accommodate around 4 million visitors annually, the Louvre now receives nearly 9 million visitors each year, placing significant strain on its infrastructure.

Under the new plan, the Mona Lisa, which draws an estimated 20,000 visitors per day, will be given a separate, dedicated viewing space and access route, along with a separate ticketing system.

The redevelopment will be carried out by an international consortium of architects, including Studios Architecture Paris and Selldorf Architects, the New York-based firm founded by German architect Annabelle Selldorf. The collaboration is part of a broader effort to modernise the museum while improving visitor flow, security, and preservation standards.

Officials say the redesign also responds to heightened security concerns following a jewellery heist incident in October 2025 that exposed vulnerabilities in the museum&rsquo;s systems and resulted in significant repair and security reinforcement costs.

France&rsquo;s Cultural Ministry praised the project, stating that it reflects &ldquo;the quality of its architectural approach and its integration in terms of heritage, urban, and landscape considerations.&rdquo;

The Louvre itself described the vision as one that &ldquo;establishes an elegant link between the city, the palace, and the museum,&rdquo; emphasising its aim to balance modernisation with respect for the historic site.]]>
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